DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


Detail from

What Nerve! Alternative Figures in American Art, 1960 to the Present

In his chapter on visionary and comic-book artist Jack Kirby, one of the featured artists in What Nerve!, his must-see and much talked-about exhibition of alternative figures in American art from 1960 to the present, curator Dan Nadel describes Dream Machine (1970-75), a detail of which is reproduced here. "There’s nothing else quite like it in Kirby’s ouvre. It is, of course, deeply psychedelic, and reminds me of work by the British design collective Archigram, drawings by Ettore Sottsass, and the maximalist paintings of Icelandic pop artist Erro, but in relation to contemporary art, Kirby was working mostly in a vacuum, even as his comic-book art found wider and wider purchase via appropriations by Richard Hamilton (1956’s Just what is it that makes today’s homes so different, so appealing?) and Roy Lichtenstein (Image Duplicator, 1963). Dream Machine has an internal logic that reinforces its title. I imagine it to be for Kirby a fully operational machine, the likes of which he never had the chance to fully flesh out in narrative comics. This is not a sprawling indulgence—it’s formally coherent. Every part of the machine connects, and it looks as though it, with looming face, could lurch into motion, creating as-yet unknown artifacts from the future. Machines fascinated Kirby his entire life, and he loved reading Popular Mechanics and various science magazines. A child of the Depression and a World War II veteran who saw horrific action, Kirby always found the future glowing and full of possibilities. He was, despite it all, an optimist."

What Nerve!

What Nerve!

RISD Museum of Art/D.A.P.
Pbk, 8.75 x 10.5 in. / 368 pgs / 300 color.

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino