| | TITLE | Sarah Lucas: A Catalog Raisonné | IMPRINT | Hatje Cantz Publishers | PRICE US | $55.00 CDN $55.00 | ISBN | 9783775716437 TRADE | FORMAT | Hardcover, 10 x 12.75 in., 192 pgs, 273 color. | CATALOG | FALL 2005 p. 132 | DISTRIBUTOR | D.A.P. | PUB DATE | 9/15/2005 | STATUS | Out of print | STOCK | Not available |
| | RELATED MONOGRAPHS Text by Sarah Lucas, Angus Cook, Angus Fairhurst. WALTHER KöNIG, KöLN Essay by Oliver Garbay. WALTHER KöNIG, KöLN | Monographs on key feminist artists, including Lee Lozano, Ida Applebroog, Marina Abramovic, Nancy Spero, Joyce Kozloff, Sarah Lucas, Cindy Sherman and Eleanor Antin, as well as recent surveys and exhibition catalogs on feminist art. |
|   |   | Sarah Lucas: A Catalog RaisonnéEssays by Yilmaz Dziewior, Sadie Coles and Martin Prinzhorn. Interview by Beatrix Ruf.GOD IS DAD. That was the title of Sarah Lucas's last show in New York, in which the pun-prone artist assembled an array of sculptures constructed from cast concrete forms, tacky beige nylon stockings and random metal objects. These typically abject art pieces fit right into the body of work Lucas has been building since the early 1990s from apparently banal, everyday materials. Old, worn furniture, clothing, food, newspapers, cigarettes, cars, resin, plaster, neon lamps and light fixtures combine to form grungy assemblages whose appearance belies the serious and complex subject matter they address. Through the slyly anthropomorphic character of her sculptures, Lucas makes constant reference to the human body, questioning gender definitions and challenging male-dominated culture, especially that espoused by the sensationalist British press. She subverts sexual stereotypes in her appropriations of the tabloid vernacular and by making unexpected juxtapositions of objects, often employing visual wit and a defiant, bawdy humor. Her most iconic work, “Two Fried Eggs and a Kebab,” which was included in the landmark Sensation exhibition in 1999, bears this out with a nasty wink: The title, which precisely describes the materials from which the piece was made, is slang for, well... just look it up. This extensive, large-format catalogue comprehensively tracks the career of one of the leading figures in an outstanding generation of British artists. Lucas, who first came to attention as a YBA (Young British Artist) in the 1990s, is here granted her first major exhibition survey. Included in this accompanying publication is documentation of key works, plus new work made especially for the Tate Liverpool. It is the most comprehensive publication on the artist to date. | |
|  | STATUS: Out of print | 5/18/2011 For assistance locating a copy, please see our list of recommended out of print specialists > | |
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| | | |  | SARAH LUCAS: GOD IS DAD Essay by Oliver Garbay. WALTHER KöNIG, KöLN ISBN: 9783883759685 | US $47.00 Pub Date: 3/1/2006 Out of print | Not available
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|  | SARAH LUCAS: A CATALOG RAISONNé Essays by Yilmaz Dziewior, Sadie Coles and Martin Prinzhorn. Interview by Beatrix Ruf. HATJE CANTZ PUBLISHERS ISBN: 9783775716437 | US $55.00 Pub Date: 9/15/2005 Out of print | Not available
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