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Paperback, 9 x 11 in. / 336 pgs / 250 color / 16 bw / grommeted binding PUBLISHING STATUS
Pub Date 4/2/2003
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| | BROWSE THE 2019 SPRING CATALOG  Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019! |
| | | How Latitudes Become FormsArt in the Global Age
The rise of globalism has created tremendous challenges to old economic, political and cultural paradigms, changes that are increasingly reflected in diverse artistic practices across the planet. If disciplinary boundaries are now crossed as easily as geographic ones, how does the new internationalism that we are facing affect aesthetics and artistic production? Is there a link, for example, between the rise of video works and the global availability of digital media? Does the global information age facilitate an international language of art and an alternative reading of history, from art history toward art histories? From the perspective of a museum of modern and contemporary art--a purely European construct--the art institution has to overcome a major contradiction, one that exists between its mission of permanence and its mission of change. How can cultural institutions contribute to the revamping of their own structures now that the hegemony of Western modernity is being challenged? How can museums connect with new audiences through different practices, different scholarships, and different interpretive strategies that grow out of the sedimentation of their own history? To invite and encourage such dialogue, How Latitudes Become Forms looks at current scholarship on globalism and changing curatorial practices, and identifies critical models provided by artists themselves, featuring thought-provoking essays and conversations by curators, critics, and cultural programmers from across the world, as well as multidisciplinary artworks by more than 40 artists from Brazil, China, India, Japan, South Africa, Turkey and the United States.
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| | | | FORTHCOMING AND NEW: ART |  | By Germano Celant.SKIRAISBN: 9788884913043 | US $140.00Pub Date: 7/1/2003
Active | In stock
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|  | By Guy Cogeval.SKIRAISBN: 9788876245374 | US $75.00Pub Date: 7/4/2006
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|  | Edited by Germano Celant, Gianfranco Maraniello.SKIRAISBN: 9788861305625 | US $50.00Pub Date: 10/7/2008
Active | In stock
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|  | By Lea Vergine.SKIRAISBN: 9788876247286 | US $19.95Pub Date: 6/5/2007
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|  | By Massimiliano Gioni.SKIRAISBN: 9788857228600 | US $45.00Pub Date: 4/5/2016
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|  | By Loredana Parmesani.SKIRAISBN: 9788857214085 | US $24.95Pub Date: 11/6/2012
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|  | By Luca Traini, Debora Ferrari.SKIRAISBN: 9788857211640 | US $35.00Pub Date: 9/4/2012
Active | In stock
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|  | Edited by Valerio Terraroli.SKIRAISBN: 9788857201283 | US $60.00Pub Date: 10/19/2010
Active | In stock
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|  | By Valerio Terraroli, Gabriella Belli, Carlo Bertelli, Germano Celant, Ester Coen, Ida Gianelli.SKIRAISBN: 9788861301948 | US $60.00Pub Date: 11/11/2008
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|  | By Till Ferath, Sam Bardaouil.SKIRAISBN: 9788857214849 | US $35.00Pub Date: 4/21/2015
Active | In stock
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|  | Edited by Diane Venet. Text by Barbara Rose, Adrien Goetz.SKIRAISBN: 9788857211565 | US $70.00Pub Date: 9/14/2011
Active | In stock
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|  | By Gabriella Belli, Carlo Bertelli, Germano Celant, Ester Coen, Ida Gianelli. Edited by Valerio Terraroli.SKIRAISBN: 9788857222240 | US $240.00Pub Date: 10/21/2014
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FORMAT: Paperback, 9 x 11 in. / 336 pgs / 250 color / 16 b&w / grommeted binding
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $35
ISBN: 9780935640731
PUBLISHER: Walker Art Center
AVAILABLE: 4/2/2003
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| How Latitudes Become Forms
Art in the Global Age Published by Walker Art Center. | The rise of globalism has created tremendous challenges to old economic, political and cultural paradigms, changes that are increasingly reflected in diverse artistic practices across the planet. If disciplinary boundaries are now crossed as easily as geographic ones, how does the new internationalism that we are facing affect aesthetics and artistic production? Is there a link, for example, between the rise of video works and the global availability of digital media? Does the global information age facilitate an international language of art and an alternative reading of history, from art history toward art histories? From the perspective of a museum of modern and contemporary art--a purely European construct--the art institution has to overcome a major contradiction, one that exists between its mission of permanence and its mission of change. How can cultural institutions contribute to the revamping of their own structures now that the hegemony of Western modernity is being challenged? How can museums connect with new audiences through different practices, different scholarships, and different interpretive strategies that grow out of the sedimentation of their own history? To invite and encourage such dialogue, How Latitudes Become Forms looks at current scholarship on globalism and changing curatorial practices, and identifies critical models provided by artists themselves, featuring thought-provoking essays and conversations by curators, critics, and cultural programmers from across the world, as well as multidisciplinary artworks by more than 40 artists from Brazil, China, India, Japan, South Africa, Turkey and the United States.
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