DATE 7/18/2024

Join us at the San Francisco Art Book Fair, 2024!

DATE 7/18/2024

History and healing in Calida Rawles' 'Away with the Tides'

DATE 7/16/2024

Join us at the Atlanta Gift & Home Summer Market 2024

DATE 7/15/2024

In 'Gordon Parks: Born Black,' a personal report on a decade of Black revolt

DATE 7/14/2024

Familiar Trees presents a marathon reading of Bernadette Mayer's 'Memory'

DATE 7/11/2024

Early 20th-century Japanese graphic design shines in 'Songs for Modern Japan'

DATE 7/8/2024

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/5/2024

Celebrate summer with Tony Caramanico’s Montauk Surf Journals

DATE 7/4/2024

For love, and for country

DATE 7/1/2024

Enter the dream space of Francesca Woodman and Julia Margaret Cameron

DATE 7/1/2024

Summertime Staff Picks, 2024!

DATE 6/30/2024

Celebrate the extraordinary freedom of Cookie Mueller in this Pride Month Pick

DATE 6/28/2024

Celebrating Hip Hop and contemporary art, 'The Culture' opens at Cincinnati Art Museum


"Series I – No. 3" (1918) is reproduced from

New ways of thinking and seeing for a new year

"Series I – No. 3" (1918) is reproduced from Georgia O’Keeffe, the catalog to the major survey opening at Fondation Beyeler in Basel, Switzerland, in January 2022. Featuring 245 superb reproductions alongside a substantial biography and scholarly texts, this is essential reading for every serious art library, collector or lover of Modernist painting. “O’Keeffe’s interest in the idea of creating a visual equivalent of music in painting was one she shared with a number of artists she associated with, such as Marsden Hartley, Max Weber and Arthur Dove, as well as [Alfred] Stieglitz,” the editors write. “Her synesthetic designs of 1919 were consistent with the new aesthetic concerns of American modernity. Musical performances with projections of light were in vogue in New York at the time and O’Keeffe owned a book of theories on the subject. However, her interest was first aroused whilst studying with Arthur Wesley Dow in 1916. She remembered vividly: ‘Walking down the hall of Columbia University Art Department, I heard music. Being curious, I opened the door and went in. The instructor was playing a low-toned record, asking the class to make a charcoal drawing from it. So I sat down and made a drawing too.’ This experience ‘gave me an idea that I was very interested to follow—the idea of lines like sounds.’”

Georgia O’Keeffe

Georgia O’Keeffe

D.A.P./Museo Nacional Thyssen-Bornemisza
Hbk, 8.75 x 11 in. / 316 pgs / 171 color / 74 b&w.

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!

Vintage Valentine

DATE 2/14/2024

Vintage Valentine

Forever Valentino

DATE 11/27/2023

Forever Valentino