ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 3/30/2020

In timely 'Lines,' Shantell Martin seeks to understand "who we are at the core, as people"

DATE 3/29/2020

Natasha Gilmore's Staff Pick Reading List for Sheltering-in-Place

DATE 3/27/2020

Cooking much? 'Dimes Times' offers clean, optimistic recipes for emotional eating

DATE 3/24/2020

The Experience and sensation of isolation in 'Edward Hopper: A New Perspective on Landscape'

DATE 3/24/2020

Social distancing in the landscapes of Edward Hopper

DATE 3/21/2020

The next best thing to seeing 'Judd' at MoMA is reading 'Judd' from MoMA

DATE 3/20/2020

A new facsimile edition of 'Yvonne Rainer: Work 1961–73'

DATE 3/19/2020

Ruth Adler Schnee's exuberant textiles and interiors shine in 'Modern Designs for Living'

DATE 3/18/2020

'Jeff Divine: 70s Surf Photographs'

DATE 3/16/2020

In 'Jordan Casteel: Within Reach,' fundamental and expansive humanity

DATE 3/14/2020

"Less pretty, more beautiful." Nicholas Cullinan on 'Elizabeth Peyton: Aire and Angels'

DATE 3/14/2020

POSTPONED: Jeff Divine '70s Surf Photographs' launch at Arcana

DATE 3/13/2020

New remastered facsimile edition of Weegee's classic 'Naked City'

DATE 3/13/2020

Science and spirit, mind and matter in 'Hilma af Klint: Paintings for the Future'

DATE 3/12/2020

Trust and revolution in Martine Fougeron's 'Nicolas & Adrien. A World with Two Sons'

DATE 3/12/2020

POSTPONED: ICP presents Martine Fougeron and Sasha Bush in conversation, followed by a signing of 'Nicolas & Adrien'

DATE 3/10/2020

In 'Genealogies of Art,' the history of visual art in flowcharts, family trees, diagrams and info graphics

DATE 3/9/2020

Dorothy Iannone's 'Story of Bern' facsimile edition is a staff pick for Women's History Month

DATE 3/8/2020

Celebrate Women's History Month with 'Mickalene Thomas: I Can't See You Without Me,' back in stock from the Wexner

DATE 3/7/2020

Nan Goldin's 'The Other Side' is a Staff Pick for Women's History Month

DATE 3/6/2020

In 'The Way West,' the primal power of youth in a western landscape

DATE 3/6/2020

NYC launch event for 'Peter Kayafas: The Way West' at Gitterman Gallery

DATE 3/5/2020

Back in Stock! 'Louise Bourgeois: The Spider and the Tapestries' is a staff pick for Women's History Month

DATE 3/4/2020

BACK IN STOCK! Georgia O'Keeffe: Watercolors

DATE 3/3/2020

Celebrate Women's History Month with Sister Corita Kent, whose International Signal Code Alphabet screams to the heavens that freedom is vital

DATE 3/2/2020

In 'Last West,' poet Tess Taylor responds to Dorothea Lange

DATE 3/1/2020

Monica Ahanonu to sign 'Icons: 50 Heroines Who Shaped Contemporary Culture' at Artbook @ Hauser & Wirth Los Angeles Bookstore

DATE 3/1/2020

Staff Picks for Women's History Month

DATE 3/1/2020

Celebrate Women's History Month with this new monograph on Kiki Smith

DATE 2/29/2020

In 'O, Write My Name,' Black History via Harlem Heroes

DATE 2/27/2020

Tony Conrad's Writings: Constance DeJong and Andrew Lampert at McNally Jackson

DATE 2/27/2020

Jordan Peele's notes bring insight to 'Get Out: The Complete Annotated Screenplay'

DATE 2/26/2020

'Genealogies of Art, or the History of Art as Visual Art' is an intellectual delight

DATE 2/25/2020

Cover-to-cover provocation in 'member: Pope.L, 1978–2001'

DATE 2/24/2020

Surprising, previously unseen works on paper by Barkley L. Hendricks

DATE 2/23/2020

Betye Saar featured today on CBS Sunday Morning

DATE 2/22/2020

Fabulously idiosyncratic and humorous, 'Who Is Michael Jang?' reviewed in the 'Washington Post'

DATE 2/21/2020

In 'Nicolas & Adrien,' memory transcended and a mother's gift of love

DATE 2/20/2020

Behold Ellsworth Kelly's final masterpiece, 'Austin'

DATE 2/20/2020

Save 75–85% at our 2020 LA Showroom Sample Sale!

DATE 2/19/2020

Gorgeous, substantial, slipcased 384-page 'Agnes Denes: Absolutes and Intermediates' is NEW from The Shed

DATE 2/18/2020

Inequities and shared humanity in the prints of Alison Saar

DATE 2/17/2020

For Washington's Birthday, the textiles of American Modernist Marguerita Mergentime

DATE 2/17/2020

'Joyful Designs: Rediscovering the Textiles of Marguerita Mergentime' at Palm Springs Modernism

DATE 2/16/2020

Celebrate Black History with 'Gordon Parks: Muhammad Ali'

DATE 2/15/2020

'New York: Club Kids' Los Angeles Launch & Signing at The Standard

DATE 2/15/2020

Peter Berlin cocktails and signing at Tom of Finland, Los Angeles

DATE 2/15/2020

Prescient, playful hardcore self-portraiture in 'Peter Berlin: Icon, Artist, Photosexual'

DATE 2/14/2020

In Todd Gray's work, beauty as weapon and comment on colonialism

DATE 2/13/2020

Get 'A *New* Program for Graphic Design' by David Reinfurt at the CAA Conference in Chicago

DATE 2/12/2020

See Peter Saul at the New Museum, read 'Pop, Funk, Bad Painting and More'


IMAGE GALLERY

"Magdalena (Venus)" (1995) is reproduced from
CORY REYNOLDS | DATE 12/3/2014

Marlene Dumas: The Image as Burden

"Magdalena (Venus)" (1995) is reproduced from 
Marlene Dumas: The Image as Burden, the exhibition catalogue to the traveling retrospective currently on view at The Stedelijk Museum, Amsterdam, and available at our booth at Art Basel Miami December 3-7. Anke Bangma writes, "The character of the Mary Magdalene as well as the body of the supermodel Naomi Campbell form the departure point for Dumas’s latest paintings. Within the presentations of the feminine, the figure of Mary Magdalene holds
a singular position. The relationship between mother and daughter, foremost in feminist philosophy as the source of an unspoken feminine pleasure, is denied her. Mary Magdalene is the polar opposite of Maria, the ideal woman. She is neither virgin nor mother, which makes her pleasure, to a masculine logic, a profound sin. The conventional depictions of Mary Magdalene thus show her in a purifying state of melancholy or ecstasy. In contrast, Dumas’ dark Magdalenas are unswerving, awesome figures that assertively hold their heads upright. That their breasts and genitals are mostly kept hidden does not in any way diminish their erotic aura; their sensuality is merely transferred to their long legs and their sumptuously undulating hair… Hung next to one another, the individual images form a mass of distinctions. Dumas’ women do not allow themselves to get trapped by one image of the feminine."

Marlene Dumas: The Image as Burden

Marlene Dumas: The Image as Burden

TATE/D.A.P.
Pbk, 9.25 x 12 in. / 196 pgs / 200 color.

$45.00  free shipping




ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com