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Federico Herrero: A Piece of Waterfall in the Sound of Crickets
Edited by Elena Ketelsen González, Bernardo Mosqueira. Foreword by Hilary M. Weston. Text by Elena Ketelsen González. Interview by Bernardo Mosqueira.
Bright large-scale abstract paintings reminiscent of geographical maps, inspired by Herrero’s affinity for place
With their vivid colors, the paintings by Costa Rica-born, New York-based Federico Herrero (born 1978) are connected to his profound perception of humanity within nature. His mediums stretch from canvas and paper to walls, streets and even public buildings. Their large swaths of color recall the ambiguous forms of territories on a map, and Herrero has often played with the idea of geography in his oeuvre. A Piece of Waterfall in the Sound of Crickets is taken from a piece by the Costa rican poet Alfonso Chase, in which he reflects upon the mundane beauty of the sights and sounds of his home country, despite his frequent trips abroad. The recent paintings and monotypes included in this publication speak to Herrero’s maturity as a painter after two decades of work that explores the interplay between color, form, intuition and place of origin.
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FORMAT: Hbk, 9.5 x 11.5 in. / 192 pgs / 125 color / 2 b&w. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $0 GBP £43.00 ISBN: 9781636811475 PUBLISHER: DelMonico Books/The Gallery at Windsor/James Cohan Gallery AVAILABLE: 4/23/2024 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Federico Herrero: A Piece of Waterfall in the Sound of Crickets
Published by DelMonico Books/The Gallery at Windsor/James Cohan Gallery. Edited by Elena Ketelsen González, Bernardo Mosqueira. Foreword by Hilary M. Weston. Text by Elena Ketelsen González. Interview by Bernardo Mosqueira.
Bright large-scale abstract paintings reminiscent of geographical maps, inspired by Herrero’s affinity for place
With their vivid colors, the paintings by Costa Rica-born, New York-based Federico Herrero (born 1978) are connected to his profound perception of humanity within nature. His mediums stretch from canvas and paper to walls, streets and even public buildings. Their large swaths of color recall the ambiguous forms of territories on a map, and Herrero has often played with the idea of geography in his oeuvre. A Piece of Waterfall in the Sound of Crickets is taken from a piece by the Costa rican poet Alfonso Chase, in which he reflects upon the mundane beauty of the sights and sounds of his home country, despite his frequent trips abroad. The recent paintings and monotypes included in this publication speak to Herrero’s maturity as a painter after two decades of work that explores the interplay between color, form, intuition and place of origin.
