With more than 800 images, this lavishly produced book provides a comprehensive documentation of the boundary-pushing printmaking work of American artist Terry Winters (born 1949). It contains eight foldout sections that contextualize the artist’s work in print with his work in painting and drawing.

Published on the occasion of the Jordan Schnitzer Family Foundation’s acquisition of the print archive of famed artist Judy Chicago (born 1939), this richly illustrated volume is the most thorough examination of Chicago’s innovative and varied contribution to the making of prints and multiples, focusing on her detailed processes for creating artwork as well as the collaborative efforts this entails. Judy Chicago: The Inside Story features print work and examples of important paintings, sculpture and installation work from all stages of the artist’s career, from her first mid-1960s forays into feminist imagery to the present.
This book is published concurrently with . . . .go to book page >>

The interdisciplinary oeuvre of Seneca Nation member Marie Watt (born 1967) draws from history, biography, Iroquois proto-feminism and Indigenous teachings. Her work underscores the sacred role of storytelling throughout history and across culture, delving into elemental themes such as dreams, myths, memories, earth and the cosmos.
This catalog, published on the occasion of Watt’s retrospective traveling exhibition, is the first-ever inquiry into the artist’s printmaking processes and techniques. Spanning from 1996 to the present, the book compiles a considerable breadth of prints: from her early print works at her alma mater Yale to her collaborations with masters of the trade at . . . .go to book page >>

Drawn from feminist critic and art historian Lucy Lippard’s 1978 essay of the same name, the catalog Positive Fragmentation includes more than 100 prints by 21 artists who use fragmentation both stylistically and conceptually. Contributors include Lorna Simpson, Jenny Holzer, Louise Bourgeois and Kara Walker.