CURATOR INDEX

Hal Foster

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


 

FORTHCOMING & NEW RELEASES

Suzanne Bocanegra: Poorly Watched Girls

Foreword by Susan Lubowsky Talbott. Interview by Hal Foster.

Hbk, 6.25 x 9.5 in. / 96 pgs / 60 color. | 11/19/2019 | Awaiting stock
ISBN 9780998701851 | $29.95


                                       

ACTIVE BACKLIST

Robert Longo: Charcoal

Text by Hal Foster, Kate Fowle, Thomas Kellein.

Clth, 10 x 12 in. / 252 pgs / 157 color. | 6/27/2017 | In stock
ISBN 9783775743235 | $65.00


Bauhaus: 1919–1933

Text by Barry Bergdoll, Leah Dickerman, Benjamin H. D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

Hbk, 9.5 x 12 in. / 344 pgs / 475 images | 9/26/2017 | In stock
ISBN 9781942884194 | $75.00


Liquid Antiquity

Edited by Brooke Holmes, Karen Marta. Text by Hal Foster, Simon Goldhill, Brooke Holmes, Dan-el Padilla Peralta, Giulia Sissa, Maria Stavrinaki, et al.

Hbk, 6.75 x 10 in. / 303 pgs / 99 color. | 5/23/2017 | In stock
ISBN 9782839920674 | $49.95


Eduardo Paolozzi

Edited by Daniel F. Herrmann. Text by Hal Foster, Jon Wood, Mariana Cristallo Deball.

Clth, 8.25 x 10 in. / 320 pgs / 250 color. | 4/25/2017 | In stock
ISBN 9780854882533 | $50.00


Robert Rauschenberg

Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Kr?cma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

Pbk, 9.5 x 12 in. / 392 pgs / 375 color. | 5/23/2017 | In stock
ISBN 9781633450219 | $55.00


Sarah Sze: Timekeeper

Text by Christopher Bedford, Hal Foster, Katy Siegel, Renata Salecl, Hito Steyerl.

Hbk, 9.5 x 12.5 in. / 208 pgs / 150 color. | 8/28/2018 | In stock
ISBN 9781941366134 | $50.00


Robert Rauschenberg

Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

Hbk, 9.5 x 12 in. / 392 pgs / 475 color. | 12/6/2016 | In stock
ISBN 9781633450202 | $75.00


Sarah Charlesworth: Doubleworld

Introduction by Lisa Phillips. Text by Johanna Burton, Hal Foster, Kate Linker, Margot Norton, Sarah Charlesworth, Barbara Kruger, Laurie Simmons, Sara VanDerBeek, Cindy Sherman. Interview by David Clarkson.

Pbk, 8.75 x 11.75 in. / 164 pages / 100 color. | 6/23/2015 | In stock
ISBN 9780915557080 | $55.00


Cabinet 56: Sports

Edited by Sina Najafi. Text by Augusto Corriere, Leland de la Durantaye, Hal Foster, Adam Jasper, Carol Mavor, Carlin Wing, et al.

Pbk, 7.75 x 9.75 in. / 112 pgs / 70 color / 30 bw. | 6/23/2015 | In stock
ISBN 9781932698640 | $12.00


Barkow Leibinger

Texts by Hal Foster, et al.

Hbk, 12.25 x 9.75 in. / 426 pgs / 395 color. | 5/26/2015 | In stock
ISBN 9783775736664 | $85.00


Gauguin: Metamorphoses

Edited by Starr Figura. Text by Elizabeth Childs, Hal Foster, Erika Mosier, Lotte Johnson.

Hbk, 9 x 10.5 in. / 248 pgs / 233 color. | 3/31/2014 | In stock
ISBN 9780870709050 | $60.00


David Salle: Ghost Paintings

Edited by Karen Marta. Foreword and text by Janine Mileaf. Interview by Hal Foster.

Pbk, 9 x 10.75 in. / 64 pgs / 14 color / 13 bw. | 9/30/2013 | In stock
ISBN 9781891925382 | $25.00


Inventing Abstraction, 1910-1925

By Leah Dickerman. Text by Matthew Affron, Yve-Alain Bois, Masha Chlenova, Ester Coen, Christoph Cox, Hubert Damisch, Rachael DeLue, Hal Foster, Mark Franko, Matthew Gale, Peter Galison, Maria Gough, Jodi Hauptman, Gordon Hughes, David Joselit, Anton Kaes, David Lang, Susan Laxton, Philippe-Alain Michaud, Jaroslav Suchan, Lanka Tatersall, Michael R. Taylor.

Hbk, 9.5 x 12 in. / 376 pgs / 446 color. | 1/31/2013 | In stock
ISBN 9780870708282 | $75.00


James Casebere: Works 1975-2010

Edited by Okwui Enwezor. Introduction by Toni Morrison, Ford Morrison. Text by Hal Foster.

Clth, 11.5 x 12 in. / 316 pgs / 260 color. | 10/31/2011 | Out of stock
ISBN 9788862081863 | $80.00


Thomas Hirschhorn: Establishing a Critical Corpus

Edited by Thomas Bizzarri, Thomas Hirschhorn. Text by Claire Bishop, Hal Foster, Yasmil Raymond.

Hbk, 7 x 10.25 in. / 365 pgs / 180 color. | 9/30/2011 | In stock
ISBN 9783037641859 | $44.95


Bing Wright: Everyday Pictures

Edited by Russell Isaacs. Conversation with Hal Foster.

Clth, 10 x 12.25 in. / 192 pgs / 26 color / 59 tritone. | 6/30/2010 | In stock
ISBN 9780975392126 | $65.00


AC/DC: Contemporary Art/Contemporary Design

Text by Paola Antonelli, Anthony Dunne, Alice Rawsthorn, Hal Foster, Gaetano Pesce, Wava Carpenter, Alexandra Midal, et al.

