DATE 4/1/2023

Rizzoli Bookstore presents Pattie Boyd in conversation with Dave Brolan

DATE 3/25/2023

Artbook at Hauser & Wirth LA Bookstore presents the Los Angeles book launch and signing for 'Ash Kolodner: Gayface'

DATE 3/18/2023

The spirit of exploration in 'Thor Heyerdahl: Voyages of the Sun'

DATE 3/15/2023

192 Books presents a Tony Feher panel discussion

DATE 3/14/2023

Celebrate Pi Day with 'Einstein: The Man and His Mind'

DATE 3/14/2023

Revised 'Philip Guston Now' on view at National Gallery of Art

DATE 3/10/2023

Hot book alert! 'Cyberfeminism Index' is out now from Mindy Seu and Inventory Press

DATE 3/8/2023

Midcentury Modern bliss in 'Room 606'

DATE 3/6/2023

Peculiar beasts in 'Jon Huck: At the Drop of a Hat'

DATE 3/5/2023

Artbook at MoMA PS1 presents Tammy Nguyen and Mina Stone

DATE 3/2/2023

Mast Books presents Jameson Green in conversation with Dan Nadel

DATE 3/1/2023

Celebrate Women's History!

DATE 3/1/2023

Celebrate Women's History Month, 2023!


Featured photograph, of Jack Whitten carving wood in Kyria Irini

In 'Jack Whitten: Odyssey,' sculpture moves backward and forward in time and across the globe

"Jack Whitten was a man of many ways," Katy Siegel writes in Jack Whitten: Odyssey, published by Gregory R. Miller & Co. to accompany the exhibition currently on view at the Baltimore Museum of Art, en route to The Met this fall. "He found his way from segregated Alabama to art school in New York. He found a way to think about painting as a medium that beat mainstream formalism on its own grounds. He found different ways into African art through the seemingly conflicting perspectives of older postwar artists, Afrocentric politics, and the advocates of black cosmopolitanism. In the 1980s and following decades, he found a way to make paintings that expand our conception of what art can handle: memorials for loved ones, indexes of place, the stuff of quantum space-time. And perhaps most surprisingly, he found ways to make sculpture that moves backward and forward in time and across the globe. Whitten was a larger artist than the provincial New York art world could imagine (and, sometimes, than it could accept)—better, more expansive and various, than that time and place, that social context, deserved." Here, Whitten carves wood for a sculpture in Kyria Irini's courtyard, Agia Galini, Crete, 1972.

Jack Whitten: Odyssey

Jack Whitten: Odyssey

Hbk, 9.5 x 11.5 in. / 192 pgs / 161 color.

$55.00  free shipping

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