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RECENT POSTS

DATE 9/12/2026

MASS MoCA R&D Store presents 'three six five' author Lucy Ives in conversation with Lauren Levato Coyne

DATE 9/11/2026

The Strand presents the NYC launch of 'Melissa Auf der Maur: My '90s Rock Photographs'

DATE 8/20/2026

Printed Matter presents Hugo Martinez, Danielle Becker, DIP, Octavio Zaya and Kevin Monaghan launching 'You Weren't There: ’90s Graffiti in New York'

DATE 8/20/2026

Illuminating ‘Miyoko Ito: Heart of Hearts’ is Back in Stock from Pre-Echo Press!

DATE 8/17/2026

In the tradition of Marianne Wex's landmark taxonomic project, 'Taking Back our Space' is new from MoMA

DATE 8/15/2026

Back to School Sale Staff Picks!

DATE 8/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 8/12/2026

Printed Matter presents Chang Yuchen & Ross Perlin in Conversation: a dictionary, a loom, a manifesto …

DATE 8/11/2026

Back in stock! Albert Scopin's long-lost document of life at the Chelsea Hotel

DATE 8/6/2026

The power of irreverent intervention in 'Logo in Real Life'

DATE 8/2/2026

Join Artbook | D.A.P. at Shoppe Object New York, August 2026

DATE 7/30/2026

Previously unpublished archival materials and manifestos from design giant Charlotte Perriand

DATE 7/26/2026

Vintage poster scrap from Tokyo’s influential Grand Gallery


IMAGE GALLERY

“Abstract Shark and Three Spheres” (no date) is reproduced from
CORY REYNOLDS | DATE 2/7/2018

A rupture between reality and fantasy in 'Frank Walter: The Last Universal Man'

“Abstract Shark and Three Spheres” (no date) is reproduced from Frank Walter: The Last Universal Man, 1926–2009, the first major monograph on the prolific, somewhat delusional mixed-race Antiguan artist and writer who insisted on his own high-born, Anglican identity—linking himself to figures such as Mary, Queen of Scotts and Adolf Hitler—despite a lifelong experience of racism and rejection by those he sought to impress. “Where he viewed himself as a white man, others saw a black man—creating a rupture between reality and fantasy that affected all areas of his life,” Nina Khruscheva writes. “As all artists of genius do, Walter foresaw the future, and he never lost hope that one day [the world would] see him as he wanted to be seen—as an artist who transformed his imperfect reality into a work of art.”



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DATE 6/18/2026

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DATE 1/1/2026

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DATE 1/1/2026

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