Edited by Liesbeth Decan, Agnieszka Sosnowska. Text by Sarah Van Beurden, Greet Billet, Ann Coxon, Liesbeth Decan, Marta Kowalewska, Marika Ku?micz, Virginie Mamet, Sergio Martins, Anda Rottenberg, Camiel van Winkel.
Tapta’s activation of the viewer manifests itself in both her textile sculptures and neoprene works
In chronological order, Flexible Forms documents Tapta’s (1926–97) oeuvre from her textile pieces to her neoprene sculptures. It also documents the exclusive replication of Forms for a Flexible Space (1974), the only surviving interactive environment that Tapta created.
STATUS: Forthcoming | 11/5/2024
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Published by Hatje Cantz. Edited by Liesbeth Decan, Agnieszka Sosnowska. Text by Sarah Van Beurden, Greet Billet, Ann Coxon, Liesbeth Decan, Marta Kowalewska, Marika Ku?micz, Virginie Mamet, Sergio Martins, Anda Rottenberg, Camiel van Winkel.
Tapta’s activation of the viewer manifests itself in both her textile sculptures and neoprene works
In chronological order, Flexible Forms documents Tapta’s (1926–97) oeuvre from her textile pieces to her neoprene sculptures. It also documents the exclusive replication of Forms for a Flexible Space (1974), the only surviving interactive environment that Tapta created.