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RECENT POSTS

DATE 10/30/2014

Goya: The Sleep of Reason Produces Monsters

DATE 10/29/2014

Todd Hido on Landscapes, Interiors, and The Nude

DATE 10/28/2014

Grotesque, Garish, Exuberant American Art: 'What Nerve!' in the NYRB

DATE 10/27/2014

In Memoriam: David Armstrong

DATE 10/26/2014

'Fischerspooner: New Truth' Launch at VFILES

DATE 10/24/2014

Photography & Modern Architecture in Spain 1925-1965

DATE 10/24/2014

New York Times Reviews Paul Strand’s Lifetime of Photography at Philadelphia Museum

DATE 10/23/2014

Josef Albers: Minimal Means, Maximum Effect

DATE 10/22/2014

Josef Albers: Minimal Means, Maximum Effect

DATE 10/21/2014

Alec Soth and Brad Zellar Book Event at the Walker Art Center

DATE 10/20/2014

Bernadette Corporation: 2000 Wasted Years

DATE 10/16/2014

Carlo Mollino: Polaroids

DATE 10/16/2014

ARTBOOK @ Swiss Institute Presents 'What Nerve' Panel, Signing and Screening

DATE 10/15/2014

'Matthew Brandt: Lakes and Reservoirs' Launches Thursday at MOCA Grand Avenue

DATE 10/15/2014

'Edgewise: A Picture of Cookie Mueller' Launches in NY

DATE 10/14/2014

Julian Schnabel: Draw a Family

DATE 10/12/2014

Jim Shaw: The Hidden World

DATE 10/12/2014

Jim Shaw: The Hidden World

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/8/2014

ZERO: Countdown to Tomorrow, 1950s-60s

DATE 10/8/2014

EX LIBRIS: Hand-Picked Steidl Favorites from Dan Nadel

DATE 10/6/2014

Bridget Riley: The Stripe Paintings 1961-2014

DATE 10/5/2014

The Heart Is Not a Metaphor: Robert Gober at MoMA

DATE 10/3/2014

Robert Gober: The Heart Is Not a Metaphor

DATE 10/2/2014

Books for Life: Steidl

DATE 10/1/2014

Gordon Parks: Collected Works

DATE 10/1/2014

'Superlight: Rethinking How Our Homes Impact the Earth' Featured in the New York Times

DATE 9/30/2014

Termite Art: 'What Nerve: Alternative Figures in American Art' in NY Times

DATE 9/29/2014

Hiroshi Sugimoto: Dioramas

DATE 9/29/2014

Now Available: A New, Expanded Edition of the Teacher's Manual to 'In the Making'

DATE 9/26/2014

ARTBOOK @ NYABF

DATE 9/25/2014

Luck, Laughs, Lust & Love: Chloé Griffin on Cookie Mueller

DATE 9/25/2014

Join OSMOS for a Kon Trubkovich: Leap Second Book Signing at the NYABF

DATE 9/25/2014

K8 Hardy 'How To: Untitled Runway Show' Signing at the NYABF

DATE 9/24/2014

ARTBOOK Presents K8 Hardy Signing at the NYABF

DATE 9/24/2014

ARTBOOK @ MoMA PS1 Presents Cory Arcangel at the NYABF Opening

DATE 9/24/2014

ARTBOOK Presents Cory Arcangel One Night Installation and Signing at the NYABF Opening

DATE 9/23/2014

Paul Chan: New New Testament

DATE 9/22/2014

Cory Arcangel: All The Small Things

DATE 9/21/2014

Kelley Walker Book Signing at 192 Books

DATE 9/20/2014

ARTBOOK + SWISS INSTITUTE Launch Two New Books by Paul Chan

DATE 9/20/2014

Celebrate 'Ray Johnson: Not Nothing' at the MoMA Library Wednesday Night

DATE 9/19/2014

The Essential Cy Twombly: Beautiful in Their Subversion of 'Beauty'

DATE 9/19/2014

What Nerve! Destroy All Monsters

DATE 9/18/2014

A Country of Cities Now Available in eBook Editions

DATE 9/18/2014

What Nerve! Christina Ramberg Rediscovered

DATE 9/17/2014

ARTBOOK @ SI Launch Party

DATE 9/16/2014

What Nerve! Alternative Figures in American Art, 1960 to the Present

DATE 9/16/2014

Le Corbusier & Pierre Jeanneret: Chandigarh, India

DATE 9/15/2014

Just One Good Chair


FEATURED IMAGES

"Modern Art (Moderne Kunst)" (1968) is reproduced from
CORY REYNOLDS | DATE 4/19/2014

Sigmar Polke: Alibis

"In December 1968, at the Galerie Rene Block in Berlin, Sigmar Polke mounted a show called Moderne Kunst (Modern art). Alongside other works was a canvas of the same name, with the title painted inside a white border in black italics, like a caption for an image in an old exhibition catalogue (pictured). The painting resembled what many people might regard as a typical specimen of modern art: a black background with the upper-right and lower-left corners painted red and white, a yellow squiggle curving downward from the top, a spiral looping upward, and angular strokes forming a number four and a cross that floats diagonally across the composition. Polke had finished it off with a splatter of bright purple paint. Many art historians have seen this painting as a summation of Polke's position on abstraction circa 1968. In 1976 Barbara Reise recalled its humor and Polke's 'knowledgeable irreverence about contemporary fashions in 20th century art history and criticism'; in 1982 Benjamin H. D. Buchloh—who had put Modern Art on the cover of the catalogue for the retrospective he organized in 1976—drew attention to the arbitrariness and incompatibility of the abstract styles in the painting, writing, 'We find gestures of Modernist painting emptied, made futile by parodistic repetition.' By quoting and debasing the language of abstraction associated with Kazimir Malevich, Vasily Kandinsky, Paul Klee, El Lissitzky, and Jackson Pollock, Polke seemed to signal that each set of forms had become a cliche, and that the claims once made by these artists and on their behalf could no longer be taken seriously." Featured passage, from Mark Godfrey's catalogue essay, is excerpted from Sigmar Polke: Alibis, published to accompany the major retrospective on view at MoMA through August 3.

Sigmar Polke: Alibis 1963-2010

Sigmar Polke: Alibis 1963-2010

THE MUSEUM OF MODERN ART, NEW YORK
Hbk, 9.5 x 12 in. / 320 pgs / 520 color.

$75.00  free shipping

DATE 10/10/2014

Goya: Order & Disorder

DATE 10/10/2014

Goya: Order & Disorder

DATE 9/15/2014

Just One Good Chair

DATE 9/4/2014

Henry Taylor

DATE 9/2/2014

Soviet Space Dogs

DATE 8/29/2014

John Severson's SURF

DATE 8/23/2014

Laura Lima

DATE 8/21/2014

Ed Atkins

DATE 8/19/2014

Building as Ornament

DATE 8/17/2014

Elad Lassry

DATE 8/11/2014

Ron Galella: New York

DATE 8/10/2014

Pierre Charpin

DATE 8/8/2014

Pierre Charpin

DATE 8/3/2014

The Slovak New Wave

DATE 8/1/2014

The Human Factor

DATE 7/27/2014

Anne Collier

DATE 7/25/2014

Jasper Johns: Regrets

DATE 6/17/2014

Tal R: The Virgin



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