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RECENT POSTS

DATE 9/12/2026

MASS MoCA R&D Store presents 'three six five' author Lucy Ives in conversation with Lauren Levato Coyne

DATE 9/11/2026

The Strand presents the NYC launch of 'Melissa Auf der Maur: My '90s Rock Photographs'

DATE 8/20/2026

Printed Matter presents Hugo Martinez, Danielle Becker, DIP, Octavio Zaya and Kevin Monaghan launching 'You Weren't There: ’90s Graffiti in New York'

DATE 8/20/2026

Illuminating ‘Miyoko Ito: Heart of Hearts’ is Back in Stock from Pre-Echo Press!

DATE 8/17/2026

In the tradition of Marianne Wex's landmark taxonomic project, 'Taking Back our Space' is new from MoMA

DATE 8/15/2026

Back to School Sale Staff Picks!

DATE 8/13/2026

Anticapitalistic to their foundations: the 'Handmade Utopias' of Northern California

DATE 8/12/2026

Printed Matter presents Chang Yuchen & Ross Perlin in Conversation: a dictionary, a loom, a manifesto …

DATE 8/11/2026

Back in stock! Albert Scopin's long-lost document of life at the Chelsea Hotel

DATE 8/6/2026

The power of irreverent intervention in 'Logo in Real Life'

DATE 8/2/2026

Join Artbook | D.A.P. at Shoppe Object New York, August 2026

DATE 7/30/2026

Previously unpublished archival materials and manifestos from design giant Charlotte Perriand

DATE 7/26/2026

Vintage poster scrap from Tokyo’s influential Grand Gallery


IMAGE GALLERY

"Devils Garden, Grand Staircase-Escalante National Monument, Utah" is reproduced from
CORY REYNOLDS | DATE 1/15/2020

Exquisite activism in David Benjamin Sherry's 'American Monuments'

"Devils Garden, Grand Staircase-Escalante National Monument, Utah" is reproduced from David Benjamin Sherry's deluxe new Radius Books monograph, American Monuments, collecting Shery's vibrant, large-format photographs of national monuments under review following the 2017 executive order that has threatened to shrink or redefine many of them. "The candescent photography of David Benjamin Sherry shatters the frontier myth of a world that exists in black and white," Terry Tempest Williams writes. "Call these disruptive images of color as a queering of the American landscape. We can no longer afford to frame this vast territory as belonging only to the rugged individualist, the Marlboro Man riding upright on his high horse trying to corral anything or anyone that looks different than he does."



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DATE 6/18/2026

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DATE 1/1/2026

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DATE 1/1/2026

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