Pbk, 6.25 x 8.75 in. / 280 pgs / 94 color / 2 bw. | 8/31/2009 | In stock
ISBN 9783037640128 | $45.00


Harald Szeemann

Edited by Florence Derieux. Text by Harald Szeemann, Hal Foster, Jean-Marc Poinsot, Tobia Bezzola.

Paperback, 6.25 x 9 in. / 240 pgs / 60 bw. | 3/1/2008 | In stock
ISBN 9783905829099 | $25.00


The Dada Seminars

Introduction by Leah Dickerman. Essays by George Baker, Leah Dickerman, Uwe Fleckner, Hal Foster, T. J. Demos, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

Hardcover, 7 x 10 in. / 320 pgs / 127 bw. | 5/15/2005 | In stock
ISBN 9781933045146 | $45.00


                    

OUT OF PRINT LISTING

Albert Oehlen: Painting

Edited by Achim Hochdörfer. Foreword by Karola Kraus. Interview by Daniel Richter, Rochelle Feinstein, Kerstin Stakemeier, Hal Foster, Achim Hochdörfer.

Hbk, 9.5 x 12 in. / 160 pgs / 110 color. | 10/31/2013 | Not available
ISBN 9783863353933 | $48.00


Claire Fontaine: Foreigners Everywhere

Introduction by Letizia Ragalia. Text by Bernard Blistène, Nicolas Liucci-Goutnikov, John Kelsey, Hal Foster.

Pbk, 8.25 x 10.75 in. / 168 pgs / illustrated throughout. | 3/31/2013 | Not available
ISBN 9783863351700 | $47.50


Cyprien Gaillard: The Recovery of Discovery

Edited by Susanne Pfeffer. Text by Hal Foster, Marion von Osten, Susanne Pfeffer.

Pbk, 10.5 x 14.75 in. / 84 pgs / 50 color. | 6/30/2013 | Not available
ISBN 9783863352059 | $37.50


Performa 09: Back to Futurism

Edited by Roselee Goldberg, Lana Wilson. Introduction by RoseLee Goldberg. Foreword by Hal Foster. Text by RoseLee Goldberg, Defne Ayas, Mark Beasley, Lana Wilson, Tairone Bastien, Esa Nickle, Claire Bishop, Linda Yablonsky, Emily Braun.

Pbk, 7 x 9 in. / 400 pgs / 300 color. | 7/31/2011 | Not available
ISBN 9780615450667 | $39.95


Paul Pfeiffer

Edited by Ingvild Goetz, Stephan Urbaschek. Text by Hal Foster, Katharina Vossenkuhl.

Hbk, 7 x 9.75 in. / 160 pgs / 191 color. | 10/31/2011 | Not available
ISBN 9783775731522 | $55.00


Robert Longo: Charcoal

Text by Hal Foster.

Clth, 10.5 x 12.25 in. / 256 pgs / 140 tritone. | 8/31/2012 | Not available
ISBN 9783775731966 | $120.00


Bauhaus 1919-1933

Text by Barry Bergdoll, Leah Dickerman, Benjamin H.D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

Clth, 9.5 x 12 in. / 328 pgs / 510 color. | 12/11/2009 | Not available
ISBN 9780870707582 | $85.00


Andy Warhol: Other Voices, Other Rooms

Edited by Eva Meyer-Hermann. Text by Eva Meyer-Hermann, Matt Wrbican, Geralyn Huxley, Greg Pierce, Hal Foster.

Paperback, 8 x 10.5 in. / 176 pgs / 135 color / 160 bw. | 3/1/2008 | Not available
ISBN 9789056626020 | $49.95


Vanishing Point

Edited and Essay by Claudine Isé and Hal Foster. Foreword by Sherri Geldin.

Paperback, 7 x 9 in. / 100 pgs / 35 color / 7 bw. | 6/15/2005 | Not available
ISBN 9781881390374 | $24.95


Silvia Kolbowski: Inadequate…Like...Power

Interview by Hal Foster. Essays by Rosalyn Deutsche, Stephan Schmidt-Wulffen and Mignon Nixon.

Hardcover, 6.5 x 8.75 in. / 176 pgs / 60 bw. | 3/15/2005 | Not available
ISBN 9783883758947 | $40.00


Suzanne Bocanegra: Poorly Watched GirlsSuzanne Bocanegra: Poorly Watched Girls

Published by MW Editions / The Fabric Workshop and Museum.
Foreword by Susan Lubowsky Talbott. Interview by Hal Foster.

In Poorly Watched Girls, New York–based artist Suzanne Bocanegra (born 1957) explores the ways that popular entertainment theatricalizes women in trouble. For the immersive video Valley, she recreated Judy Garland’s wardrobe test for Valley of the Dolls (1967). Garland was fired from the film but famously kept the clothing from the test. Here, eight notable women wear replicas of the wardrobe: poet Anne Carson, choreographer Deborah Hay, artist Joan Jonas, singer Alicia Hall Moran, author and actor Tanya Selvaratnam, actor Kate Valk, artist Carrie Mae Weems and ballerina Wendy Whelan. Dialogue of the Carmelites, inspired by Poulenc’s 1956 opera based on the true story of a convent of nuns executed during the French Revolution, incorporates music by composer David Lang, performed by Caroline Shaw. In La Fille, Bocanegra uses theatrical sets, costumes and collage to capture the essence of the 18th-century ballet La Fille mal Gardée (The Poorly Guarded Girl), a comic portrayal of young love between two peasants.



PUBLISHER
MW Editions / The Fabric Workshop and Museum

BOOK FORMAT
Hardcover, 6.25 x 9.5 in. / 96 pgs / 60 color.

PUBLISHING STATUS
Pub Date
Forthcoming

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2019 p. 142   

PRODUCT DETAILS
ISBN 9780998701851 TRADE
List Price: $29.95 CDN $39.95 GBP £27.00

AVAILABILITY
Awaiting stock

STATUS: Forthcoming | 11/19/2019

This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com

Sarah Sze: TimekeeperSarah Sze: Timekeeper

Published by Gregory R. Miller & Co..
Text by Christopher Bedford, Hal Foster, Katy Siegel, Renata Salecl, Hito Steyerl.

