PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 7.25 x 9 in. / 48 pgs / 35 color.

PUBLISHING STATUS
Pub Date
Out of stock indefinitely

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2013 p. 80   

PRODUCT DETAILS
ISBN 9780870708947 TRADE
List Price: $14.95 CDN $21.00

AVAILABILITY
Not available

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THE MUSEUM OF MODERN ART, NEW YORK

Rauschenberg: Canyon

Text by Leah Dickerman.

In the mid-1950s, declaring “there is no reason not to consider the world as a gigantic painting,” Robert Rauschenberg began a series of radical experiments with what he called “Combines,” a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. “Canyon” (1959), one of the artist’s best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. “Canyon” is one of six Combines in MoMA’s collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg’s career.
Rauschenberg: Canyon

STATUS: Out of stock indefinitely.

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