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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

"Ouro Branco," or "White Gold," (2006), is reproduced from
CORY REYNOLDS | DATE 1/12/2019

Impossible not to love: 'Beatriz Milhazes: Collages'

If ever you're feeling down, pick up a copy of Beatriz Milhazes: Collages, Editora Cobogó's effervescent new collection of the Brazilian artist's collages made from candy wrappers gathered during a residency in Brittany, among other materials. In a published interview with Richard Armstrong, Milhazes comments, "The collages have a kind of a dialogue with a diary, but an imaginary one. The papers collected come from a variety of interest: sometimes an aesthetic attraction, some other part of a routine, like chocolate wrappers or cut-outs leftover from existing prints. Then the construction of the collage composition creates a dialogue that only exists in the collage. Painting is something else. It creates a process memory. For many years, I entered the studio every day with the motivation of painting a white painting, a painting based on white color. I haven't done it yet, but that memory of some 'white feeling' was the reference to develop a strong and contrasting palette of colors." Featured image is "Ouro Branco," or "White Gold," (2006).

Beatriz Milhazes: Collages

Beatriz Milhazes: Collages

Editora Cobogó
Hbk, 8.75 x 9.5 in. / 240 pgs / 104 color.





The New York Knicks

DATE 6/18/2026

The New York Knicks