For over 20 years Sarah Sze (born 1969) has produced celebrated works of art, synthesizing a near boundless range of everyday materials into intricate constructions that are both delicate and overwhelming. Sze's latest site-specific installation at the Rose Art Museum, Timekeeper, combines sculpture, video and installation into a sprawling experiential work that approaches some of the most complex themes of her career: time's passage and its marking in mechanical and biological forms.
The Timekeeper installation was a catalyst for a book which explores major new ideas in Sze's work and practice. The ambitious work is extensively documented here alongside significant new texts on Sze, her work and the experience of time.

PUBLISHER
Gregory R. Miller & Co.

BOOK FORMAT
Hardcover, 9.5 x 12.5 in. / 208 pgs / 150 color.

PUBLISHING STATUS
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Active

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Catalog: SPRING 2017 p. 108   

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ISBN 9781941366134 TRADE
List Price: $50.00 CDN $67.50 GBP £45.00

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Liquid AntiquityLiquid Antiquity

Published by DESTE Foundation for Contemporary Art.
Edited by Brooke Holmes, Karen Marta. Text by Hal Foster, Simon Goldhill, Brooke Holmes, Dan-el Padilla Peralta, Giulia Sissa, Maria Stavrinaki, et al.

Neither an academic textbook nor a conventional art book, Liquid Antiquity explores the intersection between contemporary art and antiquity in a fluid stream of images, ideas and voices.

This visual essay spans more than 2,500 years of art history in an open-ended dialogue with a series of critical texts and interviews with contemporary artists, exploring the possibility of reinventing classicism and arguing for its enduring influence on contemporary art. It includes a critical essay by Brooke Holmes investigating the concept of “liquid antiquity”; a series of 27 lexemes that critically rethink the traditional language of classicism, written by prominent critics and scholars; and ten interviews with contemporary artists (Matthew Barney, Paul Chan, Haris Epaminonda, Urs Fischer, Jeff Koons, Christodoulos Panayiotou, Charles Ray, Asad Raza, Kaari Upson and Adrián Villar Rojas).



PUBLISHER
DESTE Foundation for Contemporary Art

BOOK FORMAT
Hardcover, 6.75 x 10 in. / 303 pgs / 99 color.

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Catalog: FALL 2017 p. 144   

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ISBN 9782839920674 TRADE
List Price: $49.95 CDN $67.50

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Bauhaus: 1919–1933Bauhaus: 1919–1933

Workshops for Modernity

Published by D.A.P./The Museum of Modern Art.
Text by Barry Bergdoll, Leah Dickerman, Benjamin H. D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

Back in print, the essential, unsurpassed Bauhaus overview

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers—among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl—in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today.

Bauhaus 1919–1933: Workshops for Modernity, originally published to accompany a major 2009 exhibition, is The Museum of Modern Art’s first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the 20th century’s most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919–1933 examines the extraordinarily broad spectrum of the school’s products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture.

Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919–1933 includes two overarching essays by the exhibition’s curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus’ lived history.



PUBLISHER
D.A.P./The Museum of Modern Art

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 344 pgs / 475 images

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Catalog: FALL 2017 p. 19   

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ISBN 9781942884194 TRADE
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Eduardo PaolozziEduardo Paolozzi

Published by Whitechapel Gallery.
Edited by Daniel F. Herrmann. Text by Hal Foster, Jon Wood, Mariana Cristallo Deball.

If the entire twentieth century were to vanish in some huge calamity, it would be possible to reconstitute a large part of it from Paolozzi's sculpture and screenprints. —J.G. Ballard

Eduardo Paolozzi was one of the most innovative and irreverent British artists of the 20th century. Considered the “godfather of Pop art,” his powerful collages, sculptures and prints participated in and pushed back against the currents of postwar British art history, from his 1947 collage “I Was a Rich Man’s Plaything” to the 1950s “Geometry of Fear” sculpture, through the Swinging Sixties and on to the advent of “Cool Britannia.” In the event of a nuclear holocaust, J.G. Ballard said, Paolozzi’s enormous body of work “could serve as evidence to reconstruct the 20th century.”
Accompanying the first major international exhibition of Paolozzi’s art since 1975, this publication presents a comprehensive overview of Paolozzi’s work from the 1940s to the 1990s, reassessing one of the most dynamic, versatile and pugilistic artists from Britain and highlighting the relevance of his work for artists today. As well as including a history of the artist’s work in an international context, the book presents new approaches to Paolozzi from Hal Foster and Jon Wood, as well as a contribution by the contemporary Mexican artist Mariana Cristallo Deball.



PUBLISHER
Whitechapel Gallery

BOOK FORMAT
Clth, 8.25 x 10 in. / 320 pgs / 250 color.

PUBLISHING STATUS
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Catalog: SPRING 2017 p. 56   

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ISBN 9780854882533 TRADE
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Robert Longo: CharcoalRobert Longo: Charcoal

Published by Hatje Cantz.
Text by Hal Foster, Kate Fowle, Thomas Kellein.

The enormous, photorealistic charcoal drawings of American artist Robert Longo (born 1953) show the beauty and horror of the present day and age.

His large-format works contrast the innocence of sleeping toddlers, the tranquil grandiosity of Earth and the planets, roses in bloom and Gothic cathedrals with threatening images of atom bomb explosions, fighter pilots, monster waves, sharks and the muzzles of revolvers. Inexorably and precisely, Longo records the state of our world; his powerful motifs give form and expression to the feelings of fear and longing felt by people in the 21st century, and affect the viewer with the full force of the medium.

Back in print, this large-format, elaborately designed book—printed on natural paper using a tritone process, bound in half-cloth and distributed in four different cover designs—has been created in close collaboration with the artist and affords a comprehensive overview of his charcoal drawings from the past decade.



