PUBLISHER
Wexner Center for the Arts

BOOK FORMAT
Paperback, 8.5 x 11 in. / 128 pgs / 40 color.

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Pub Date
Active

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D.A.P. Exclusive
Catalog: FALL 2018 p. 54   

PRODUCT DETAILS
ISBN 9781881390572 TRADE
List Price: $39.95 CDN $53.95

AVAILABILITY
In stock

EXHIBITION SCHEDULE

Columbus, OH
Wexner Center for the Arts, The Ohio State University, 9/15/18–12/30/18

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

WEXNER CENTER FOR THE ARTS

Mickalene Thomas: I Canít See You Without Me

Foreword by Sherri Geldin. Text by Nicole R. Fleetwood, Michael Goodson, Beverly Guy-Sheftall, Antwaun Sargent.

"Tell Her It's Over" (2006) is reproduced from 'Mickalene Thomas: I Canít See You Without Me.'

Presenting paintings of some of the artist's key models and muses, I Can't See You Without Me illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating portraits that deconstruct the highly charged connections between sitter, artist and viewer. Whether depicted as classically composed 19th-century odalisques, Afro-adorned vixens of blaxploitation films or as a powerful maternal figure yearning for social mobility, the recurring models in Thomas' compositions (almost exclusively women of color) convey a spirit of strength and self-confidence. Across this archetypal array, it is both their contradictions and kinships that make the black female body such fertile terrain for the artist's ongoing investigations. By casting herself, her late mother and other formidable women in her life as models, muses and collaborators, Thomas particularizes her distinctive oeuvre of portraiture. Focused yet expansive, the catalog both reasserts and further contextualizes issues of identity, sexuality and agency in Thomas' work that have only become more nuanced and palpable over time.


"Tell Her It's Over" (2006) is reproduced from 'Mickalene Thomas: I Canít See You Without Me.'

Mickalene Thomas: I Canít See You Without Me

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FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 10/17/2018

Nicole R. Fleetwood on Mickalene Thomas's world making

Nicole R. Fleetwood on Mickalene Thomas's world making

Racquel Reclining Wearing Purple Jumpsuit (2015) is reproduced from Mickalene Thomas: I Canít See You Without Me, published by the Wexner Center. Essayst Nicole R. Fleetwood writes, "Thomas's reclining nudes and their interior staging are acts of world makingóthe origins of a universeóthrough the oeuvre of a black female artist and centered on black women's erotic exchanges, fantasies and performative identificationÖ As Thomas's art so adroitly reminds us, every rehearsal and reimagining of black female erotic identification is a practice of purposeful becoming." continue to blog


FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 10/16/2018

NEW from Mickalene Thomas: 'I Canít See You Without Me'

NEW from Mickalene Thomas: 'I Canít See You Without Me'

"By portraying real women with their own unique history, beauty and background, I'm working to diversify the representations of black women in art," Mickalene Thomas is quoted in I Canít See You Without Me, published to accompany the show currently on view at the Wexner Center. "We are not validated until we see ourselves: Not only are we present, we demand that we be seen, be heard, and be acknowledged." Featured image, a self-portrait, is It Hurts So Good! (Brawlin' Spitfire Two) (2007). continue to blog


MICKALENE THOMAS MONOGRAPHS + ARTIST'S BOOKS

Mickalene Thomas: I Canít See You Without Me

MICKALENE THOMAS: I CANíT SEE YOU WITHOUT ME

Foreword by Sherri Geldin. Text by Nicole R. Fleetwood, Michael Goodson, Beverly Guy-Sheftall, Antwaun Sargent.

WEXNER CENTER FOR THE ARTS

ISBN: 9781881390572 | US $39.95

Pub Date: 11/20/2018
Active | In stock




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