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| | |  CORY REYNOLDS | DATE 5/16/2015"A title determines the way one looks at the image. What is depicted is desire, what is central is deficiency. It all becomes more complex. The aim of my work, I have come to believe, has always been to arouse in my audience (as well as myself) an experience of empathy with my subject matter (be it a scribble, a sentence, or a face) more so than sympathy. Sympathy suggests an agreement of temperament, and an emotional identification with a person. Empathy doesn’t necessarily demand that. The contemplation of the work (when it ‘works’) gives a physical sensation similar to that suggested by the work. I’m not a stylist, I’m a sensualist." So writes South African-born painter Marlene Dumas in Sweet Nothings: Notes and Texts 1982-2014, a featured title at our store at Frieze New York. Featured image is "Jesus (sketch for the perfect Lover)", 1994.  D.A.P./WALTHER KöNIG, KöLN
Pbk, 8 x 7.5 in. / 256 pgs / 35 b&w. $27.50 free shipping
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