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RECENT POSTS

DATE 5/19/2026

Rizzoli Bookstore presents Pieter Henket and Justin Gaspar in conversation for the launch of 'Birds of Mexico City'

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/24/2026

Lost City Books presents Yumna Al-Arashi and Farrah Skeiky on 'Aisha'

DATE 4/20/2026

Mrs. Dalloway's Bookstore presents Jane Fulton Alt, Susan Page Tillett and James Baraz on 'Still Life'

DATE 4/20/2026

Rizzoli Bookstore presents Chris Wiley, Nan Goldin, and Robert Swope on 'Michel Hurst: Órale'

DATE 4/19/2026

Morbid Anatomy presents 'Divine Color' author Laura Weinstein on 'Gods in Living Color: Hindu Devotional Lithographs and the Birth of Modern Indian Visual Culture'

DATE 4/18/2026

Artbook @ MoMA PS1 Bookstore presents a Zine-Making Workshop with Lauren Simkin Berke

DATE 4/17/2026

Watershed moments in Australian Aboriginal modernism

DATE 4/17/2026

Spoonbill Books presents 'Aisha' author Yumna Al-Arashi in conversation with Céline Semaan

DATE 4/16/2026

'The Stars We Do Not See: Australian Indigenous Art'—alive and in the present

DATE 4/14/2026

The essential companion to MoMA's monumental 'Marcel Duchamp'

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/11/2026

A long lost archive documenting life at the Chelsea Hotel, 1969–71


IMAGE GALLERY

"George Plimpton and Devotees, Elaine
CORY REYNOLDS | DATE 6/25/2014

Larry Fink on Composition and Improvisation

"George Plimpton and Devotees, Elaine's, New York City, January 1999" is reproduced from Larry Fink on Composition and Improvisation, the newest volume in Aperture's Photography Workshop Series. Fink writes, "This picture of George Plimpton was taken in New York City on a fashion shoot at Elaine's, which is now closed. The real secret of the picture is that Plimpton is looking straight at me, and he's pissed off. It makes you think, "something's wrong here" and adds tension to the scene. In a swirl of beautiful women, booze, and everything pleasurable that you can possibly imagine, the guy at the center is dead still. He has a secret in his eye: he's mad because everyone is having a better time than him, even the photographer at work—you can see me up there in the mirror. As you can see from the mirror, I'm not even shooting with the camera at my eyes. As the scene developed, I had to focus very quickly and clearly and then drop the camera down so I could be more involved with the scene. I've been shooting for a many years and have a good idea of how things will look in the frame, so I tend to move around with the camera slightly below eye level."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!