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RECENT POSTS

DATE 10/31/2026

Halloween Horror, 2026

DATE 10/24/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents the LA launch of 'Inploration: Art Exploring Space to Understand Earth'

DATE 10/23/2026

Plot presents 'jm: At the Age of 50, I Picked Up a Paintbrush Again'

DATE 10/22/2026

McNally Jackson Seaport presents Tom Cole and Elliot Tuttle launching 'Chimes'

DATE 10/17/2026

ICA Boston presents Melissa Auf der Maur in conversation with Naomi Yang

DATE 10/16/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Vanessa Beecroft & Chris Kraus celebrating 'Jane Bleibt Jane'

DATE 10/15/2026

A refined history of Modernist cutlery in ‘Knife Fork Spoon’

DATE 10/14/2026

A remarkable new book on Martin Wong

DATE 10/14/2026

McNally Jackson Seaport presents David Jacob Kramer and Michael Schmelling launching 'Handmade Utopia'

DATE 10/13/2026

SOLD OUT! The Cooper Union presents the exhibition panel discussion 'Primers for a Handmade Utopia'

DATE 10/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 10/12/2026

Indigenous Peoples' Day Staff Picks, 2026

DATE 10/12/2026

Rizzoli Bookstore presents Ivan McClellan and Maria Soccor in conversation for the launch of 'Eight Seconds: Legacy in Motion'


IMAGE GALLERY

"Christmas Cakes and Cookies" (circa 1935), by pioneering commercial photographer Nickolas Muray, is reproduced from Color Rush: American Color Photography from Stieglitz to Sherman, distributed for Aperture by ARTBOOK | D.A.P.
CORY REYNOLDS | DATE 12/20/2013

Best of 2013: Color Rush: American Color Photography from Stieglitz to Sherman

"Christmas Cakes and Cookies" (circa 1935), by pioneering commercial photographer Nickolas Muray, is reproduced from Color Rush: American Color Photography from Stieglitz to Sherman—one of our favorite photography books of 2013. Muray's work with carbro color printing revolutionized American lifestyle and fashion magazines. "Though carbro printing was complicated and expensive, requiring the combination of three separate negatives to create the color tonality of the final print, Muray regularly employed the process due to its ability to reproduce vibrant, eye-catching hues that captured the attention of readers… Muray's advertising photography made its debut at a fine-art institution when Beaumont Newhall included two of his carbro prints in the color section of the 1937 exhibition Photography 1839–1937 at The Museum of Modern Art, New York. Though displayed alongside carbro prints by photographers such as Edward Steichen and Paul Outerbridge, Muray's prints were the only advertising photographs in the exhibition that were commissioned by commercial brands. Muray was such an accomplished practitioner that it was no surprise his work was chosen by Newhall as the quintessential model of carbro color photography in advertising."



The New York Knicks

DATE 6/18/2026

The New York Knicks