PUBLISHER
Gregory R. Miller & Co./Aspen Art Press

BOOK FORMAT
Hardcover, 11 x 9 in. / 160 pgs / 100 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2010 p. 55   

PRODUCT DETAILS
ISBN 9780980024227 TRADE
List Price: $50.00 CDN $67.50

AVAILABILITY
In stock

EXHIBITION SCHEDULE

Aspen
Aspen Art Museum, 02/10-05/10

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GREGORY R. MILLER & CO./ASPEN ART PRESS

Mark Bradford: Merchant Posters

Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

The image featured here is a mixed media collage by Mark Bradford, <i>Untitled</i>, 2007, from his book <a href=" 9780980024227.html "> Merchant Posters</a>.This book gathers for the first time an extensive selection of American artist—or “builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured “merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. “The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; “If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same image over and over—war, violence, explosions, things being blown apart. As a citizen, you have to participate in that every day. You have to walk by until it's changed.” Eagerly anticipated, this is the first large-scale publication by a major publisher about the work of this important and increasingly influential artist. Artist and writer Malik Gaines considers Bradford's play with signs in relation to literary and performative theories of African-American forms; writer and cultural critic Ernest Hardy addresses social issues, in Los Angeles and more broadly, raised by Bradford's source material; Heidi Zuckerman Jacobson examines the language in the work as it relates to Concrete poetry; and Dia Art Foundation Director Philippe Vergne looks at the surface of the work and Bradford's processes of mining and excavation.

The image featured here is a mixed media collage by Mark Bradford, Untitled, 2007, from his book Merchant Posters.

Mark Bradford: Merchant Posters

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