DATE 6/25/2024

LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/28/2024

'Mickalene Thomas: All About Love' opens at The Broad

DATE 5/24/2024

Celebrate Memorial Day weekend with Garry Winogrand's intimate, flashing mirror of America

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'


"La Source" (2014) is reproduced from

Kehinde Wiley: The World Stage: Haiti

"There is a regalness to their stance. The chins raised in quiet defiance, in unassuming pride, offering a knowing regard that their self-possession carries its own currency. There is a history to these stances, yes the colonial history Kehinde Wiley used as foundations upon which to usurp and reconfigure Europeanist notions of power. Like the camouflage of Catholicism under which Vodou was surreptitiously practiced in this country so too are these stances of the classic island woman—the busker, market woman with head-tie and ruffle skirt, and the turned back, offering both a 'chups' (sucked teeth) and moment of voyeuristic eyes to regard as might be expected. These are queenly statures, inherited, put on, assumed by a culture whose embrace of womanhood in this arena is not unfamiliar." Excerpt from M. Cynthia Oliver's text and featured image, "Venus Anadyomene" (2014) are reproduced from World Stage: Haiti, which reproduces many of the most talked-about paintings in Wiley's current show at the Brooklyn Museum, closing Sunday. Read more about our forthcoming title in the series, Kehinde Wiley: The World Stage: France 1880-1960.

Kehinde Wiley: The World Stage: Haiti

Kehinde Wiley: The World Stage: Haiti

Roberts & Tilton
Hbk, 8.75 x 11.5 in. / 64 pgs / 40 color.

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino