MUSIC: HISTORY, SURVEYS & THEORY

PUBLISHER
Hauser & Wirth Publishers

BOOK FORMAT
Paperback, 8.25 x 10.25 in. / 104 pgs / 96 color / 3 bw.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2017 p. 150   

PRODUCT DETAILS
ISBN 9783952446171 TRADE
List Price: $30.00 CDN $40.00

AVAILABILITY
In stock

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

HAUSER & WIRTH PUBLISHERS

Nothing and Everything

Seven Artists, 1947–1962

Text by Douglas Dreishpoon.

Nothing and Everything examines the synergistic relationship between artists and composers living in New York City between the end of World War II and the early 1960s. It features seven artists and composers—Louise Bourgeois, John Cage, Morton Feldman, Philip Guston, Franz Kline, Joan Mitchell and David Smith—all of whom pushed the boundaries of their respective mediums to new realms of abstraction. Part of a larger coterie of creative individuals who shared an ethos, they naturally sought each other out, socializing, exhibiting and supporting each other’s ideas despite negative press and public indifference. Paintings, sculptures, prints and drawings by the artists are contextualized by a selection of musical scores and ephemera: Cage’s “Lecture on Nothing,” his sketches for Williams Mix, Music for Piano and Aria; and Feldman’s finished scores for Projection I, Intersection 4 and Extension 4.
Nothing and Everything

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