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Shomei Tomatsu: Chewing Gum and Chocolate
Clth, 10 x 12 in. / 216 pgs / 125 duotone. | 5/31/2014 | Awaiting stock
ISBN 9781597112505 | $80.00
Hardcover, 8.75 x 8.5 in. / 96 pgs / 50 color | 5/2/1998 | Not available
ISBN 9784771328310 | $29.95
Published by Aperture.
Edited by Leo Rubinfien, John Junkerman. Text by Leo Rubinfien, Shomei Tomatsu.
One of Japanís foremost twentieth-century photographers, Shomei Tomatsu has created a defining portrait of postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu focused on the tensions between traditional Japanese culture and the nationís growing Westernization, most notably in his seminal book Nihon. Beginning in the late 1950s, Tomatsu photographed as many of the American military bases as possible--beginning with those on the main island of Japan and ending in Okinawa, a much-contested archipelago off the southernmost tip of the country. Tomatsuís photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in the seedy landscape of cities like Yokosuka and Atsugi; and the emerging protest- and counter-culture formed in response to the ongoing American military presence. He originally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldiers--sugary and addictive, but lacking in nutritional value. And although many of his most iconic images are from this series, the best of this work has never before been gathered together in a single volume. Leo Rubinfien, co-curator of the photographerís survey Skin of the Nation, contributes an essay that engages with Tomatsuís ambivalence toward the American occupation and the shifting national identity of Japan. Also included in this volume are never-before-translated writings by Tomatsu from the 1960s and 70s, providing context for both the artistís original intentions and the sociopolitical thinking of the time.
Shomei Tomatsu (1930Ė2012) played a central role in Vivo, a self-managed photography agency, and founded the publishing house Shaken and the quarterly journal Ken. He participated in the groundbreaking New Japanese Photography exhibition in 1974 at The Museum of Modern Art, New York, and, in 2011, the Nagoya City Art Museum featured Tomatsu Shomei: Photographs, a comprehensive survey of his work.
Clth, 10 x 12 in. / 216 pgs / 125 duotone.
PUB DATE 5/31/2014
CATALOG: SPRING 2014 p. 13
ISBN 9781597112505 TRADE
LIST PRICE: $80.00 CDN $80.00
AVAILABILITY: Awaiting stock
STATUS: Forthcoming | 5/31/2014
This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com
Published by Korinsha Press.
Photographs by Toshihara Ito, Shomei Tomatsu.
Hardcover, 8.75 x 8.5 in. / 96 pgs / 50 color
PUB DATE 5/2/1998
Out of print
CATALOG: FALL 1997
ISBN 9784771328310 TRADE
LIST PRICE: $29.95 CDN $29.95
AVAILABILITY: Not available
STATUS: Out of print | 12/22/2002
For assistance locating a copy, please see our list of recommended out of print specialists >
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