| | BOOK FORMAT
Clth, 7.75 x 8.75 in. / 208 pgs / 87 duotone. PUBLISHING STATUS
Pub Date 8/31/2012
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Catalog: FALL 2012 p. 180 PRODUCT DETAILS
ISBN 9780870708350 TRADE
List Price: $40.00 CDN $54.00 AVAILABILITY
In stock | EXHIBITION SCHEDULENew York
The Museum of Modern Art, 07/19/13-01/14 | Seventy-fifth-anniversary facsimile edition of one of the most significant photobooks ever published. |
| | | Walker Evans: American PhotographsSeventy-Fifth Anniversary EditionPublished by The Museum of Modern Art, New York
Introduction by Sarah Meister. Text by Lincoln Kirstein.
 A 75th-anniversary facsimile edition of one of the most significant photobooks ever published More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edition of American Photographs was a carefully prepared letterpress production, published by The Museum of Modern Art in 1938 to accompany an exhibition of photographs by Evans that captured scenes of America in the early 1930s. As noted on the jacket of the first edition, Evans, “photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers.” This seventy-fifth anniversary edition of American Photographs, made with new reproductions, recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. American Photographs has fallen out of print for long periods of time since it was first published, and even subsequent editions--two of which altered the design and typography of the book in small but significant ways--are often available only at libraries and rare bookstores. This version, like the fiftieth-anniversary edition produced by the Museum in 1988, captures the look and feel of the very first edition with the aid of new digital technologies.
Walker Evans (1903–1975) took up photography upon his return to New York in 1927, following a year in Paris when his aspiration to become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, Evans was commissioned by the Farm Security Administration to photograph the effects of the Great Depression in the Southeast. During this time he took many of the photographs that appeared in his collaboration with James Agee, Let Us Now Praise Famous Men (1941), a book which has become a defining document of that era. Evans joined the staff of Time magazine in 1945 and shortly thereafter became an editor at Fortune, where he stayed for the next two decades. In 1964, he became a professor at the Yale University School of Art, where he taught until his death in 1975.
Featured image, "Birmingham Boarding House" (1936), is reproduced from Walker Evans: American Photographs.PRAISE AND REVIEWSThe New York Times "Walker Evans helped Americans discover themselves...a book populated by Depression-haunted souls." Art & Antiques John Dorfman For those who have been waiting for years to own this classic photobook -- one of the very best and most influential photobooks ever published, in fact -- this is your chance. To mark the 75th anniversary of the original 1938 publication, the Museum of Modern Art has reissued American Photographs for the first time since 1988 (the 50th anniversary). While there were previous reissues, in 1962 and 1971, the book has often been out of print and hard to find, which has caused secondhand copies to soar. Not only is it a pleasure to see it back in print at an affordable price, but, according to the jacket copy, the editors and printers have used digital technology to "aid in emulating the precise cropping and finely tuned balance of the 1938 reproductions, capturing as never before the look and feel of the first edition." Certainly this book, with its iconic play grey dust jacket, elegant typography and blind-stamped black cloth binding, looks and feels timeless. Aperture Magazine David Campany Published on the occasion of a solo show at the Museum of Modern Art, American Photographs fused Evans's avid learning from European books and journals about complex sequencing with his acute attention to bodies, faces, and places eclipsed by modern progress. No celebrities, no soaring skyscrapers -- in fact, nothing very new at all. This was a world persisting against the grain. The inscrutable photographs in suggestive, provocative order were the antithesis of the slick Life photo-stories Evans detested. The New Yorker Vince Alletti [Walker Evans} made work that was once plainspoken and eloquent - images that still define something essential and true about America and Americans. |
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| | OF RELATED INTEREST |  | Edited by Françoise Poos. Text by Jean Back, Gabriel Bauret, Antoinette Lorang, Miles Orvell, Ariane Pollet.D.A.P./DISTRIBUTED ART PUBLISHERSISBN: 9781935202868
USD $60.00 | CAN $79Pub Date: 9/30/2012
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|  | Text by Alison Nordström, Elizabeth McCausland.D.A.P./DISTRIBUTED ART PUBLISHERSISBN: 9781935202769
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|  | Edited by Olivia Maria Rubio. Text by Olivia Maria Rubio, Sean Quimby.D.A.P./LA FABRICAISBN: 9781938922121
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|  | Edited by Thelma Golden, Elizabeth Gwinn, Lauren Haynes. Foreword by Raymond J. McGuire.STEIDLISBN: 9783869306025
USD $40.00 | CAN $54Pub Date: 1/15/2013
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|  | Foreword by Peter W. Kunhardt, Jr. Introduction by Isabel Wilkerson. Text by Karen Haas.STEIDLISBN: 9783869309187
