The cultural, social and scientific management of death--how to postpone it, how to prepare for it, what to do with remains, how to remember the deceased--forms the rarely acknowledged framework for the formation of society. Community is only possible if its members avow and disavow, the fact that every one of them will die. The many ways in which we live with, and despite, this knowledge inform the focus of Cabinet 49, with its special section on “Death.” Contributions include Stacey Roberts on the science of delaying death; Simon Jonasson on DIY burials; Elga Holt on the difference between human and animal mourning; and Suzanne Cotton on the history of suicide notes. Elsewhere in the issue: Leland de la Durantaye on a reimagining of The Waste Land; Sina Najafi on gifts given to and by American presidents; and an artist project by Santiago Borja.
Since 1984, Parkett has been an important source of literature on international contemporary art. Each biannual issue is a collaboration with four artists, in which their work is explored in fully illustrated essays by leading writers and critics. In addition, each artist creates an exclusive limited edition, available to Parkett readers. The long list of artists who have collaborated with Parkett includes John Baldessari, Sophie Calle, Fischli/Weiss, Isa Genzken, Mike Kelley, Cady Noland, Meret Oppenheim, Gerhard Richter, Cindy Sherman, Rosemarie Trockel, Andy Warhol, and many more.
Published by nai010 publishers. Edited by Véronique Patteeuw, Hans Teerds, Christophe Van Gerrewey. Text by Pier Vittorio Aureli, Isabelle Doucet, Paul Goldberger, Herman Hertzberger, Steven Holl, Anne Holtrop, Kersten Geers, David van Seeveren, Lucien Kroll, Andrew Leach, Philippe Morel, Rural Studio, Michael Sorkin, Bart Verschaffel.
Over the past century, models for architecture evaluation such modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. OASE 90 investigates the expectation behind existing value models in architecture.
Printed on eight different paper stocks and featuring more than 100 die-cuts created by hand, Esopus 18 include artists' projects by Bill Burns, Bryan Nash Gill and Mary Lum; facsimile reproductions of materials from the MoMA Archives related to the museum's groundbreaking Spaces exhibition from 1969; never-before-seen early portraits by Magnum photographer Erich Hartmann; new fiction by Victoria Matsui; another found object contributed by archivist Rich Remsberg; 100 frames from acclaimed filmmaker Kelly Reichardt's undistributed 1999 short film Ode, with an introduction by Amy Taubin; and a selection of pages from the guest book of art critic Dorothy Adlow and her husband, the legendary composer, conductor and musicologist Nicolas Slonimsky. The issue closes with a compilation CD containing songs inspired by Slonimsky's hugely influential 1947 book Thesaurus of Scales and Melodic Patterns. Contributors to the CD include Andrew Bird, Lee Ranaldo, Elliott Sharp, Cat Martino and Horse Feathers.
Published by La Fábrica. Edited by Roni Horn, Vicente TodolĚ.
Guest-edited by Roni Horn and Vicente Todoli, the latest issue of Matador magazine is themed around Iceland and the general topic of weather, both of which Horn has explored at length in her own work. It includes poems by Emily Dickinson about Vesuvius; Dieter Roth's Surtsey Island series, in which he gradually transforms an image of the Surtsey volcano into a steaming plate of food; Dr. Atl's paintings of the Paricutin volcano; a transcription of Glenn Gould's radio-documentary The Idea of North; various images of Mount Herdubreid, the Queen of the Mountains in Iceland; and Horn's series You Are the Weather and Weather Reports You, in which people describe the weather where they live. A CD of music by Ólöf Arnalds is also included.
Published by Osmos. Edited by Cay Sophie Rabinowitz.
After cofounding Fantom in 2009 in Milan and New York, Cay Sophie Rabinowitz is continuing the endeavor by launching her magazine with the new name of Osmos. Osmos magazine focuses its editorial practice on texts and image series by practitioners and professionals investigating the uses and abuses of photography. Alongside more conventional genres, such as Essay, Interview, and Portfolio, Osmos frames some of its content in sectors, such as "Collections," about curatorial and archival practice; "Means to an End," about the side effects of non-artistic image production; and "Picture Perfect," where photography is implicit in the production of the featured work, but is not always the resulting final medium. One outstanding feature is the critical approach to the cover, which acknowledges the delayed effect of image capture or so-called "after image," by featuring an artist or work to be discussed in the following issue. With a radical blend of arresting images, print quality, and distinctive design, Osmos magazine is the most recognized publication in the market fostering contemporary perspectives in photography as the medium crossing all creative industries and practices--art, design, fashion and propaganda, aiming at the core of our imagination.
Published by Damiani. Edited by Maurizio Cattelan, Pierpaolo Ferrari.
Issue 7 of of Maurizio Cattelan and Pierpaolo Ferrari's accessible image-based artists’ magazine that challenges the limits of the contemporary art economy
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