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RECENT POSTS

DATE 11/30/2025

Artbook at Hauser & Wirth Los Angeles Bookstore presents Kelli Anderson and Claire L. Evans launching 'Alphabet in Motion'

DATE 11/27/2025

Indigenous presence in 'Wendy Red Star: Her Dreams Are True'

DATE 11/24/2025

Holiday Gift Guide 2025: Artful Crowd-Pleasers

DATE 11/22/2025

From 'Bottle Rocket' to 'The Phoenician Scheme' — the archives of Wes Anderson

DATE 11/20/2025

The testimonial art of Reverend Joyce McDonald

DATE 11/18/2025

A profound document of art, love and friendship in ‘Paul Thek and Peter Hujar: Stay away from nothing’

DATE 11/17/2025

The Strand presents Kelli Anderson + Giorgia Lupi launching 'Alphabet in Motion'

DATE 11/15/2025

Holiday Gift Guide 2025: Stuff that Stocking

DATE 11/15/2025

Artbook at MoMA PS1 presents Cory Arcangel, Eivind Røssaak and Alexander R. Galloway launching 'The Cory Arcangel Hack'

DATE 11/14/2025

Columbia GSAPP presents 'The Library is Open 23: Archigram Facsimile' with Beatriz Colomina Thomas Evans, Amelyn Ng, David Grahame Shane, Bernard Tschumi & Bart-Jan Polman

DATE 11/13/2025

Holiday Gift Guide 2025: For the Photo Fanatic

DATE 11/13/2025

Holiday Gift Guide 2025: For the Edition Collector

DATE 11/13/2025

Pop-up pleasure in Kelli Anderson's astonishing 'Alphabet in Motion'


IMAGE GALLERY

"Schwules Baby (Gay Baby)" (1997) is reproduced from
CORY REYNOLDS | DATE 11/15/2013

Isa Genzken Retrospective: Dedicated to Jasper Johns and Myself

This detail of “I Love New York, Crazy City” (1995-96, in three books), is reproduced from Isa Genzken: Retrospective, MoMA's definitive catalogue (endearingly subtitled Dedicated to Jasper Johns and Myself) to the artist's traveling exhibition opening in New York this week. Sabine Breitwieser writes, "Genzken's oeuvre is distinguished by a constant inventiveness, a highly idiosyncratic artistic approach, and an unmistakable idiom within each of her diverse groups of work. Although she has veered off in new, unexpected directions at regular intervals, reviewing her work over the course of four decades reveals a surprising coherence, one rooted in the logic of her successive artistic choices as well as in the way in which her series, in all their remarkable heterogeneity, relate to one another. Individual works, or groups of work, appear as protagonists in an openended play, one in which personal, autobiographical, and fictional elements enter into a dialectic with techno-scientific principles and structural concerns in ways previously considered incompatible."

Isa Genzken: Retrospective

Isa Genzken: Retrospective

The Museum of Modern Art, New York
Clth, 9.5 x 12 in. / 315 pgs / 320 color.





From Mucha to Manga

DATE 3/31/2025

From Mucha to Manga

Long live 'STUFF'!

DATE 3/27/2025

Long live 'STUFF'!