PUBLISHER
Hatje Cantz

BOOK FORMAT
Clth, 10 x 12 in. / 252 pgs / 157 color.

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Catalog: FALL 2017 p. 122   

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ISBN 9783775743235 TRADE
List Price: $65.00 CDN $90.00

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Robert RauschenbergRobert Rauschenberg

Published by The Museum of Modern Art, New York.
Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Kr?cma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

"Painting relates to both art and life. Neither can be made. (I try to act in the gap between the two.)" —Robert Rauschenberg

The early 1950s, when Robert Rauschenberg launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new interdisciplinary models of artistic practice that shaped the decades to come. Published in conjunction with this century's first retrospective of this defining figure in postwar art, this richly illustrated catalog reframes Rauschenberg’s widely celebrated Combines (1954–64) and silkscreen paintings (1962–64) in fresh ways. It also illuminates lesser-known periods within Rauschenberg’s career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes.
Sixteen short essays by eminent scholars and emerging new writers focus on specific moments throughout Rauschenberg’s career, exploring his creative production across an extraordinary range of media and following him on his travels around the globe. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist’s career in 20 years, an important contribution to American cultural and intellectual history and a necessary volume for anyone interested in contemporary art.



Over the span of six decades, Robert Rauschenberg (1925–2008) worked in an astonishing range of mediums including painting, sculpture, prints, photography and performance. Working alone and in collaboration with artists, dancers, musicians and writers, Rauschenberg produced a vast body of work that set the course for art of the present day.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 9.5 x 12 in. / 392 pgs / 375 color.

PUBLISHING STATUS
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D.A.P. Exclusive
Catalog: SPRING 2017 p. 10   

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ISBN 9781633450219 TRADE
List Price: $55.00 CDN $72.50

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Robert RauschenbergRobert Rauschenberg

Published by The Museum of Modern Art, New York.
Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

The early 1950s, when Robert Rauschenberg launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new intermedia forms of art making that shaped the decades to come. Published in conjunction with the inaugural 21st-century retrospective of this defining figure, this book offers fresh perspectives on Rauschenberg’s widely celebrated Combines (1954–64) and silkscreen paintings (1962–64). It also illuminates lesser-known periods within Rauschenberg’s career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes.
Sixteen short essays by eminent scholars and emerging new writers focus on specific moments within Rauschenberg’s career, examining his creative production across an extraordinary range of media. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist’s career in 20 years, an important contribution to American cultural and intellectual history across disciplines and a necessary volume for anyone interested in art of the present day.
Over the span of six decades, Robert Rauschenberg (1925–2008) worked in an astonishing range of mediums including painting, sculpture, prints, photography and performance, and became one of the most transformative figures in postwar American culture. Working alone and in collaboration with artists, dancers, musicians and writers, Rauschenberg produced a vast body of work that continues to resonate today.



Leah Dickerman is The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art. Achim Borchardt-Hume is Director of Exhibitions, Tate Modern. Yve-Alain Bois is Professor of Art History, Institute for Advanced Study, Princeton University. Andrianna Campbell is a Doctoral Candidate, CUNY Graduate Center. Hal Foster is Townsend Martin, Class of 1917, Professor of Art and Archaeology, Princeton University.  Mark Godfrey is Senior Curator, International Art (Europe and Americas), Tate Modern. Hiroko Ikegami is Associate Professor, Graduate School of Intercultural Studies, Kobe University. Branden Joseph is Frank Gallipoli Professor of Modern and Contemporary Art, Art History and Archaeology, Columbia University. Ed Krcma is Lecturer in Art History, University of East Anglia. Michelle Kuo is Editor in Chief, Artforum International Magazine. Pamela Lee is Jeanette and William Hayden Jones Professor in American Art and Culture, Stanford University. Emily Liebert is Curatorial Assistant, Department of Painting and Sculpture, The Museum of Modern Art. Richard Meyer is Robert and Ruth Halperin Professor in Art History, Stanford University. Helen Molesworth is Chief Curator, The Museum of Contemporary Art, Los Angeles. Kate Nesin is Associate Curator, Art Institute of Chicago. Sarah Roberts is Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art. Catherine Wood is Senior Curator, International Art (Performance).

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 392 pgs / 475 color.

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Catalog: FALL 2016 p. 3   

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ISBN 9781633450202 TRADE
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Cabinet 56: SportsCabinet 56: Sports

Published by Cabinet.
Edited by Sina Najafi. Text by Augusto Corriere, Leland de la Durantaye, Hal Foster, Adam Jasper, Carol Mavor, Carlin Wing, et al.

Athletic contests are nearly as old as human society itself. They have grown and flourished across the millennia and around the world, and today form the basis of a global industry worth in excess of six hundred billion dollars. And such games are not just for the players: audiences' fascination with sports also make them a productive sphere through which to consider questions of spectatorship, tribalism and belonging. Cabinet 56, with a special section on "Sports," includes Leland de la Durantaye on the new geometries of tennis; Carla Wing on squash and the colonial history of rubber; and Hal Foster on the ritualistic dimensions of soccer. Elsewhere in the issue: Adam Jasper on how homes built by freed slaves in Liberia mimicked the Palladian style of US plantation mansions; Augusto Corriere on the disassembly and reassembly of a Munich theater during World War II; Carol Mavor on the aesthetics of middleness; and more.

PUBLISHER
Cabinet

BOOK FORMAT
Paperback, 7.75 x 9.75 in. / 112 pgs / 70 color / 30 bw.

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Catalog: SPRING 2015 p. 101   

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ISBN 9781932698640 TRADE
List Price: $12.00 CDN $17.50 GBP £10.00

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Sarah Charlesworth: DoubleworldSarah Charlesworth: Doubleworld

Published by New Museum.
Introduction by Lisa Phillips. Text by Johanna Burton, Hal Foster, Kate Linker, Margot Norton, Sarah Charlesworth, Barbara Kruger, Laurie Simmons, Sara VanDerBeek, Cindy Sherman. Interview by David Clarkson.

