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RECENT POSTS

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/8/2026

Maï Lucas reception and book signing at Dashwood Projects

DATE 4/5/2026

For Catherine Opie, "Without representation, there is no visibility"

DATE 4/5/2026

In this season of rejuvenation, a meditation on loss and revival

DATE 4/1/2026

Hiroshi Sugimoto's terrestrial celestial masterpiece

DATE 3/29/2026

Celebrating Women's History Month and Frida-mania in NYC

DATE 3/27/2026

Gateways to other realms in 'Uman: After all the things'

DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/24/2026

Back in stock! 'Helen Frankenthaler: Painting without Rules'

DATE 3/23/2026

Head Hi presents a double-header book launch for 'We the Bacteria' and 'Sick Architecture'

DATE 3/21/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eileen G’sell launching 'Lipstick'

DATE 3/21/2026

The fearless self-portraiture of Frida Kahlo, timed for MoMA's Kahlo / Rivera show


IMAGE GALLERY

"George Plimpton and Devotees, Elaine
CORY REYNOLDS | DATE 6/25/2014

Larry Fink on Composition and Improvisation

"George Plimpton and Devotees, Elaine's, New York City, January 1999" is reproduced from Larry Fink on Composition and Improvisation, the newest volume in Aperture's Photography Workshop Series. Fink writes, "This picture of George Plimpton was taken in New York City on a fashion shoot at Elaine's, which is now closed. The real secret of the picture is that Plimpton is looking straight at me, and he's pissed off. It makes you think, "something's wrong here" and adds tension to the scene. In a swirl of beautiful women, booze, and everything pleasurable that you can possibly imagine, the guy at the center is dead still. He has a secret in his eye: he's mad because everyone is having a better time than him, even the photographer at work—you can see me up there in the mirror. As you can see from the mirror, I'm not even shooting with the camera at my eyes. As the scene developed, I had to focus very quickly and clearly and then drop the camera down so I could be more involved with the scene. I've been shooting for a many years and have a good idea of how things will look in the frame, so I tend to move around with the camera slightly below eye level."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!