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Paperback, 6.5 x 9 in. / 209 pgs / 186 color. PUBLISHING STATUS
Pub Date 10/2/2002
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Catalog: FALL 2002 p. 177 PRODUCT DETAILS
ISBN 9780870703782 TRADE
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| | | William Eggleston's GuideEssay by John Szarkowski.
 William Eggleston's Guide was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of color photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of color as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually super-refined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's hometown of Memphis--an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new color separations from the original 35 mm slides, producing a facsimile edition in which the color will be freshly responsive to the photographer's intentions.
"Memphis" is reproduced from "William Eggleston's Guide." |
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| | | |  | Photographs by Gerhard Steidl.STEIDLISBN: 9783958292765
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|  | STEIDLISBN: 9783958295032
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|  | Text by Caldecott Chubb.STEIDLISBN: 9783958293892
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|  | Text by Caldecott Chubb.STEIDLISBN: 9783958293908
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|  | Edited by Mark Holborn, William Eggleston. Introduction by Mark Holborn. Text by Eudora Welty.STEIDLISBN: 9783869307923
USD $600.00 | CAN $795Pub Date: 11/24/2015
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|  | STEIDLISBN: 9783869307107
USD $65.00 | CAN $87Pub Date: 3/15/2014
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|  | Essay by John Szarkowski.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870703782
USD $45.00 | CAN $60Pub Date: 10/2/2002
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FORMAT: Paperback, 6.5 x 9 in. / 209 pgs / 186 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
ISBN: 9780870703782
PUBLISHER: The Museum of Modern Art, New York
AVAILABLE: 10/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
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TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2002 Page 177 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| William Eggleston's Guide Published by The Museum of Modern Art, New York.
Essay by John Szarkowski. | William Eggleston's Guide was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of color photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of color as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually super-refined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's hometown of Memphis--an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new color separations from the original 35 mm slides, producing a facsimile edition in which the color will be freshly responsive to the photographer's intentions.
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