Over the course of a 40-year career, Conceptual artist and photographer Sarah Charlesworth deconstructed the conventions of photography and gave emphasis to the medium's importance in mediating our perception of the world. Part of a group of artists working in New York in the 1980s that included Jack Goldstein, Sherrie Levine, Richard Prince, Cindy Sherman and Laurie Simmons, Charlesworth straddled 1970s Conceptual art and the Pictures Generation, creating work that probed the visual language of mass media and illuminated the impact of ubiquitous imagery on our everyday lives.
This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14 large-scale works rephotographed from press images that depict people falling or jumping off buildings; Modern History (1977-79), which pioneered photographic appropriation; the alluring Objects of Desire (1983-88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).
Sarah Charlesworth was born in 1947 in East Orange, New Jersey, and received a BA from Barnard College in 1969. She was the subject of a 1997 retrospective organized by SITE Santa Fe. Charlesworth taught photography for many years at the School of the Visual Arts, New York; the Rhode Island School of Design, Providence; and Princeton University, New Jersey. She died in 2013 in Falls Village, Connecticut.

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New Museum

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Paperback, 8.75 x 11.75 in. / 164 pages / 100 color.

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Barkow LeibingerBarkow Leibinger

Published by Hatje Cantz.
Texts by Hal Foster, et al.

The works presented in this volume by American/German architectural team Barkow Leibinger range from prototypes and installations to buildings such as the recently completed Tour Total, in which form and space evolve by means of the handling of material and new technologies and tools.

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Hatje Cantz

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Hardcover, 12.25 x 9.75 in. / 426 pgs / 395 color.

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Gauguin: MetamorphosesGauguin: Metamorphoses

Published by The Museum of Modern Art, New York.
Edited by Starr Figura. Text by Elizabeth Childs, Hal Foster, Erika Mosier, Lotte Johnson.

Gauguin: Metamorphoses explores the remarkable relationship between Paul Gauguin’s rare and extraordinary prints and transfer drawings, and his better-known paintings and sculptures in wood and ceramic. Created in several discrete bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin’s experiments with a range of media, from radically "primitive" woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel-like watercolor monotypes and large mysterious transfer drawings. Gauguin’s creative process often involved repeating and recombining key motifs from one image to another, allowing them to metamorphose over time and across mediums. Printmaking in particular provided him with many new and fertile possibilities for transposing his imagery. Though Gauguin is best known as a pioneer of modernist painting, this publication reveals a lesser-known but arguably even more innovative aspect of his practice. Richly illustrated with more than 200 works, Gauguin: Metamorphoses explores the artist’s radically experimental approach to techniques and demonstrates how his engagement with media other than painting--including sculpture, printmaking and drawing--ignited his creativity.
Painter, printmaker, sculptor and ceramicist, Paul Gauguin (1848–1903) left his job as a stockbroker in Paris for a peripatetic life traveling to Martinique, Brittany, Arles, Tahiti and, finally, the Marquesas Islands. After exhibiting with the Impressionists in Paris and acting as a leading voice in the Pont-Aven group, Gauguin’s efforts to achieve a "primitive" expression proved highly influential for the next generation of artists.

Starr Figura is a curator with the Department of Drawings and Prints at The Museum of Modern Art, New York.

Elizabeth Childs is Department Chair of Art History and Archaeology at Washington University in St. Louis.

Hal Foster is an American art critic, historian and Guggenheim Fellow; he has taught at contemporary art and theory at Cornell University and Princeton University.

Erika Mosier is an associate conservator at The Museum of Modern Art.

Lotte Johnson is a curatorial assistant with the Department of Drawings and Prints at The Museum of Modern Art.

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The Museum of Modern Art, New York

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Hardcover, 9 x 10.5 in. / 248 pgs / 233 color.

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David Salle: Ghost PaintingsDavid Salle: Ghost Paintings

Published by The Arts Club of Chicago.
Edited by Karen Marta. Foreword and text by Janine Mileaf. Interview by Hal Foster.

In the 1980s, American artist David Salle (born 1952) played a crucial role in the formulation of postmodernism in art, helping to reestablish painting as a dominant force. Often thought to use only found imagery, Salle actually derived much of his early work from live movement events that he staged specifically for the paintings. For his 1992 series Ghost Paintings, Salle took photographs of his longtime model Beverly Eaby, creating graceful, improvised movements with a bedsheet, then printing the images on linen and painting over them with horizontal fields of intense color. This new volume, with full-color spreads of the 16 never-before-seen Ghost Paintings, reveals Salle’s practice of incorporating photography and performance art into his paintings. It includes the black-and-white photographs the artist took for this series, as well as documentation of other performances.

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The Arts Club of Chicago

BOOK FORMAT
Paperback, 9 x 10.75 in. / 64 pgs / 14 color / 13 bw.

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Inventing Abstraction, 1910-1925Inventing Abstraction, 1910-1925

Published by The Museum of Modern Art, New York.
By Leah Dickerman. Text by Matthew Affron, Yve-Alain Bois, Masha Chlenova, Ester Coen, Christoph Cox, Hubert Damisch, Rachael DeLue, Hal Foster, Mark Franko, Matthew Gale, Peter Galison, Maria Gough, Jodi Hauptman, Gordon Hughes, David Joselit, Anton Kaes, David Lang, Susan Laxton, Philippe-Alain Michaud, Jaroslav Suchan, Lanka Tatersall, Michael R. Taylor.

In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum’s Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction’s early history by renowned scholars from a variety of fields.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 376 pgs / 446 color.

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Claire Fontaine: Foreigners EverywhereClaire Fontaine: Foreigners Everywhere

Published by Walther König, Köln.
Introduction by Letizia Ragalia. Text by Bernard Blistène, Nicolas Liucci-Goutnikov, John Kelsey, Hal Foster.

