June Leaf

This book is an intricate facsimile of a diary/sketchbook that American artist June Leaf (born 1929) filled during her travels throughout Japan in 1970. Through sprawling drawings in pencil and ink, paintings, collages and handwritten and typed thoughts, Leaf spontaneously captured her impressions on a journey both joyous and difficult, of pleasure and what she calls “that torture that occurs sometimes during travel.” From real scenes such as the view through the plane window approaching Japan, streetscapes, landscapes and a portrait of a passenger and conductor in a Hiroshima streetcar, to imagined visions including what she calls “scenes of paradise or Garden of Eden,” image and text mingle like the accumulation of experiences over time. The paper and binding cloth of Japan 1970 closely match the originals, to transport the reader as deeply as possible into Leaf’s intensively creative and self-reflective mind.

A facsimile reprint of a 1994 book on the work of American artist June Leaf (born 1929), People contains 20 years of Leaf’s small metalwork sculptures. Notably, several of the book’s photographs were taken by her late husband, the photographer Robert Frank.
Leaf has described her sculptures as drawings, their wiry forms carving and unfurling into space like exploratory lines on a page. Playing and fighting figures, animals and contraptions in the tinkering spirit of Jean Tinguely emerge from intuitive combinations of brass, copper and tin; found metal rods and blades; wood and paint. Regardless of her subject, Leaf’s focus is on visceral whimsy, movement and ceaseless renewal through material and process: “I think of myself as a dancer making art,” she says, “or an aviator making art.”

June Leaf’s extraordinary body of work--one built over nearly seven decades--belongs within a long tradition of visionary figures, from William Blake and Francisco Goya to James Ensor and Odilon Redon. Like these innovative predecessors, and incorporating elements of both Expressionism and Surrealism, Leaf infuses representational imagery with an intense subjectivity and personal symbolist vision. She does so through an extraordinary approach to and facility with materials, often combining mediums and matter in unorthodox ways.

Leaf’s exhibition at the Whitney and this accompanying comprehensive publication include drawings from every decade of her career, as well as a selection of sculptures and paintings, in order to elucidate the migration and cross-referencing of motifs and techniques from one medium to the other. In an immersive installation, the viewer perceives how the artist’s studio space intersects with her extraordinarily rich imagination and deeply personal, invented world in which fiction and reality indistinguishably merge.

June Leaf was born in Chicago in 1929. She began her artistic career in the 1940s, studying at the Chicago Art Institute and the New Bauhaus Institute of Design. In 1958, Leaf was awarded a Fulbright to study art in Paris. In 1960, she moved to New York. Her drawings, paintings and sculptures have been widely collected and are in many museums, including the Whitney Museum of American Art, The Museum of Modern Art, the Chicago Art Institute and the Smithsonian American Art Museum. Leaf has received two honorary doctoral degrees, one from DePaul University in Chicago and one from the Nova Scotia College of Art and Design in Canada.