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|  | Edited by Verna Posever Curtis.APERTURE/LIBRARY OF CONGRESSISBN: 9781597111317
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| | FROM THE BOOKIn his essay for American Photographs, Lincoln Kirstein describes Evans as both a 'visual doctor, diagnostician rather than specialist,' and 'the family physician, quiet and dispassionate.' However one defines his role, the photographer made work that was at once plainspoken and eloquent—images that still define something essential and true about America and Americans." - Vince Aletti, The New Yorker | |  | Text by Leslie George Katz.EAKINS PRESS FOUNDATIONISBN: 9780871300577
USD $125.00 | CAN $170 UK £ 115Pub Date: 3/1/2015
Active | In stock
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|  | Text by Jeff L. Rosenheim.EAKINS PRESS FOUNDATIONISBN: 9780871300607
USD $25.00 | CAN $34.95 UK £ 22Pub Date: 3/1/2000
Active | In stock
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|  | Text by Anne Bertrand. Interview by Leslie George Katz. Afterword by Jerry L. Thompson.EAKINS PRESS FOUNDATIONISBN: 9780871300782
USD $24.95 | CAN $34.95 UK £ 22Pub Date: 5/21/2019
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|  | Edited by Thomas Zander. Text by David Campany, Heinz Liesbrock, Jerry L. Thompson.D.A.P./KOENIGISBN: 9781938922947
USD $50.00 | CAN $67.5Pub Date: 3/22/2016
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|  | Edited with text by David Campany.STEIDLISBN: 9783869302591
USD $65.00 | CAN $87Pub Date: 10/31/2014
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|  | Introduction by Sarah Meister. Text by Lincoln Kirstein.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870708350
USD $40.00 | CAN $54Pub Date: 8/31/2012
Active | In stock
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|  | Edited and with text by James Crump.HATJE CANTZISBN: 9783775733403
USD $75.00 | CAN $90Pub Date: 9/30/2012
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|  | Text by Lincoln Kirstein, John T. Hill.ERRATA EDITIONSISBN: 9781935004240
USD $39.95 | CAN $53.95Pub Date: 1/31/2011
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|  | Edited and text by James Crump.HATJE CANTZISBN: 9783775724913
USD $75.00 | CAN $90Pub Date: 5/31/2010
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|  | Text by John Hill, Lincoln Kirstein, Jeffrey Ladd.ERRATA EDITIONSISBN: 9781935004028
USD $39.95 | CAN $50Pub Date: 2/1/2009
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|  | Photographs by Walker Evans.APERTUREISBN: 9780893817411
USD $12.50 | CAN $15Pub Date: 6/15/2005
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|  | UNIVERSITY OF MINNESOTA PRESS AND MINNEAPOLIS INSTITUTE OF ARTSISBN: 9780816643714
USD $24.95 | CAN $24.95Pub Date:
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|  | Introduction by David Campany.APERTUREISBN: 9781597113434
USD $18.95 | CAN $25Pub Date: 1/26/2016
No longer our product | Not Available
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FORMAT: Clth, 7.75 x 8.75 in. / 208 pgs / 87 duotone.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
ISBN: 9780870708350
PUBLISHER: The Museum of Modern Art, New York
AVAILABLE: 8/31/2012
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2012 Page 180 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Walker Evans: American Photographs
Seventy-Fifth Anniversary Edition A 75th-anniversary facsimile edition of one of the most significant photobooks ever published Published by The Museum of Modern Art, New York.
Introduction by Sarah Meister. Text by Lincoln Kirstein. | More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edition of American Photographs was a carefully prepared letterpress production, published by The Museum of Modern Art in 1938 to accompany an exhibition of photographs by Evans that captured scenes of America in the early 1930s. As noted on the jacket of the first edition, Evans, “photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers.” This seventy-fifth anniversary edition of American Photographs, made with new reproductions, recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. American Photographs has fallen out of print for long periods of time since it was first published, and even subsequent editions--two of which altered the design and typography of the book in small but significant ways--are often available only at libraries and rare bookstores. This version, like the fiftieth-anniversary edition produced by the Museum in 1988, captures the look and feel of the very first edition with the aid of new digital technologies.
Walker Evans (1903–1975) took up photography upon his return to New York in 1927, following a year in Paris when his aspiration to become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, Evans was commissioned by the Farm Security Administration to photograph the effects of the Great Depression in the Southeast. During this time he took many of the photographs that appeared in his collaboration with James Agee, Let Us Now Praise Famous Men (1941), a book which has become a defining document of that era. Evans joined the staff of Time magazine in 1945 and shortly thereafter became an editor at Fortune, where he stayed for the next two decades. In 1964, he became a professor at the Yale University School of Art, where he taught until his death in 1975.
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