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RECENT POSTS

DATE 8/15/2022

Migration, identity, politics, exile and nostalgia in 'This Must Be the Place: An Oral History of Latin American Artists in New York, 1965–1975'

DATE 8/14/2022

Join Artbook | D.A.P. at the Summer 2022 Shoppe Object Independent Home and Gift Show!

DATE 8/13/2022

Artbook @ MoMA PS1 presents Rachel TonThat and Irene Lee launching 'Six Endings and Some Beginnings'

DATE 8/13/2022

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DATE 8/13/2022

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DATE 8/11/2022

Score! 'Football: Designing the Beautiful Game' is new from London’s Design Museum

DATE 8/9/2022

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DATE 8/7/2022

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DATE 8/4/2022

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DATE 8/2/2022

'Cy Twombly: Making Past Present' opens at the Getty!

DATE 7/30/2022

In 'Virgil Abloh: Figures of Speech,' a record of genius

DATE 7/27/2022

'Young, Gifted and Black: A New Generation of Artists' opens at Manetti Shrem Museum

DATE 7/25/2022

A comprehensive new survey on Dayanita Singh


IMAGE GALLERY

"A waltz in three parts," Providence, Rhode Island, (1975–1978) is reproduced from
CORY REYNOLDS | DATE 1/12/2022

Romance and magic, decadence and ruins in 'Francesca Woodman: Alternate Stories'

"A waltz in three parts," Providence, Rhode Island, (1975–1978) is reproduced from Francesca Woodman: Alternate Stories, the new release from Marian Goodman Gallery containing both classic and previously unseen photographs and archival materials by the remarkable and ever-more influential American photographer who took her own life in 1981—at just twenty-two years of age. Chris Kraus writes: "Francesca Woodman’s work was the result of a headlong romance with the magical properties of analog photography: a magic created, as most magic is, through a series of very deliberate steps and constant study." Kraus cites Giuseppe Casetti, co-owner of Maldoror, the anarchist bookstore where Woodman hung out when living and studying in Rome: "She was never distracted; every moment of Francesca’s life was in preparation for a photograph. She was always thinking about her work… She was like a machine: she could be inspired by anything she looked at, or she could figure out how to make it useful from a creative point of view… She didn’t love ordinary things, but she loved decadence, the ruined object, vestiges of the past."

IMAGE CREDIT: Francesca Woodman. A waltz in three parts, Providence, Rhode Island, 1975-1978. Vintage gelatin silver print. © Woodman Family Foundation / ARS, New York

Francesca Woodman: Alternate Stories

Francesca Woodman: Alternate Stories

MARIAN GOODMAN GALLERY
Hbk, 8.75 x 11.25 in. / 88 pgs / 1 color / 55 b&w.

$50.00  free shipping





Happy Mother's Day!

DATE 5/8/2022

Happy Mother's Day!