PUBLISHER
Walther König, Köln

BOOK FORMAT
Paperback, 8 x 11 in. / 156 pgs / 80 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2016 p. 166   

PRODUCT DETAILS
ISBN 9783863358013 FLAT40
List Price: $39.95 CDN $53.95

AVAILABILITY
In stock

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From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

WALTHER KöNIG, KöLN

Rembrandt’s Changing Impressions

Foreword by David Freedberg. Text by Deborah Cullen, Robert Fucci.

Rembrandt van Rijn (1606–69) was restlessly experimental in his printmaking; he manipulated his copperplates in unprecedented ways in order to achieve an image that was often in flux. Rembrandt was the first artist to treat the print medium as a means of crafting visibly changing images, even as his prints were increasingly received in the market as finished works in their own right. Rembrandt’s Changing Impressions, published to accompany an exhibition at the Miriam and Ira D. Wallach Art Gallery at Columbia University, considers this aspect of Rembrandt’s art, and its position in the 17th-century print market, through the comprehensive exploration of 18 of his most dramatically altered works—the first time in more than four decades that such an investigation has been undertaken. Each print’s multiple impressions are displayed side by side, giving readers the opportunity to examine their range, power and nuance.
Rembrandt’s Changing Impressions

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Rembrandt’s Changing Impressions

REMBRANDT’S CHANGING IMPRESSIONS

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