Borrowing its name from a French stationary manufacturer, the artist collective Claire Fontaine was formed in Paris in 2004. Its works analyze the crisis of individuality in contemporary culture using video, installation, sculpture and text. This publication presents various works that combat the poverty and passivity of contemporary politics.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Paperback, 8.25 x 10.75 in. / 168 pgs / illustrated throughout.

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Cyprien Gaillard: The Recovery of DiscoveryCyprien Gaillard: The Recovery of Discovery

Published by Walther König, Köln.
Edited by Susanne Pfeffer. Text by Hal Foster, Marion von Osten, Susanne Pfeffer.

Locating the unlikely midground between architecture and alcohol, Cyprien Gaillard (born 1980) created a pyramid of beer crates for his exhibition at Berlin’s KW Institute. Sitting on the pyramid at the opening, the audience drank the beer, so that the cases eventually collapsed, leaving behind a ruined monument.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Paperback, 10.5 x 14.75 in. / 84 pgs / 50 color.

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Albert Oehlen: PaintingAlbert Oehlen: Painting

Published by Walther König, Köln.
Edited by Achim Hochdörfer. Foreword by Karola Kraus. Interview by Daniel Richter, Rochelle Feinstein, Kerstin Stakemeier, Hal Foster, Achim Hochdörfer.

Four decades after he first burst onto the international art scene in the early 1980s, Albert Oehlen (born 1954) remains among the most influential and controversial painters of the present. Operating between figuration and abstraction with vigor and energy, Oehlen relentlessly critiques painting’s history, its clichés and its relationship to the imagery of the advertising and pop industries--all within the medium itself (rather than in another art form). Reproducing 110 works, this volume, designed by Heimo Zobernig, takes something of an artist’s book approach to Oehlen’s oeuvre, emphasizing its methodological complexity, vitality and conflicts. Alongside an interview between Oehlen and fellow painter Daniel Richter, this catalogue contains conversations on the implications of Oehlen’s work between Rochelle Feinstein and Kerstin Stakemeier, and between Hal Foster and Achim Hochdörfer.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 160 pgs / 110 color.

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Robert Longo: CharcoalRobert Longo: Charcoal

Published by Hatje Cantz.
Text by Hal Foster.

Robert Longo's mastery of charcoal drawing has made him one of America's most admired artists. With every new work he reinvests the tradition of history painting with fresh relevance and impact, rendering majestic, era-defining images in a sensuous and sculptural photorealism. Longo's sense of both literal scale and historical scope is monumental, as a survey of his numerous serial works soon reveals: the Freud Drawings cycle of 2000 with its large-format treatment of Edmund Engelmann's photographs of Sigmund Freud's Vienna apartment, taken days before Freud's departure for London; or the 2003 Sickness of Reasonseries, with its high-contrast images of atomic explosions, combining sublimity and terror; or the famous one-drawing-per-day Magellan sequence of the mid-1990s, a virtual atlas of the iconography of the 1990s, intermixed with images from Longo's immediate daily life. This handsome, chunky volume surveys Longo's drawings of the past two decades, from Magellan and the Freud cycle to Monsters (2000), Sickness of Reason (2003), Ophelia (2002), Beginning of the World (2007) and others.
Robert Longo was born in Brooklyn in 1953 and received a BFA in sculpture from Buffalo State College in 1975. In the late 1970s and early 1980s, Longo collaborated with musicians loosely associated with New York's No Wave movement, such as Glenn Branca, Rhys Chatham and Jonathan Kane, and formed the band Robert Longo's Menthol Wars. In the 1980s, as his Men in the City drawing series was winning him critical acclaim, Longo also directed several music videos, including New Order's “Bizarre Love Triangle” and R.E.M.'s “The One I Love.” In 1995 he directed the cyberpunk film Johnny Mnemonic, starring Keanu Reeves, Dolph Lundgren and “Beat” Takeshi.

PUBLISHER
Hatje Cantz

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Clth, 10.5 x 12.25 in. / 256 pgs / 140 tritone.

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James Casebere: Works 1975-2010James Casebere: Works 1975-2010

Published by Damiani.
Edited by Okwui Enwezor. Introduction by Toni Morrison, Ford Morrison. Text by Hal Foster.

James Casebere (born 1953) emerged in the Pictures Generation as an artist-photographer complicating the status of the photographic image alongside Cindy Sherman and Richard Prince. His earliest works dismantled the codes of American suburbia and the myth of the west, but he quickly arrived at the practice for which he is best known today: the construction of formally simplified architectural models--arenas, monasteries, tunnels, factories--which Casebere lights and photographs in his studio. In the early 1990s, as the ramifications of Michel Foucault's critiques of architecture and power took hold in American culture, Casebere's practice developed into a study of architectural typologies of the Enlightenment era, particularly prisons. The lighting in his photographs is dramatic, or rather it plays with the rhetoric of dramatic lighting, qualified by the sheer artifice of the architectural models themselves. Edited by Okwui Enwezor, this major mid-career survey includes several of Casebere's lesser-known early works, as well as previously unreproduced sculpture and photographs from 1975 to 2010. Enwezor contributes both an introduction and a conversation with the artist. The volume also contains essays by Hal Foster and Toni Morrison. James Casebere: Works 1975-2010 is the most comprehensive monograph to date on this important American artist.

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Damiani

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Clth, 11.5 x 12 in. / 316 pgs / 260 color.

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Performa 09: Back to FuturismPerforma 09: Back to Futurism

Published by Performa Publications.
Edited by Roselee Goldberg, Lana Wilson. Introduction by RoseLee Goldberg. Foreword by Hal Foster. Text by RoseLee Goldberg, Defne Ayas, Mark Beasley, Lana Wilson, Tairone Bastien, Esa Nickle, Claire Bishop, Linda Yablonsky, Emily Braun.

