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RECENT POSTS

DATE 5/2/2026

Join Artbook | D.A.P. at CONTACT Photobook Fair, Toronto

DATE 4/11/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eve Wood and Shana Nys Dambrot on 'Diane Arbus Goes Shopping'

DATE 4/8/2026

Maï Lucas reception and book signing at Dashwood Projects

DATE 4/5/2026

For Catherine Opie, "Without representation, there is no visibility"

DATE 4/5/2026

In this season of rejuvenation, a meditation on loss and revival

DATE 4/1/2026

Hiroshi Sugimoto's terrestrial celestial masterpiece

DATE 3/29/2026

Celebrating Women's History Month and Frida-mania in NYC

DATE 3/27/2026

Gateways to other realms in 'Uman: After all the things'

DATE 3/25/2026

The Strand presents George Condo in conversation with Massimiliano Gioni and Dakis Joannou for the launch of 'The Mad and the Lonely'

DATE 3/24/2026

Back in stock! 'Helen Frankenthaler: Painting without Rules'

DATE 3/23/2026

Head Hi presents a double-header book launch for 'We the Bacteria' and 'Sick Architecture'

DATE 3/21/2026

Artbook at Hauser & Wirth Los Angeles Bookstore presents Eileen G’sell launching 'Lipstick'

DATE 3/21/2026

The fearless self-portraiture of Frida Kahlo, timed for MoMA's Kahlo / Rivera show


IMAGE GALLERY

"Après Midi" (1981) is reproduced from
CORY REYNOLDS | DATE 10/6/2014

Bridget Riley: The Stripe Paintings 1961-2014

"Well, the whole venture of being a modern artist could be called irrelevant and superficial," Bridget Riley is quoted from a 1978 conversation with Robert Kudielka which is reproduced in David Zwirner's stunning new monograph. "But leaving aside that aspect of your question: if one wants to do something at all, which is fundamental to being an artist, one soon realizes that as a modern artist you have to find something to do it with. It can be anything provided it takes you out of yourself and helps you to act freely. Earlier I chose form, and later color, which I believe to be more precise because it is closer to our experience of the real world. Unstable and incalculable, it is also rich and comforting. For a painter it is an ideal vehicle because it can be both a revelation and merely the surface of things." Après Midi (1981) is reproduced from Bridget Riley: The Stripe Paintings 1961-2014.



Happy New Year!

DATE 1/1/2026

Happy New Year!

Happy New Year!

DATE 1/1/2026

Happy New Year!