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| | TITLE | Amelie von Wulffen | IMPRINT | Aspen Art Press | PRICE US | $20.00 CDN $20.00 | ISBN | 9780934324618 TRADE | FORMAT | Pbk, 6.25 x 9 in., 88 pgs, illustrated throughout. | CATALOG | SPRING 2013 p. 122 | DISTRIBUTOR | D.A.P. | PUB DATE | 1/31/2013 | STATUS | Active | STOCK | In stock |
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| | | Amelie von WulffenForeword by Cay Sophie Rabinowitz. Text by Heidi Zuckerman Jacobson.Published on the occasion of her Aspen Art Museum exhibition, the artist’s first solo presentation in an American museum, this catalogue focuses on Amelie von Wulffen’s recent work, including paintings created during her time as the AAM’s 2012 Jane and Marc Nathanson Distinguished Artist in Residence. The artist deploys a host of painterly techniques that--while departing from the photographic collage practice for which she is best known--remain deeply referential, wryly revisiting and reprocessing tactics and tropes of modern painting from European Romanticism onward. The lavishly illustrated publication features an essay by AAM CEO and Director, Chief Curator, Heidi Zuckerman Jacobson, as well as a foreword by Cay Sophie Rabinowitz. | |
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 | Amelie von Wulffen Published by: Aspen Art Press Distributed by: D.A.P. | Distributed Art Publishers |  |
LIST PRICE: U.S. $20.00
LIST PRICE: CANADA $20
ISBN: 9780934324618
PUBLISHER: Aspen Art Press
AVAILABLE: 1/31/2013
FORMAT: Pbk, 6.25 x 9 in. / 88 pgs / illustrated throughout.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
| D.A.P. CATALOG:
SPRING 2013 Page 122 | Info Last Updated:
May 01, 2013 |
| Amelie von Wulffen
Foreword by Cay Sophie Rabinowitz. Text by Heidi Zuckerman Jacobson. Published on the occasion of her Aspen Art Museum exhibition, the artist’s first solo presentation in an American museum, this catalogue focuses on Amelie von Wulffen’s recent work, including paintings created during her time as the AAM’s 2012 Jane and Marc Nathanson Distinguished Artist in Residence. The artist deploys a host of painterly techniques that--while departing from the photographic collage practice for which she is best known--remain deeply referential, wryly revisiting and reprocessing tactics and tropes of modern painting from European Romanticism onward. The lavishly illustrated publication features an essay by AAM CEO and Director, Chief Curator, Heidi Zuckerman Jacobson, as well as a foreword by Cay Sophie Rabinowitz. | http://www.artbook.com/9780934324618.html |
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