| WANGECHI MUTU: A SHADY PROMISE
Edited by Douglas Singleton. Text by Isolde Brielmaier, Michael Veal, Malik Gaines.DAMIANI
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PUB DATE: 5/1/2008 | In stock | WANGECHI MUTU TITLE LIST WANGECHI MUTU: MY DIRTY LITTLE HEAVEN
Text by Okwui Enwezor, Lauri Firstenberg, Friedhelm Hütte, Courtney J. Martin, Klaus Ottmann, Pierre de Weck.
Hatje Cantz
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PUB DATE: 10/30/2010 | Awaiting stockWANGECHI MUTU: IN WHOSE IMAGE
Text by Angela Stief. Interview by Gerald Matt.
Verlag Für moderne Kunst Nürnberg
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ISBN: 9783941185067 | TRADE
PUB DATE: 11/30/2009 | Awaiting stockWANGECHI MUTU: THIS YOU CALL CIVILIZATION?
Edited by David Moos. Text by Jennifer Gonzalez, Odili Donald Odita, Raphael Rubinstein, et al.
Art Gallery of Ontario, Toronto
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PUB DATE: 5/31/2010 | In stockOF RELATED INTEREST Julie Mehretu: Black City Text by Agustin Perez Rubio, Marcus Steinweg, Cay Sophie Rabinowitz. Life has taken Julie Mehretu from Addis Ababa, Ethiopia to New York the long way. Now the New York Times writes that her canvases--multilayered, futuristic visual worlds where historical and fictional landscapes meet--"make history painting >>more
Hatje Cantz
ISBN 9783775718639
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Hardcover, 11 x 11 in. / 208 pgs / 214 color.
Pub Date: 01/01/2007 Active/In stock Looking Both Ways Edited by Laurie Ann Farrell. Essays by Okwui Enwezor, Laurie Ann Farrell, Jos» Antonio B. Fernandes Dias, Laurie Firstenberg, Steven Nelson, Salah Hassan and John Peffer. Looking Both Ways: Art of the Contemporary African Diaspora considers the work of artists from North, South, East and West Africa who live and work in Western countries, including Belgium, France, Germany, the Netherlands, Portugal, >>more
Snoeck Publishers, Ghent
ISBN 9789053494431
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Hardcover, 9.5 x 11.75 in. / 184 pgs / 182 color.
Pub Date: 03/02/2004 Active/Awaiting stock | |
| | | Wangechi Mutu: A Shady PromiseEdited by Douglas Singleton. Text by Isolde Brielmaier, Michael Veal, Malik Gaines.
Published by Damiani“Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body,” states Kenyan-born, New York-based artist Wangechi Mutu, the subject of this highly anticipated first monograph. In recent years Mutu’s work has become increasingly sought-after in the international art world, making high-profile appearances at the important art fairs and auctions. What makes her interesting, however, is her fierce and contemporary use of the well-worn medium of collage. Mutu deals with female and cultural identity in large-scale figurative pieces constructed from found and drawn imagery. Her figures are freakish and erotic hybrids of the primitive, contemporary and post-human. These sometimes garish, diseased, ravaged and distorted figures are made from seductive or silly materials like glossy fashion magazine pictures, glitter or fun fur. They refer to colonial history, contemporary African politics, the history of art and fashion--in often quite irreverent ways. Mutu’s own diverse history--she has studied both anthropology and sculpture and has lived in Nairobi, Wales, New York and New Haven, where she received her MFA from Yale University in 2001--seems a likely source for her manifold concerns. This volume surveys Mutu’s work to date. | D.A.P. CATALOG: SPRING 2008 p. 77 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| WANGECHI MUTU: A SHADY PROMISE
$50.00 | In Stock: Order below or contact your local bookstore or museum shop.
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ISBN: 9788862080217
FORMAT: Hardback, 9.5 x 12.5 in. / 144 pgs / 100 color.
PUBLISHER: Damiani
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PUBLICATION DATE: 5/1/2008 | Active
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