DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


"Untitled (to Donna) 6" (1971) is reproduced from

Dan Flavin: Series and Progressions

In Dan Flavin: Series and Progressions, art historian Richard Shiff begins his essay with Donald Judd's 1969 statement, "I want a particular, definite object. I think Flavin wants, at least first or primarily, a particular phenomenon." He follows with Flavin's 1982 assertion, "Whatever I did should be recognizable as let's say, something no matter where." Shiff then goes on to describe his own reaction to "Untitled (to Donna) 6," featured here, when he originally saw it at Leo Castelli Gallery in 1971. "Somehow (this, at least, is my memory) the pink and yellow fluorescent light was sticking to the walls as if it were a substance applied as an infinitely thin layer—a sensation associated with the practice of painting. Yet the appearance of this surface, this substance dissolving into color, eliminated the difference between color as inherent—every material substance has its color—and color as applied. The color was bonding substance to substance, matter to matter. Flavin's construction had rendered visual light tactile by contact, one substance (light) adhering to another (wall). 'Untitled (to Donna) 6' integrated two sensory realms of experience, obviating any desire on my part to set the fluorescent hardware, the cast light and the architectural shell into a hierarchy of causes and effects, actions and targets, the transitive and the intransitive."

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino