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DATE 8/2/2026

Join Artbook | D.A.P. at Shoppe Object New York, August 2026

DATE 7/23/2026

Join us at the San Francisco Art Book Fair, 2026!

DATE 7/20/2026

Collier Schorr’s fascinating take on Chantal Akerman’s ‘Je, tu, il, elle’

DATE 7/19/2026

Metrograph presents Collier Schorr signing ‘Writing a Letter: Akerman Ballet, Act 1’ followed by a screening of Chantal Akerman’s ‘Je tu il elle’ with joint introduction by Matt Wolf

DATE 7/17/2026

LACMA Store presents Audrey Sands and Rebecca Morse on 'Lisette Model: The Jazz Pictures'

DATE 7/16/2026

Artworld occult! A new tarot deck from Francesco Clemente

DATE 7/13/2026

An exploration of dancehall, reggae en español, and reggaeton through contemporary art

DATE 7/12/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Karl Haendel, Andrea Gyorody and Aldy Milliken on 'Less Bad'

DATE 7/11/2026

LA Showroom Summer Sample Sale, Save 75–85%!

DATE 7/11/2026

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/8/2026

Conflict, culture and exchange in 18th-century art across the Americas

DATE 7/7/2026

Hot Town, Summer In (and Out) of the City

DATE 7/6/2026

Another kind of Americana in François Prost’s ‘Gentlemen’s Club’


IMAGE GALLERY

"Mario" (1978), by Philip-Lorca diCorcia, is reproduced from
CORY REYNOLDS | DATE 11/26/2013

Best of 2013: Color Rush, American Color Photography from Stieglitz to Sherman

"Mario" (1978), by Philip-Lorca diCorcia, is reproduced from Color Rush, one of our top Holiday Gift Books of 2013. Brimming with outstanding examples of color photography both vintage and contemporary, from magazine pages to gallery walls, and from advertisements to photojournalism, Color Rush charts the history of the medium in the United States from the 1907 unveiling of the autochrome (the first commercially available color process), through the landmark 1981 survey and exhibition catalog, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. Essayist Katherine A. Bussard writes, "Although the photograph plays off the long history of color snapshots (and, in fact, the man is diCorcia's brother), diCorcia purposefully amplified the fluorescent light from the refrigerator to achieve an uneasy green cast, full of drama that would be unusual in an everyday snapshot. Because of this connection, meaning shifts and morphs in diCorcia's work in relation to each viewer's own personal photographs. The carefully constructed narrative is continually altered."



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DATE 6/18/2026

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DATE 1/1/2026

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DATE 1/1/2026

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