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| MEXICO: STENCILEDITORIAL RM
U.S. $19.95 | CAN $24
ISBN: 9789689345015 | TRADE
PUB DATE: 3/1/2008 | Not available | OF RELATED INTEREST Hasta La Victoria, Stencil! Edited by Guido Indij. “The need to break on through and create interference in this world we're living in calls for action. It feels good to be here, now and for ever... Let's get out on the streets! To >>more
La Marca Editora
ISBN 9789508890856
US $25.00 CAN $30.00 TRADE
Paperback, 6 x 6 in. / 340 pgs / 720 color.
Pub Date: 02/15/2005 Active/Awaiting stock 1000 Stencils Argentinia Graffiti Edited by Guido Indij. This follow-up to the popular collection of street art, Hasta la Victoria, Stencil, collects 1000 newly catalogued stencil/graffiti artworks from Argentina into one chunky, 6 x 6-inch, 240-page, gift-worthy volume. Punky and fresh, it catalogues >>more
La Marca Editora
ISBN 9789508891648
US $25.00 CAN $30.00 TRADE
Paperback, 6 x 6 in / 240 pgs / 1000 color.
Pub Date: 10/01/2007 Active/In stock | |
| | | Mexico: Stencil
Published by Editorial RM
When the Mexican government attempted to violently quell the teacher’s union’s demonstrations in Oaxaca in June of 2006, artists were quick to protest. Graffiti covered government buildings, and both street and fine artists quickly formed an organization called the Assembly of the Artists of the Revolution of Oaxaca, or ASARO. Some participants created stencils and posters that are still sold in Oaxaca’s main square; they reappear on the walls of the city whenever a march is imminent.
In the streets of modern Mexico, the stenciled image has become a ubiquitous sight and is now a thriving form of popular art, used for non-political purposes as well as for protest. Mexico: Stencil is the first international publication on this subject. The product of 10 years of research conducted throughout the country, its content benefits from commentary by the artists themselves, who contribute background information and documentation for this project. Consistent with the spirit of its subject, however, this volume respects the anonymity of the many creators who figure in it, offering instead a vision of the streets as they might be observed by any visually aware pedestrian in contemporary Mexico. | D.A.P. CATALOG: SPRING 2008 p. 111 | SEARCH BY ARTIST, TITLE OR KEYWORD |
| PRINT TITLE INFO  |
| MEXICO: STENCIL
$19.95 | Out of Print. Check the Stores tab to locate a shop that may have copies.
| U.S. LIST PRICE: U.S. $19.95
CANADIAN PRICE: CAN $24
ISBN: 9789689345015
FORMAT: Paperback, 8.25 x 6 in. / 196 pgs / 400 color.
PUBLISHER: Editorial RM
DISTRIBUTION: | RETAILER DISC: TRADE
PUBLICATION DATE: 3/1/2008 | Out of print
AVAILABILITY: Not available |
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The D.A.P. Catalog @ ARTBOOK | D.A.P. / Distributed Art Publishers, Inc. | New York, New York
1-800-338-BOOKCopyright Distributed Art Publishers, Inc. and Artbook LLC and the respective holders of copyright in individual images and texts, 2010.
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| Mexico: Stencil | Editorial RM | Pub Date: 3/1/2008 |  |
LIST PRICE: U.S. $19.95
LIST PRICE: CANADA $24
ISBN: 9789689345015
PUBLISHER: Editorial RM
PUB DATE: 3/1/2008
FORMAT: Paperback, 8.25 x 6 in. / 196 pgs / 400 color.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of printAVAILABILITY: Not available
| D.A.P. CATALOG:
SPRING 2008 Page 111 |
| Mexico: Stencil
When the Mexican government attempted to violently quell the teacher’s union’s demonstrations in Oaxaca in June of 2006, artists were quick to protest. Graffiti covered government buildings, and both street and fine artists quickly formed an organization called the Assembly of the Artists of the Revolution of Oaxaca, or ASARO. Some participants created stencils and posters that are still sold in Oaxaca’s main square; they reappear on the walls of the city whenever a march is imminent.
In the streets of modern Mexico, the stenciled image has become a ubiquitous sight and is now a thriving form of popular art, used for non-political purposes as well as for protest. Mexico: Stencil is the first international publication on this subject. The product of 10 years of research conducted throughout the country, its content benefits from commentary by the artists themselves, who contribute background information and documentation for this project. Consistent with the spirit of its subject, however, this volume respects the anonymity of the many creators who figure in it, offering instead a vision of the streets as they might be observed by any visually aware pedestrian in contemporary Mexico.
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