ART CRITICISM, THEORY AND HISTORY

PUBLISHER
Badlands Unlimited

BOOK FORMAT
Paperback, 6 x 9 in. / 160 pgs.

PUBLISHING STATUS
Pub Date
Active

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D.A.P. Exclusive
Catalog: SPRING 2018 p. 87   

PRODUCT DETAILS
ISBN 9781943263141 TRADE
List Price: $19.99 CDN $27.95

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From the Beats to the Ramones, from Warhol's legendary film Chelsea Girls to MoMA catalogs for the Bruce Nauman and Adrian Piper retrospectives, and announcing D.A.P. distribution for Skira, Lars Müller, and Inventory Press

  

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Whitewalling: Art, Race & Protest in 3 Acts

By Aruna D'Souza.

Featured image is reproduced from 'Whitewalling: Art, Race, & Protest in 3 Acts.'

In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest.

Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world—no less than the country at large—has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three “acts” in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?

Aruna D’Souza writes about modern and contemporary art, food and culture; intersectional feminisms and other forms of politics; how museums shape our views of each other and the world; and books. Her work appears regularly in 4Columns.org, where she is a member of the editorial advisory board, as well as in publications including the Wall Street Journal, ARTnews, Garage, Bookforum, Momus and Art Practical. D'Souza is the editor of the forthcoming Making it Modern: A Linda Nochlin Reader.


Featured image is reproduced from 'Whitewalling: Art, Race, & Protest in 3 Acts.'

PRAISE AND REVIEWS

Publisher's Weekly

this book could become an essential primer in discussions about exclusion, free speech, and the power of institutions in the art world and outside it.

Former Executive Director of Queens Museum

Laura Raicovich

Remarkable for its clarity, lightness of touch, fearlessness, and righteous research.

Director, UCLA African Studies Center, Professor of African and African American Art History

Steven Nelson

Amazing

Publishers Weekly

An impressively nuanced exploration of the relationship between art and race in America.

Whitewalling: Art, Race & Protest in 3 Acts

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