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RECENT POSTS

DATE 4/1/2017

MoMA Presents 'Arbus Friedlander Winogrand: New Documents, 1967' at the Strand

DATE 3/30/2017

Anthony Hernandez

DATE 3/29/2017

Karl Blossfeldt: Masterworks

DATE 3/28/2017

Philip Trager: New York in the 1970s

DATE 3/27/2017

New York in Photobooks

DATE 3/26/2017

James 'Son Ford' Thomas: The Devil and His Blues

DATE 3/24/2017

Marguerita Mergentime: American Textiles, Modern Ideas

DATE 3/24/2017

Karl Blossfeldt: Masterworks

DATE 3/24/2017

Maddie Gilmore on the Textiles of Marguerita Mergentime

DATE 3/24/2017

Join ARTBOOK | D.A.P. at the AIPAD Photography Show

DATE 3/23/2017

Models Matter

DATE 3/22/2017

Trisha Brown, 1936 - 2017

DATE 3/21/2017

Christopher Niquet to Launch 'Models Matter' at BOOKMARC

DATE 3/21/2017

Merce Cunningham: Common Time - Rei Kawakubo

DATE 3/20/2017

Felix Gonzalez-Torres: Specific Objects Without Specific Form

DATE 3/20/2017

Marsie Scharlatt & Aram Saroyan Launch 'A Breathed Yes' at ARTBOOK @ Hauser & Wirth Los Angeles

DATE 3/19/2017

Miralda: El Internacional (1984–1986)

DATE 3/18/2017

Yayoi Kusama Takes On Hans Christian Andersen's 'Little Mermaid'

DATE 3/17/2017

Yayoi Kusama: Give Me Love, The Obliteration Room

DATE 3/17/2017

Joan Rothfuss & Nancy Dalva on 'Merce Cunningham: Common Time' at 192 Books

DATE 3/16/2017

Nancy Perloff launches EXPLODITY at ARTBOOK @ Hauser & Wirth, Los Angeles

DATE 3/16/2017

Renoir: Intimacy

DATE 3/15/2017

Nothing Is Real: When the Beatles Met the East

DATE 3/14/2017

Antoni Miralda to Launch 'El Internacional (1984–1986): New York's Archaeological Sandwich' at MoMA PS1

DATE 3/14/2017

Masao Yamamoto: Small Things in Silence

DATE 3/13/2017

Larry Fink to Launch 'Fink on Warhol' at Rizzoli

DATE 3/13/2017

Andy Warhol: Prints

DATE 3/13/2017

Rizzoli Presents Philip Trager and Ken Schles on NYC Photography

DATE 3/12/2017

The "Odessey": The Zombies in Words and Images Launch at the Strand

DATE 3/12/2017

Cubism and War: The Crystal in the Flame

DATE 3/11/2017

Linda Foard Roberts: Passage

DATE 3/10/2017

Mark Klett: Camino del Diablo

DATE 3/9/2017

Justin Kimball: Elegy

DATE 3/8/2017

Merce Cunningham: Common Time Has Arrived!

DATE 3/7/2017

David Taylor: Monuments

DATE 3/6/2017

Costume & Fashion

DATE 3/4/2017

Jimmy Wright: Bathhouse, Meatpacking District and the Dream Cards

DATE 3/3/2017

Josef Albers: Midnight and Noon

DATE 3/3/2017

Digital Collages from Béatrice Dupire @theiye

DATE 3/2/2017

Masterworks: Rare and Beautiful Chess Sets of the World

DATE 3/2/2017

In Memory of Gustav Metzger, 1926-2017

DATE 3/1/2017

Masterworks: Rare and Beautiful Chess Sets of the World

DATE 3//2017

ARTBOOK | D.A.P. at the Society for Photographic Education Conference

DATE 2/28/2017

Valérie Belin

DATE 2/27/2017

Hollywood and the Ivy Look

DATE 2/26/2017

We Go Out

DATE 2/25/2017

Miralda’s El Internacional (1984–1986): New York’s Archaeological Sandwich

DATE 2/24/2017

Clare Rojas: Plain Black, Abstract Paintings

DATE 2/24/2017

Valérie Belin Book Launch at Albertine

DATE 2/23/2017

The Exhibitionist: Journal on Exhibition Making

DATE 2/22/2017

Yayoi Kusama: I Who Have Arrived in Heaven


IMAGE GALLERY

Cybill Shepherd/Phone Sex (1992) is reproduced from
CORY REYNOLDS | DATE 3/10/2014

Robert Heinecken: Object Matter

In her essay for Robert Heinecken: Object Matter, published to accompany the exhibition opening this week at The Museum of Modern Art, curator Eva Respini writes, "Robert Heinecken (1931–2006) is a difficult artist to categorize, and a man who thrived on contradiction, in both his work and his life. He was a photographer who rarely picked up a camera; a teacher well versed in photography's history who rebelled against the medium's conventions; a trained fighter pilot who cultivated a radical artistic persona, complete with ponytail and beard; a charismatic figure respected by the women who knew him, whose use of pornographic material, however, drew fierce feminist critique; a profoundly American artist with a strong allegiance to the European avant-garde. America and its obsessions with sex, consumerism, violence, war, TV, and cheap copies are at the forefront of his art. Heinecken's work is often messy, sometimes shocking, other times analytic, but always provocative—his examination of the particularly American terrain of sex and violence was unapologetic. He was a cross-disciplinary pioneer who used diverse techniques and materials to make his work. His free use of found images and inquiry into the nature of representation anticipated the current use of photographs as tools to investigate our culture's self-definition in a world overflowing with images and copies of images. Heinecken's photo-based works destabilize the very definition of photography, and essentially redefine its perception as an artistic medium. 'The photograph,' he argued, 'is not a picture of, but an object about something.'" Cybill Shepherd/Phone Sex (1992) is reproduced from Object Matter.

Robert Heinecken: Object Matter

Robert Heinecken: Object Matter

THE MUSEUM OF MODERN ART, NEW YORK
Hbk, 9.5 x 12 in. / 188 pgs / 300 color.

$50.00  free shipping

DATE 3/24/2017

Marguerita Mergentime

DATE 3/23/2017

Models Matter

DATE 3/16/2017

Renoir: Intimacy

DATE 3/13/2017

Andy Warhol: Prints

DATE 3/6/2017

Costume & Fashion

DATE 2/28/2017

Valérie Belin

DATE 2/26/2017

We Go Out

DATE 2/8/2017

Raymond Pettibon

DATE 2/3/2017

How Posters Work

DATE 1/12/2017

Paris Metro Photo

DATE 1/11/2017

Paris Metro Photo

DATE 1/10/2017

PARIS METRO PHOTO

DATE 1/9/2017

Louis Faurer



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