ARTBOOK LOGO

ARTBOOK BLOG

WHAT'S NEW?
EVENTS
BOOKS IN THE MEDIA
AT FIRST SIGHT
FEATURED IMAGES
EX LIBRIS
ARTBOOK INTERVIEWS
EXCERPTS & ESSAYS
FROM THE SHELVES

RECENT POSTS

DATE 9/19/2014

What Nerve! Destroy All Monsters

DATE 9/18/2014

What Nerve! Christina Ramberg Rediscovered

DATE 9/16/2014

What Nerve! Alternative Figures in American Art, 1960 to the Present

DATE 9/16/2014

Le Corbusier & Pierre Jeanneret: Chandigarh, India

DATE 9/15/2014

Just One Good Chair

DATE 9/15/2014

ARTBOOK @ SWISS INSTITUTE Presents the World's Best Books on Contemporary Chair Design

DATE 9/12/2014

George Herms: The River Book

DATE 9/11/2014

New York Is ...

DATE 9/11/2014

ARTBOOK Launches a New Pop Up Bookstore at Swiss Institute In Soho

DATE 9/10/2014

The Essential Cy Twombly

DATE 9/8/2014

Reflection, Illumination, Luminosity, Shadows and Patterns: Andrew Wyeth Looking Out, Looking In

DATE 9/6/2014

'What Nerve' Previewed in ARTnews

DATE 9/6/2014

Superlight: Rethinking How Our Homes Impact the Earth

DATE 9/4/2014

Walter Keller

DATE 9/4/2014

Henry Taylor

DATE 9/2/2014

Soviet Space Dogs

DATE 9/2/2014

'The Best Most Useless Dress: Selected Writings of Claudia La Rocco' Launch Event at The Kitchen

DATE 9/1/2014

Mathemysticism in John Severson's SURF

DATE 8/29/2014

John Severson's SURF

DATE 8/27/2014

Jaromír Funke: Between Construction and Emotion

DATE 8/25/2014

Jo Ann Callis: Other Rooms

DATE 8/25/2014

Susan S. Szenasy and John Hockenberry to Speak at the AIA Center for Architecture

DATE 8/23/2014

Laura Lima

DATE 8/21/2014

Ed Atkins

DATE 8/19/2014

Building as Ornament

DATE 8/17/2014

Elad Lassry

DATE 8/15/2014

Eugene Richards: Red Ball of a Sun Slipping Down

DATE 8/13/2014

Not Nothing: Selected Writings by Ray Johnson 1954-1994 in The New York Times

DATE 8/11/2014

Ron Galella: New York

DATE 8/11/2014

Wellfleet Public Library to host Cape Cod Modern Panel, Lecture and Book Signing

DATE 8/10/2014

Pierre Charpin

DATE 8/8/2014

Pierre Charpin

DATE 8/6/2014

Sune Jonsson: Life and Work

DATE 8/4/2014

Ken Price: The Large Sculptures

DATE 8/3/2014

The Slovak New Wave

DATE 8/1/2014

The Human Factor

DATE 7/29/2014

Mika Rottenberg: The Production of Luck

DATE 7/27/2014

Anne Collier

DATE 7/25/2014

Jasper Johns: Regrets

DATE 7/24/2014

Cape Cod Modern Book Launch in Provincetown

DATE 7/23/2014

Phyllida Barlow: Fifty Years of Drawings

DATE 7/21/2014

Toulouse-Lautrec in the Collection of The Museum of Modern Art

DATE 7/21/2014

Visit the 5th Annual David Zwirner Pop-Up Bookstore

DATE 7/19/2014

Konstantin Grcic: Panorama

DATE 7/17/2014

How to Make a Japanese House

DATE 7/15/2014

NYC Makers: The 2014 MAD Biennial

DATE 7/13/2014

Sze Tsung Leong: Horizons

DATE 7/11/2014

Ray Johnson: The Paper Snake

DATE 7/10/2014

Not Nothing: Selected Writings by Ray Johnson 1954-1994

DATE 7/8/2014

Not Nothing: Selected Writings by Ray Johnson 1954-1994

DATE 7/6/2014

Ruffneck Constructivists


FEATURED IMAGES

Utagawa Hiroshige
CORY REYNOLDS | DATE 2/24/2014

Looking East: Western Artists and the Allure of Japan

In Looking East: Western Artists and the Allure of Japan, Museum of Fine Arts Boston curator Helen Burnham writes, "Japanese approaches to color, perspective, and light in the depiction of landscapes offered compelling aesthetic possibilities to Westerners already enamored of the country's sensitivity to nature and its ever-changing beauty. Artists and critics remarked that the bright colors of ukiyo-e prints made them feel as though veils had been lifted from their eyes. Unlike European painters, who tended to use shadows to create convincing three-dimensional forms, 'the Japanese did not see nature swathed in mourning…it appeared to them as colored and full of light.' Their vistas, moreover, gave the impression of distance without relying exclusively on perspective, the favored method of Western landscapists. Instead, the Japanese employed contrasts in color, the repetition of forms, and the power of suggestion—'one wave stands for the whole sea'—to animate views of Mount Fuji or important sites in Edo." Utagawa Hiroshige's "Pine of Success and Oumayagashi, Asakusa River" from the series One Hundred Famous Views of Edo, 1856, is reproduced from Looking East .

Looking East

Looking East

MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON
Hbk, 8.5 x 10 in. / 128 pgs / 86 color.

$29.95  free shipping

DATE 9/15/2014

Just One Good Chair

DATE 9/4/2014

Henry Taylor

DATE 9/2/2014

Soviet Space Dogs

DATE 8/29/2014

John Severson's SURF

DATE 8/23/2014

Laura Lima

DATE 8/21/2014

Ed Atkins

DATE 8/19/2014

Building as Ornament

DATE 8/17/2014

Elad Lassry

DATE 8/11/2014

Ron Galella: New York

DATE 8/10/2014

Pierre Charpin

DATE 8/8/2014

Pierre Charpin

DATE 8/3/2014

The Slovak New Wave

DATE 8/1/2014

The Human Factor

DATE 7/27/2014

Anne Collier

DATE 7/25/2014

Jasper Johns: Regrets

DATE 6/17/2014

Tal R: The Virgin

DATE 5/10/2014

David Altmejd

DATE 5/1/2014

Lygia Clark

DATE 4/25/2014

Katy Grannan: The 99

DATE 4/19/2014

Sigmar Polke: Alibis

DATE 4/13/2014

Trevor Winkfield

DATE 4/10/2014

Reading Andy Warhol



ARTBOOK LOGO
 
 

the artworld's favorite source for books on art and culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
155 Sixth Avenue
New York NY 10013
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2013 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com