Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays
"It seems to me that the notion of the artist comes from the bourgeoisie of the nineteenth century. Every sensitive human being is potentially an artist. Then comes concentration, etc, etc.,--Mozart and Haydn were domestic employees. As for photo-reporters, wejust keep a log." Henri Cartier-Bresson, excerpted from MoMA's major retrospective catalogue, The Modern Century.
Published by Aperture. Introduction and text by Clément Chéroux.
With this publication Aperture presents an elegantly updated and refreshed edition of the classic Henri Cartier-Bresson volume in the Aperture Masters of Photography series. With an introduction by notable curator Clément Chéroux, this edition includes new, image-by-image commentary and a chronology of this influential and iconic artist's life. Initially presented as the History of Photography series in 1976, the first volume of the Masters of Photography series featured Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture's own Michael Hoffman. This redesigned and expanded version honors the selection of images from the original series, which Cartier-Bresson himself created with Delpire, encapsulating the spontaneity and intuition for which this legendary photographer is so celebrated.
Published by The Museum of Modern Art, New York. Text by Peter Galassi.
Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson—including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material—featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines—will revolutionize the study of Cartier-Bresson's work.
Published by Aperture. Photographs by Henri Cartier-Bresson.
Henri Cartier-Bresson reveals--as only a few great artists have done--the variety and richness of human experience in the twentieth century. This second volume of Aperture's Masters of Photography series confirms the genius of the photographer who--with the new, smaller, hand-held cameras and faster films--defined the idea of “the decisive moment” in photography. Cartier-Bresson's imagery is intimate but utterly respectful of his subjects. In his travels throughout the world, he has captured glimpses of individual lives in scores of countries. Taken together, Cartier-Bresson's works constitute a personal history of epic scope. This volume presents 42 of the artist's photographs, each recognized as a masterpiece of the medium. In addition, Cartier-Bresson offers a brief statement about what drives his work.