DATE 6/19/2022

Celebrate Juneteenth with ‘Nick Cave: Forothermore’

DATE 6/16/2022

Rizzoli Bookstore presents Matthew Leifheit and Jack Parlett launching 'To Die Alive'

DATE 6/12/2022

A new monograph on Sonia Delaunay releases this week!

DATE 6/11/2022

Arthur Grace to sign 'Communism(s): A Cold War Album' at Arcana

DATE 6/11/2022

Artbook @ MoMA PS1 presents the launch of Joy Ladin's 'Shekhinah Speaks'

DATE 6/11/2022

Museum Store of the Month: Artbook @ MoMA PS1 Bookstore

DATE 6/10/2022

‘Writing a Chrysanthemum: The Drawings of Rick Barton’ is a Pride Month Staff Pick

DATE 6/9/2022

A new edition of Sixten Ringbom's classic study of esotericism's influence on abstract art

DATE 6/7/2022

Hot book alert! ‘Elizaveta Porodina: Un/Masked’ is NEW from Hatje Cantz

DATE 6/5/2022

Recently rediscovered drawings by Andrew Wyeth in 'Life and Death'

DATE 6/2/2022

Rizzoli Bookstore presents Matthew Brookes and Zack Raffin launching 'Into the Wild'

DATE 6/2/2022

Loud, quiet, radiant, serene. 'Devan Shimoyama: All the Rage' is Back in Stock for Pride Month!

DATE 6/1/2022

Celebrate LGBTQ Pride, June 2022!


"Leaving Paphos Ringed with Waves (III)," Gaeta, 2009, is reproduced from

Remembering Cy Twombly, born OTD in 1928

Painted in Gaeta, Italy, in 2009, "Leaving Paphos Ringed with Waves (III)" is reproduced from Cy Twombly: Making Past Present, the blockbuster catalog published in advance of exhibitions at the Getty and MFA Boston pairing a selection the artist's paintings, drawings and sculptures alongside works of classical antiquity—some of which were in Twombly's own collection. "Cy Twombly was fascinated by ancient Greece and Rome. This much is incontestable," Brooke Holmes writes. "But when it comes to what we should make of Twombly's lifelong engagement with 'the ancients,' critics have found far less to agree on. What is the status of his knowledge? Erudition? Inspiration? What is the mode of his engagement? Ambition? Play? Affection? Escapism? Iconoclasm? Given the integral place of classical antiquity in Twombly's work—and his move to Italy in the late 1950s—the terms of his reception were, for much of his career, yoked to the broader fortunes of some of the more troubled terms of later twentieth-century criticism: humanism, classicism, aesthetics. The result is that conjugating Twombly with 'the ancients' has tended to sharpen the contrast between two opposed Twomblys: one sited firmly within the canon, alive to timeless truths but inured to the present; the other consummately anticanonical—the 'irreverent schoolboy' who, bored in Latin class, carves the names of dead poets into his desktop, or the Zen master who pricks 'the humanist turgescence.' Twombly's work has always forced a negotiation between the classical and the contemporary…"

Cy Twombly: Making Past Present

Cy Twombly: Making Past Present

Hbk, 9.5 x 11 in. / 264 pgs / 170 color.

Happy Mother's Day!

DATE 5/8/2022

Happy Mother's Day!

Viva Mexico!

DATE 11/21/2021

Viva Mexico!