DATE 6/25/2024

LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'

DATE 6/13/2024

ICP presents Eugene Richards on 'Remembrance Garden'

DATE 6/8/2024

"Next-level otherness" in Pride Month staff pick 'Nick Cave: Forothermore'

DATE 6/6/2024

Celebratory and transgressive, 'John Waters: Pope of Trash' is a Pride Month Staff Pick

DATE 6/3/2024

In Nan Goldin's 'The Other Side,' you are who you pretend to be

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/28/2024

'Mickalene Thomas: All About Love,' on view at The Broad

DATE 5/24/2024

Celebrate Memorial Day weekend with Garry Winogrand's intimate, flashing mirror of America

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York



Josef Albers: Minimal Means, Maximum Effect

“Before one lays eyes on a genuine Homage to the Square painting by Josef Albers,” Jeanette Redensek writes in Josef Albers: Minimal Means, Maximum Effect, one of our most substantial and beautiful books this season, “it is quite possible that one has already come across his signature composition in a hundred iterations: as illustrations, prints, postcards, posters, postage stamps, note cards, refrigerator magnets, mouse pads, sofa pillows, area rugs and tote bags. It is a revelation, then, to see one of Albers’ Homage to the Square paintings in person for the first time. The surfaces of Albers’ works are velvety and animated. The visible, even strokes of the palette knife, and the variations in the densities of the pigments from the color to color, from the square to square, combine to create a shimmering transparency of color. What might have appeared as a coolly intellectual, geometrical proposition in reproduction is revealed as a luminous, painterly incandescence in real life.” Study for Homage to the Square, Now (1962) is reproduced from Josef Albers: Minimal Means, Maximum Effect.

Josef Albers: Minimal Means, Maximum Effect

Josef Albers: Minimal Means, Maximum Effect

La Fábrica/Fundación Juan March
Hbk, 9.5 x 10.25 in. / 384 pgs / illustrated throughout.

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino