Published by David Zwirner Books. Text by Robert Storr. Interview by Angela Choon.
Over the course of almost three decades, Kerry James Marshall (born 1955) has produced a complex body of work exploring the representation of African Americans in society, culture and art history. Working across various media in portraits, interiors, nudes and landscapes, Marshall conflates actual and imagined events from African American history and culture and integrates a range of stylistic influences to address the limited historiography of black art. Produced on the occasion of the artist's first exhibition at David Zwirner in London, this volume features reproductions of 14 new paintings (the majority of which are portraits of subjects whose disassociated stares suggest the differences between "looking" and "seeing"), as well as preparatory drawings, details and new scholarship by Robert Storr and Hamza Walker. Taken all together, the range of materials included in Kerry James Marshall: Look See constitutes a vibrant portrait of Marshall's original and ever-evolving practice.
Published by Ludion. Edited by Nav Haq. Text by Okwui Enwezor, Nav Haq. Interview by Dieter Roelstraete.
Kerry James Marshall (born 1955) is widely admired for his painterly and sculptural explorations of Afro-American identity and history, and his attendant critiques of art history and the art economy. Among his well-known works are Rhythm Mastr, a comic book that transposes African mythology to a contemporary city; the Garden Project, which draws on the idyllic-sounding names given to housing projects; the Lost Boys series, which portrays young, disenfranchised black men; and his gigantic stamps of Black Power slogans. "I've always wanted to be a history painter on the grand scale of Giotto and Géricault," he once said, and he has created many mural-sized canvases interweaving heroic and everyday aspects of recent Afro-American history. This monograph offers the largest retrospective of his works in all media, from painting and sculpture to collage, photography and installation. Limited stock available.
Published by Museum of Contemporary Art, Chicago. Essays by Helen Molesworth, Jeff Donaldson, Nathaniel McLin and Charles Mills. Foreword by Robert Fitzpatrick. Introduction by Elizabeth A. T. Smith.
In Kerry James Marshall's Rythm Mastr comic strip, an urban superhero battles the forces of evil using a combination of futuristic and traditional African accoutrements. This graphic narrativization is a stylistic update of Marshall's best-known work, monumental paintings of African-American subjects based on the traditional genre of narrative history painting. In One True Thing, the catalogue accompaniment to Marshall's first solo show in five years, the artist presents a multi-media range of new work that demonstrates the evolution of his ideas and his ongoing commitment to issues of construction and interpretation of meaning. The body of work Marshall is developing for the book and exhibition centers on the idea of ambiguity surrounding the representation of African Americans in our culture. Stemming in part from the Rythm Mastr comic strip project first developed for the 2000 Carnegie International exhibition, the monumental paintings in this new body of work portray figures in the urban landscape of the South Side of Chicago, inspired by the tradition of old-master paintings, especially the townscapes of Canaletto. Marshall is also creating several photographic series depicting urban settings along with a group of figurative works based on African tribal sculptures.