Written and edited by legendary performance art historian RoseLee Goldberg, Performa 09: Back to Futurism is the definitive document of the unforgettable Performa 2009 biennial. It is the third volume to draw content and inspiration from the world-renowned Performa biennials, and features creative documentation by the 150 artists who made Performa 09 so extraordinary--among them Guy Ben-Ner, Candice Breitz, Omer Fast, Dominique Gonzalez-Foerster, Mike Kelley, Arto Lindsay, Wangechi Mutu, Christian Tomaszewski and Yeondoo Jung (all of whom presented special Performa Commissions) and Keren Cytter, Tacita Dean, Alicia Framis, Loris Greaud, William Kentridge and Joan Jonas (who brought US premieres to the biennial). Photographs of each artist's performance and texts contributed by curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger artistic trends. Taking place at over 80 of New York's most exciting art and cultural venues, Performa 09 was created as a collaboration between all of these moving parts, so a portrait of the city's remarkable history of cultural innovation also emerges from these pages. Performa 09: Back to Futurism is not only a gorgeous document of a remarkable biennial, but also an invaluable reference guide to the most significant artists of our time, for art historians and fans alike.

PUBLISHER
Performa Publications

BOOK FORMAT
Paperback, 7 x 9 in. / 400 pgs / 300 color.

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The X Initiative YearbookThe X Initiative Yearbook

Published by Mousse Publishing.
Foreword by Elizabeth Dee. Introduction by Cecilia Alemani. Text by Philip Aarons, Carlos Basualdo, Alexander Dumbadze, Hal Foster, Massimiliano Gioni, Roselee Goldberg, Ed Halter, Fritz Haeg, Laura Hoptman, Chrissie Iles, David Joselit, Sylvère Lotringer, et al.

X was a one-year, experimental non-profit initiative, whose goal was to inspire new ideas for producing and experiencing contemporary art. It ran the gamut from solo shows by international stars like Hans Haacke to a 24-hour Bring Your Own Art (BYOA) marathon event. This sourcebook surveys one dense year of art at 548 West 22nd Street.

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Paperback, 6.5 x 9.5 in. / 168 pgs / illustrated throughout.

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Paul PfeifferPaul Pfeiffer

Published by Hatje Cantz.
Edited by Ingvild Goetz, Stephan Urbaschek. Text by Hal Foster, Katharina Vossenkuhl.

The acclaimed video and sound installations, sculptures and photographs of Hawaiian-born American artist Paul Pfeiffer (born 1966) deal with the idea of an “afterglow” of mass-media images that are rooted in the collective memory of a globalized media society, and that can be deconstructed with the aid of some heavy editing. Pfeiffer digitally manipulates found media footage, relentlessly cutting, retouching, duplicating and layering the material with the aim of freeing the viewer to experience its ideologically loaded cultural constructedness. In the 1999 video “Fragment of a Crucifixion (After Francis Bacon),” for example, basketball star Larry Johnson's whoop of victory is looped into a weirdly unnatural expression of terror (or death, as the title suggests). This volume surveys Pfeiffer's works of the past 15 years, with abundant color reproductions.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 7 x 9.75 in. / 160 pgs / 191 color.

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Thomas Hirschhorn: Establishing a Critical CorpusThomas Hirschhorn: Establishing a Critical Corpus

Published by JRP|Ringier.
Edited by Thomas Bizzarri, Thomas Hirschhorn. Text by Claire Bishop, Hal Foster, Yasmil Raymond.

Published on the occasion of his exhibition at the Swiss Pavilion of the 2011 Venice Biennale, Establishing a Critical Corpus is the first theoretical examination of the work of Thomas Hirschhorn (born 1957), in six illustrated essays by authors including scholars Claire Bishop and Hal Foster and the poet Manuel Joseph, providing a variety of angles on Hirschhorn's practice.

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JRP|Ringier

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Hardcover, 7 x 10.25 in. / 365 pgs / 180 color.

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The New DécorThe New Décor

Published by Hayward Gallery Publishing.
Edited with an introduction by Ralph Rugoff. Text by Hal Foster, Michelle Kuo, Kirsty Bell, Christy Lange, Skye Sherwin.

The New Décor gathers a range of contemporary artists whose work takes the vocabulary of interior design as a point of departure. Reconceptualizing the decoration of our everyday environments through sculpture and installation, these artists explore, and sometimes dismantle, the current attitudes and the social furniture that reveal the public dimensions of our private worlds. In French the word "décor" refers to stage and film sets as well as interior design, and in a similar spirit the works in this volume occupy an arena midway between theater and everyday life. Remapping our relationships to a variety of interior spaces, the artists contributing to this volume are Monica Bonvicini, Martin Boyce, Tom Burr, Marc Camille Chaimowicz, Los Carpinteros, Jimmie Durham, Elmgreen & Dragset, Urs Fischer, Gelitin, Fabrice Gygi, Mona Hatoum, Diango Hernández, Yuichi Higashionna, Jim Lambie, Lee Bul, Sarah Lucas, Ernesto Neto, Manfred Pernice, Ugo Rondinone, Doris Salcedo, Jin Shi, Roman Signer, Pascale Marthine Tayou, Rosemarie Trockel, Tatiana Trouvé, Haegue Yang, Nicole Wermers and Franz West.

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Hayward Gallery Publishing

BOOK FORMAT
Hardcover, 8.75 x 10 in. / 156 pgs / 120 color.

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Bing Wright: Everyday PicturesBing Wright: Everyday Pictures

Published by Paula Cooper Gallery, New York.
Edited by Russell Isaacs. Conversation with Hal Foster.

American photographer Bing Wright (born 1958) marries modernist and conceptual leanings, creating highly formal work that explores the many roles of the photograph--as window or magnifying glass, marker of time or space for illusion. Known for his wide-ranging philosophical investigations and the stripped-down purity of his imagery, Wright can be simultaneously figurative and gorgeously abstract in his work, often calling on the gray light and rainy climate of his native Pacific Northwest. For example, in the Wet Windows series, part of his first body of work begun in 1988, random patterns of raindrops appear to pockmark the photographic surfaces. Deeply engaged with the technological and aesthetic history of the medium, Wright frequently references the work of other photographers from Edward Steichen’s roses to Man Ray’s tears. Bing Wright: Everyday Pictures surveys the artist’s work from 1989 to 2006 and includes a conversation between the artist and renowned art historian Hal Foster.

