From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.
As a painter and a teacher, and co-founder of the Blaue Reiter, the Russian-born artist Vasily Kandinsky has played a leading role in the unfolding of modern art. Greatly influenced by music-- "music is the ultimate teacher," he once averred--Kandinsky painted his first abstract compositions during his Bavarian period (1906-1914), and these riotously musical canvases, with their intense symphonies of color and wildly jostling forms, have influenced successive generations of abstract artists to the present day. The Swiss artist, designer and founder of Concrete art, Max Bill, whose excellent preface opens this perfect introduction to the world of Kandinsky, was a student at the Bauhaus during the artist's tenure there, and was the editor of the first edition of Kandinsky's collected writings. His inclusion in this volume adds a useful historical perspective, while Carola Giedion-Welcker contributes a concise essay on the artist.
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FORMAT: Hbk, 8 x 11 in. / 96 pgs / 74 color. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $30 ISBN: 9788434312135 PUBLISHER: Ediciones Polígrafa AVAILABLE: 7/31/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available
Published by Ediciones Polígrafa. Text by Carola Giedion-Welcker, Max Bill.
As a painter and a teacher, and co-founder of the Blaue Reiter, the Russian-born artist Vasily Kandinsky has played a leading role in the unfolding of modern art. Greatly influenced by music-- "music is the ultimate teacher," he once averred--Kandinsky painted his first abstract compositions during his Bavarian period (1906-1914), and these riotously musical canvases, with their intense symphonies of color and wildly jostling forms, have influenced successive generations of abstract artists to the present day. The Swiss artist, designer and founder of Concrete art, Max Bill, whose excellent preface opens this perfect introduction to the world of Kandinsky, was a student at the Bauhaus during the artist's tenure there, and was the editor of the first edition of Kandinsky's collected writings. His inclusion in this volume adds a useful historical perspective, while Carola Giedion-Welcker contributes a concise essay on the artist.
