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DATE 7/8/2015

What Nerve!

DATE 7/7/2015

What Nerve!

DATE 7/6/2015

What Nerve!

DATE 7/4/2015

The Open Road

DATE 7/3/2015

What Nerve! at Matthew Marks

DATE 7/3/2015

What Nerve!

DATE 7/1/2015

Gordon Parks: A Harlem Family

DATE 6/29/2015

Black and White

DATE 6/29/2015

Jacob Lawrence: The Migration Series

DATE 6/29/2015

Gillian Laub: Southern Rites

DATE 6/29/2015

No Problem

DATE 6/27/2015

Agnes Martin Excerpt: "Beauty Is the Mystery of Life"

DATE 6/27/2015

Both Sides of Sunset

DATE 6/26/2015

Both Sides of Sunset Launch & Panel at MOCA LA

DATE 6/26/2015

The Photographs of Abraham Lincoln

DATE 6/26/2015

Sarah Charlesworth: Doubleworld

DATE 6/26/2015

Raymond Pettibon: Surfers 1985-2015

DATE 6/25/2015

Both Sides of Sunset - Foreword by Ed Ruscha

DATE 6/25/2015

Sarah Charlesworth: Doubleworld

DATE 6/24/2015

Visit the Hatje Cantz Pop-Up at Sean Kelly Gallery

DATE 6/24/2015

Drawing People

DATE 6/24/2015

Drawing People

DATE 6/22/2015

Surf's Up

DATE 6/22/2015

No Problem: Cologne/New York 1984-1989

DATE 6/22/2015

Drawing Center to Launch 'Drawing People' with Chloe Piene & Dasha Shishkin

DATE 6/21/2015

Ed Ruscha

DATE 6/21/2015

Victor Moscoso

DATE 6/19/2015

Both Sides of Sunset: Photographing Los Angeles

DATE 6/18/2015

Both Sides of Sunset

DATE 6/18/2015

Both Sides of Sunset: Photographing Los Angeles

DATE 6/17/2015

Shigeru Ban to Lecture at the Architectural League

DATE 6/17/2015

More Books for Dads!

DATE 6/16/2015

'Both Sides of Sunset' at Hamburg Kennedy

DATE 6/16/2015

Shigeru Ban: Humanitarian Architecture

DATE 6/15/2015

The Future of the Skyscraper

DATE 6/15/2015

Drawing People: The Human Figure in Contemporary Art

DATE 6/14/2015

Drawing People: The Human Figure in Contemporary Art

DATE 6/13/2015

Niki de Saint Phalle

DATE 6/12/2015

Niki de Saint Phalle

DATE 6/11/2015

Most Definitely Fearless

DATE 6/11/2015

Niki de Saint Phalle

DATE 6/10/2015

Latin America in Construction

DATE 6/9/2015

Henry Leutwyler: Ballet

DATE 6/8/2015

Wim Wenders: Written in the West, Revisited

DATE 6/7/2015

The Strand Presents Joseph Szabo & Vince Aletti on 'Rolling Stones Fans'

DATE 6/7/2015

Matthew Marks Book Launch: The Collected Hairy Who Publications 1966-69

DATE 6/7/2015

Wim Wenders: Written in the West, Revisited

DATE 6/6/2015

Now Available: 'Interviews by Mike Kelley' eBook Editions

DATE 6/6/2015

David Leventi: Opera

DATE 6/5/2015

Announcing the Fall 2015 ARTBOOK | D.A.P. Catalogue

DATE 6/5/2015

Wim Wenders: Written in the West, Revisited


FEATURED IMAGES

"Modern Art (Moderne Kunst)" (1968) is reproduced from
CORY REYNOLDS | DATE 4/19/2014

Sigmar Polke: Alibis

"In December 1968, at the Galerie Rene Block in Berlin, Sigmar Polke mounted a show called Moderne Kunst (Modern art). Alongside other works was a canvas of the same name, with the title painted inside a white border in black italics, like a caption for an image in an old exhibition catalogue (pictured). The painting resembled what many people might regard as a typical specimen of modern art: a black background with the upper-right and lower-left corners painted red and white, a yellow squiggle curving downward from the top, a spiral looping upward, and angular strokes forming a number four and a cross that floats diagonally across the composition. Polke had finished it off with a splatter of bright purple paint. Many art historians have seen this painting as a summation of Polke's position on abstraction circa 1968. In 1976 Barbara Reise recalled its humor and Polke's 'knowledgeable irreverence about contemporary fashions in 20th century art history and criticism'; in 1982 Benjamin H. D. Buchloh—who had put Modern Art on the cover of the catalogue for the retrospective he organized in 1976—drew attention to the arbitrariness and incompatibility of the abstract styles in the painting, writing, 'We find gestures of Modernist painting emptied, made futile by parodistic repetition.' By quoting and debasing the language of abstraction associated with Kazimir Malevich, Vasily Kandinsky, Paul Klee, El Lissitzky, and Jackson Pollock, Polke seemed to signal that each set of forms had become a cliche, and that the claims once made by these artists and on their behalf could no longer be taken seriously." Featured passage, from Mark Godfrey's catalogue essay, is excerpted from Sigmar Polke: Alibis, published to accompany the major retrospective on view at MoMA through August 3.

Sigmar Polke: Alibis 1963-2010

Sigmar Polke: Alibis 1963-2010

THE MUSEUM OF MODERN ART, NEW YORK
Hbk, 9.5 x 12 in. / 320 pgs / 520 color.

$75.00  free shipping

DATE 7/7/2015

What Nerve!

DATE 7/6/2015

What Nerve!

DATE 7/4/2015

The Open Road

DATE 6/29/2015

No Problem

DATE 6/27/2015

Both Sides of Sunset

DATE 6/24/2015

Drawing People

DATE 6/24/2015

Drawing People

DATE 6/21/2015

Victor Moscoso

DATE 6/21/2015

Ed Ruscha

DATE 6/18/2015

Both Sides of Sunset

DATE 6/13/2015

Niki de Saint Phalle

DATE 6/12/2015

Niki de Saint Phalle

DATE 6/11/2015

Niki de Saint Phalle

DATE 6/5/2015

Agnes Martin

DATE 5/27/2015

Agnes Martin

DATE 5/23/2015

Pop Art Myths

DATE 5/22/2015

Pop Art Myths

DATE 5/20/2015

How Posters Work

DATE 5/19/2015

How Posters Work

DATE 5/10/2015

Swedish Details

DATE 5/9/2015

Swedish Details

DATE 5/8/2015

Ingenious 'Hokusai'

DATE 5/7/2015

Ernst Haas: On Set

DATE 4/26/2015

Peter Doig

DATE 4/24/2015

Black Dolls

DATE 4/21/2015

Jan Schoonhoven

DATE 4/21/2015

Hokusai

DATE 4/15/2015

Lina Bo Bardi: 100

DATE 4/14/2015

Lance Wyman: México



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