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DATE 12/23/2017

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Tell Me Something Good panel and launch with Phong Bui, Jonas Mekas, Shirin Neshat, Shahzia Sikander and Jack Whitten at The Strand

DATE 11/9/2017

Fearless in all things: Sonia Delaunay

DATE 11/9/2017

For the Collector: Limited Editions & Catalogues Raisonnés

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DATE 10/31/2017

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DATE 10/31/2017

HALLOWEEN READING: Anton LaVey's 1967 press release for the 'first Satanic baptism in history'

DATE 10/30/2017

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DATE 10/30/2017

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DATE 10/28/2017

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IMAGE GALLERY

“Veitch” (2015) is reproduced from
CORY REYNOLDS | DATE 6/29/2017

We're loving Joe Bradley's 'large, scruffy-looking' paintings

“Veitch” (2015) is reproduced from Joe Bradley, published to accompany the artist’s first major American museum retrospective, now on view at the Albright-Knox. In the published interview, painter Carroll Dunham says, “Well, the paintings you’ve been working on in the most recent chapter, let’s say, have been… large, scruffy-looking oil paintings, big blocks of color. I know you’ve said to me before that you do see subjects in them, but it isn’t necessarily apparent what these subjects are. There seems to be this sort of physical search going on, like you’re digging around in the painting to find it.” Bradley responds, “The most successful paintings, to my mind, feel ‘found,’ as if someone else had painted them. To me, this signals that the painting has a life or personality of its own. It achieves a kind of independence; I don’t have to stand next to it. I don’t have to work on it anymore. It can go out into the world and speak for itself.”

Joe Bradley

Joe Bradley

ALBRIGHT-KNOX ART GALLERY/D.A.P.
Hbk, 9 x 12 in. / 208 pgs / 100 color / 10 b&w.



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