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DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/19/2026

Morbid Anatomy presents 'Divine Color' author Laura Weinstein on 'Gods in Living Color: Hindu Devotional Lithographs and the Birth of Modern Indian Visual Culture'

DATE 4/18/2026

Artbook @ MoMA PS1 Bookstore presents a Zine-Making Workshop with Lauren Simkin Berke

DATE 4/17/2026

Watershed moments in Australian Aboriginal modernism

DATE 4/17/2026

Spoonbill Books presents 'Aisha' author Yumna Al-Arashi in conversation with Céline Semaan

DATE 4/16/2026

'The Stars We Do Not See: Australian Indigenous Art'—alive and in the present

DATE 4/14/2026

The essential companion to MoMA's monumental 'Marcel Duchamp'

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/11/2026

A long lost archive documenting life at the Chelsea Hotel, 1969–71


IMAGE GALLERY

Featured image is reproduced from
CORY REYNOLDS | DATE 7/27/2017

Retuning perceptions in 'Fred Sandback: Vertical Constructions'

Fred Sandback's remarkable 1987 black yarn sculpture, “Untitled (Sculptural Study, Five-part Construction)” is reproduced from Fred Sandback: Vertical Constructions, new from David Zwirner Books. Combining archival photographs of Sandback’s important 1987 Münster show of the same name and new photographs of the works in 2016, this volume proves essayist Lisa Le Feuvre’s point, “In Fred Sandback’s hands a line becomes a sculpture that has the ability to retune perceptions. Once in the world, each of his works operates profoundly in the present.… Sandback’s sculptures cannot be reduced, cannot be pared back; there is nothing extraneous. In each instance, you are invited to make the sculpture your own. Each work defies documentation.” True, the in-person experience of Sandback’s work is almost psychedelically two- and three-dimensional at once. But this photograph does a pretty good job.



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!