DATE 10/31/2022

Celebrate Halloween with Christopher Frayling on 'Vampire Cinema: The First One Hundred Years'

DATE 10/25/2022

Rizzoli Bookstore presents Chris Floyd and Catriona Ni Aolain on 'Not Just Pictures'

DATE 10/1/2022

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Betony Vernon signing 'Paradise Found: An Erotic Treasury for Sybarites'

DATE 9/27/2022

Isolde Brielmaier in conversation with Aruna D’Souza on 'I Am Sparkling'

DATE 9/26/2022

Rizzoli Bookstore presents Baldwin Lee in conversation with Imani Perry

DATE 9/22/2022

New Museum presents the launch of 'El Anatsui: The Reinvention of Sculpture'

DATE 9/22/2022

'Temperature's Rising' — a new oral history of Galaxie 500

DATE 9/22/2022

On view now at Howard Greenberg Gallery, 'Baldwin Lee' is a revelation

DATE 9/19/2022

In Celebration of Hispanic Heritage Month

DATE 9/19/2022

Featuring a pull-off poster cover, 'Betye Saar: Serious Moonlight' is a New Release this week!

DATE 9/17/2022

Museum Store of the Month: MFA Boston Shop

DATE 9/17/2022

Peter Fetterman Gallery presents Roger A. Deakins exhibition and 'Byways' signing

DATE 9/16/2022

'Julie Blackmon: Midwest Materials' is NEW from Radius Books


"Series I – No. 3" (1918) is reproduced from

New ways of thinking and seeing for a new year

"Series I – No. 3" (1918) is reproduced from Georgia O’Keeffe, the catalog to the major survey opening at Fondation Beyeler in Basel, Switzerland, in January 2022. Featuring 245 superb reproductions alongside a substantial biography and scholarly texts, this is essential reading for every serious art library, collector or lover of Modernist painting. “O’Keeffe’s interest in the idea of creating a visual equivalent of music in painting was one she shared with a number of artists she associated with, such as Marsden Hartley, Max Weber and Arthur Dove, as well as [Alfred] Stieglitz,” the editors write. “Her synesthetic designs of 1919 were consistent with the new aesthetic concerns of American modernity. Musical performances with projections of light were in vogue in New York at the time and O’Keeffe owned a book of theories on the subject. However, her interest was first aroused whilst studying with Arthur Wesley Dow in 1916. She remembered vividly: ‘Walking down the hall of Columbia University Art Department, I heard music. Being curious, I opened the door and went in. The instructor was playing a low-toned record, asking the class to make a charcoal drawing from it. So I sat down and made a drawing too.’ This experience ‘gave me an idea that I was very interested to follow—the idea of lines like sounds.’”

Georgia O’Keeffe

Georgia O’Keeffe

Hbk, 8.75 x 11 in. / 316 pgs / 171 color / 74 b&w.

$65.00  free shipping

Happy Mother's Day!

DATE 5/8/2022

Happy Mother's Day!