Rauschenberg: Canyon

FORMAT: Pbk, 7.25 x 9 in. / 48 pgs / 35 color.
LIST PRICE: U.S. $14.95
LIST PRICE: CANADA $21
ISBN: 9780870708947
PUBLISHER: The Museum of Modern Art, New York
AVAILABLE: 2/28/2014
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA ONLY

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Rauschenberg: Canyon

Published by The Museum of Modern Art, New York.
Text by Leah Dickerman.

In the mid-1950s, declaring “there is no reason not to consider the world as a gigantic painting,” Robert Rauschenberg began a series of radical experiments with what he called “Combines,” a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. “Canyon” (1959), one of the artist’s best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. “Canyon” is one of six Combines in MoMA’s collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg’s career.

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