Gregor Schneider

ACTIVE BACKLIST

GREGOR SCHNEIDER: END
Text by Anita Shah, Susanne Titz.
WALTHER KöNIG, KöLN
ISBN: 9783865604224 | US $55.00
Pub Date: 8/31/2010
Active | Awaiting stock

GREGOR SCHNEIDER: WHITE TORTURE
Text by Julian Heynen, Brigitte Koelle.
WALTHER KöNIG, KöLN
ISBN: 9783865602169 | US $37.00
Pub Date: 7/1/2007
Active | Awaiting stock

GREGOR SCHNEIDER: CUBES
Essays by Amine Haase and Friedhelm Mennekes. Introduction by Eugene Blume.
CHARTA
ISBN: 9788881585809 | US $34.95
Pub Date: 5/1/2006
Active | In stock

OUT OF PRINT LISTING

GREGOR SCHNEIDER: 19 - 20.30 UHR 31.05.2007
Text by Thomas Raab, András Sieblod, Susanne Pfeffer, Daniela Zyman.
WALTHER KöNIG, KöLN
ISBN: 9783865603418 | US $29.95
Pub Date: 3/1/2008
Out of print | Not available

GREGOR SCHNEIDER
Edited by Udo Kittelmann. Essays by Daniel Birnbaum and Udo Kittelmann.
HATJE CANTZ PUBLISHERS
ISBN: 9783775710442 | US $29.95
Pub Date: 9/2/2001
Out of print | Not available

Gregor Schneider

Gregor Schneider: End

Text by Anita Shah, Susanne Titz.
Published by Walther König, Köln

Designed and photographed by the artist, this is the most comprehensive monograph on German artist Gregor Schneider (born 1969) to date. Schneider is known for his psychologically intense installations--interventions in common logic that transform existing architecture into frightening and disorienting spaces. This book guides the reader through two walk-in sculptures whose rooms have been doubled or duplicated via mirrors and doors.

Gregor Schneider: 19 - 20.30 Uhr 31.05.2007

Text by Thomas Raab, András Sieblod, Susanne Pfeffer, Daniela Zyman.
Published by Walther König, Köln

In 2007, German artist Gregor Schneider staged a meticulously choreographed queue of visitors in front of Berlin’s State Opera House. In this artist’s book, he presents his “libretto” for this performance piece, along with photographs, and takes stock of the project. Schneider is represented in New York by Gladstone Gallery.

Gregor Schneider: White Torture

Text by Julian Heynen, Brigitte Koelle.
Published by Walther König, Köln

White or "clean" torture aims to destroy a person's psyche without leaving any demonstrable traces. Going off images from the U.S. prison camp in Guantánamo Bay, Cuba, Gregor Schnieder here creates interrogation-room and cell-like spaces and inserts them into existing museum architecture.

Gregor Schneider: Cubes

Art in the Age of Global Terrorism

Essays by Amine Haase and Friedhelm Mennekes. Introduction by Eugene Blume.
Published by Charta

When Rosa Martinez, in her role as a co-curator of the 2005 Venice Biennale, commissioned Gregor Schneider's Cube Venice, a 50-foot-square tower of veiled scaffolding designed in tribute to the Ka'aba in Mecca--a sacred and undocumented site forbidden to non-worshippers--she and Schneider agreed that Piazza San Marco, the plaza in front of the conversely very touristy cathedral of San Marcos, was the ideal place to display it. As the festival approached, that proximity worried Venice city authorities. In the end, their refusal to grant necessary permissions was supported by Italy's Ministry of Culture. Schneider asked that black pages be substituted for his planned materials in the Biennale's catalogue, but Cube Venice and the debates it provoked are documented here.

Gregor Schneider

Venice Biennale 2001

Edited by Udo Kittelmann. Essays by Daniel Birnbaum and Udo Kittelmann.
Published by Hatje Cantz Publishers

Chosen to represent Germany in the 2001 Venice Biennale, Gregor Schneider has, since the 1980s, dedicated himself to building rooms as an expression of his art. The focus of his work has been an ordinary tenement building in Germany, known as "Haus u r," where he has lived while transforming it into a building of great atmospheric density though the process of continuous rebuilding.This book documents Schneider's work on the German Pavilion for the Venice Biennale.