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DATE 2/1/2026

Black History Month Reading, 2026

DATE 1/22/2026

ICP presents Audrey Sands on 'Lisette Model: The Jazz Pictures'

DATE 1/21/2026

Guggenheim Museum presents 'The Future of the Art World' author András Szántó in conversation with Mariët Westermann, Agnieszka Kurant and Souleymane Bachir Diagne

DATE 1/19/2026

Rizzoli Bookstore presents Toto Bergamo Rossi, Diane Von Furstenberg and Charles Miers on 'The Gardens of Venice'

DATE 1/19/2026

Black Photojournalism, 1945 to 1984

DATE 1/18/2026

Artbook at MoMA PS1 presents Paul M. Farber and Sue Mobley launching 'Monument Lab: Re:Generation'

DATE 1/17/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Peter Tomka on 'Double Player'

DATE 1/14/2026

Printed Matter, Inc. presents Pedro Bernstein and Courtney Smith on "Commentary on 'Approximations to the Object'"

DATE 1/13/2026

Join us at the Winter Atlanta Gift & Home Market 2026

DATE 1/12/2026

Pan-African possibility in 'Ideas of Africa'

DATE 1/11/2026

Previously unseen photographs by Canadian color master Fred Herzog

DATE 1/5/2026

Minnie Evans’ divine visions of a lost world

DATE 1/1/2026

Happy New Year!


IMAGE GALLERY

"Mario" (1978), by Philip-Lorca diCorcia, is reproduced from
CORY REYNOLDS | DATE 11/26/2013

Best of 2013: Color Rush, American Color Photography from Stieglitz to Sherman

"Mario" (1978), by Philip-Lorca diCorcia, is reproduced from Color Rush, one of our top Holiday Gift Books of 2013. Brimming with outstanding examples of color photography both vintage and contemporary, from magazine pages to gallery walls, and from advertisements to photojournalism, Color Rush charts the history of the medium in the United States from the 1907 unveiling of the autochrome (the first commercially available color process), through the landmark 1981 survey and exhibition catalog, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. Essayist Katherine A. Bussard writes, "Although the photograph plays off the long history of color snapshots (and, in fact, the man is diCorcia's brother), diCorcia purposefully amplified the fluorescent light from the refrigerator to achieve an uneasy green cast, full of drama that would be unusual in an everyday snapshot. Because of this connection, meaning shifts and morphs in diCorcia's work in relation to each viewer's own personal photographs. The carefully constructed narrative is continually altered."



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!

From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!