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DATE 8/2/2026

Join Artbook | D.A.P. at Shoppe Object New York, August 2026

DATE 7/23/2026

Join us at the San Francisco Art Book Fair, 2026!

DATE 7/20/2026

Collier Schorr’s fascinating take on Chantal Akerman’s ‘Je, tu, il, elle’

DATE 7/19/2026

Metrograph presents Collier Schorr signing ‘Writing a Letter: Akerman Ballet, Act 1’ followed by a screening of Chantal Akerman’s ‘Je tu il elle’ with joint introduction by Matt Wolf

DATE 7/17/2026

LACMA Store presents Audrey Sands and Rebecca Morse on 'Lisette Model: The Jazz Pictures'

DATE 7/16/2026

Artworld occult! A new tarot deck from Francesco Clemente

DATE 7/13/2026

An exploration of dancehall, reggae en español, and reggaeton through contemporary art

DATE 7/12/2026

Artbook @ Hauser & Wirth Los Angeles Bookstore presents Karl Haendel, Andrea Gyorody and Aldy Milliken on 'Less Bad'

DATE 7/11/2026

LA Showroom Summer Sample Sale, Save 75–85%!

DATE 7/11/2026

For 1970s beach vibe, you can’t do better than Joel Sternfeld’s ‘Nags Head’

DATE 7/8/2026

Conflict, culture and exchange in 18th-century art across the Americas

DATE 7/7/2026

Hot Town, Summer In (and Out) of the City

DATE 7/6/2026

Another kind of Americana in François Prost’s ‘Gentlemen’s Club’


IMAGE GALLERY

"Christmas Cakes and Cookies" (circa 1935), by pioneering commercial photographer Nickolas Muray, is reproduced from Color Rush: American Color Photography from Stieglitz to Sherman, distributed for Aperture by ARTBOOK | D.A.P.
CORY REYNOLDS | DATE 12/20/2013

Best of 2013: Color Rush: American Color Photography from Stieglitz to Sherman

"Christmas Cakes and Cookies" (circa 1935), by pioneering commercial photographer Nickolas Muray, is reproduced from Color Rush: American Color Photography from Stieglitz to Sherman—one of our favorite photography books of 2013. Muray's work with carbro color printing revolutionized American lifestyle and fashion magazines. "Though carbro printing was complicated and expensive, requiring the combination of three separate negatives to create the color tonality of the final print, Muray regularly employed the process due to its ability to reproduce vibrant, eye-catching hues that captured the attention of readers… Muray's advertising photography made its debut at a fine-art institution when Beaumont Newhall included two of his carbro prints in the color section of the 1937 exhibition Photography 1839–1937 at The Museum of Modern Art, New York. Though displayed alongside carbro prints by photographers such as Edward Steichen and Paul Outerbridge, Muray's prints were the only advertising photographs in the exhibition that were commissioned by commercial brands. Muray was such an accomplished practitioner that it was no surprise his work was chosen by Newhall as the quintessential model of carbro color photography in advertising."



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DATE 6/18/2026

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DATE 1/1/2026

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DATE 1/1/2026

Happy New Year!