PUBLISHER
Paula Cooper Gallery, New York

BOOK FORMAT
Clth, 10 x 12.25 in. / 192 pgs / 26 color / 59 tritone.

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AC/DC: Contemporary Art/Contemporary DesignAC/DC: Contemporary Art/Contemporary Design

Published by JRP|Ringier.
Text by Paola Antonelli, Anthony Dunne, Alice Rawsthorn, Hal Foster, Gaetano Pesce, Wava Carpenter, Alexandra Midal, et al.

AC/DC: Contemporary Art/Contemporary Design tackles the difficult, traditionally divisive relationship between art and design. Recently, new practices and perspectives in both worlds have surfaced, putting this division under new scrutiny. An overview of the topic which will particularly appeal to students and specialists, this fully illustrated volume is one of the few anthologies to document the dialogue about the crossover between art and design taking place among experts from both fields. These experts include Paola Antonelli, Anthony Dunne, Alexandra Midal, Rick Poynor, Alice Rawsthorn, Paul Ardenne, Diedrich Diederichsen and Hal Foster. The book emerged from a symposium of the same name held in 2007 in Geneva, and is the companion volume to Wouldn't It Be Nice..., published in 2008, which addressed projects that dare to blur that once-impermeable line between art and design.

PUBLISHER
JRP|Ringier

BOOK FORMAT
Paperback, 6.25 x 8.75 in. / 280 pgs / 94 color / 2 bw.

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Bauhaus 1919-1933Bauhaus 1919-1933

Workshops for Modernity

Published by The Museum of Modern Art, New York.
Text by Barry Bergdoll, Leah Dickerman, Benjamin H.D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, Matthew S. Witkovsky.

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl--in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 12 in. / 328 pgs / 510 color.

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Jon Kessler: The Palace at 4 A.M.Jon Kessler: The Palace at 4 A.M.

Published by Charta.
Text by Alanna Heiss, Hal Foster, Ludwig Seyfarth, Harald Falckenberg, Arthur Prinzhorn, Ethan Prinzhorn, Jon Kessler.

Jon Kessler's The Palace at 4 A.M., shown in 2006 at New York’s P.S.1 Contemporary Art Center, is a dizzying array of hundreds of monitors, surveillance cameras and miles of electric and video cable that simultaneously turn the viewer into voyeur, exhibitionist, spectator and surveilled subject. Mechanical sculptures rigged with cameras create live video feeds that the viewers experience in real time. Magazine images, toys and other found objects recombine to mimic, expose and subvert the horrors and hypocrisies of the war in Iraq and Hurricane Katrina, as well as life in a culture addicted to an overly saturated media experience. This volume documents the critically acclaimed project and includes essays by Alanna Heiss, Hal Foster and others.
Jon Kessler was born in Yonkers, New York in 1957. He has exhibited widely in galleries and museums around the world and he is the recipient many major awards, including grants from the Guggenheim Foundation and the National Endowment for the Arts. In addition to being represented in many of the country’s most important museum collections, including The Museum of Modern Art, New York, the Whitney Museum of American Art and the Museum of Contemporary Art in Los Angeles, he has been highly influential in his role at Columbia University’s School of the Arts, where he has taught graduate level courses for many years.

PUBLISHER
Charta

BOOK FORMAT
Hardback, 10.75 x 8.5 in. / 144 pgs / 105 color.

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Catalog: SPRING 2008 p. 145   

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Andy Warhol: Other Voices, Other RoomsAndy Warhol: Other Voices, Other Rooms

A Guide to 817 Items in 2 Hours 56 Minutes

Published by nai010 publishers.
Edited by Eva Meyer-Hermann. Text by Eva Meyer-Hermann, Matt Wrbican, Geralyn Huxley, Greg Pierce, Hal Foster.

Beyond the familiar Campbell’s Soup cans, Brillo boxes, silkscreened Marilyn Monroes and floating silver mylar pillows, 20 years after Pop icon Andy Warhol’s death, we are still picking through his incredibly prolific output to understand what his artistic legacy actually is. Andy Warhol: Other Voices, Other Rooms, published on the occasion of the major exhibition by the same name at Amsterdam’s Stedelijk Museum, provides some new insight, digging into Warhol’s lesser-known film, video and audio tape works. Important--and just a little scandalous--films like Blow Job and Kiss, audio tapes of celebrities, friends and anonymous hangers-on talking and other marginalia are considered alongside a selection of key photographs, drawings, screen prints and spatial installations, such as the spectacular “Silver Clouds,” originally shown in 1966. Edited by Eva Meyer-Hermann and with contributions by Geralyn Huxley, Greg Pierce and Warhol Museum Archivist, Matt Wrbican, who is currently unpacking hundreds of never-before-seen Warhol Time Capsules in Pittsburgh, this volume brings readers up to date with the most recent developments in the way we see the late artist’s oeuvre.

PUBLISHER
nai010 publishers

BOOK FORMAT
Paperback, 8 x 10.5 in. / 176 pgs / 135 color / 160 bw.

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Catalog: SPRING 2008 p. 6   

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ISBN 9789056626020 TRADE
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Right About NowRight About Now

Art and Theory Since the 1990s

Published by Valiz.
Edited by Margriet Schavemaker, Mischa Rakier. Text by Jennifer Allen, Sophie Berrebi, Claire Bishop, Beatrice von Bismarck, Maaike Bleeker, Jeroen Boomgaard, Nicolas Bourriaud, Deborah Cherry, Hal Foster, Vít Havránek, Marc Spiegler, Olav Velthuis, Kitty Zijlmans.

Video art, the Internet, globalization, nomadism, itinerant curators and biennale artists, Installation and Process art, PowerPoint presentations, multiculturalism, design, magazines, fashion, lounges, the DJ, VJ and house culture, blockbuster exhibitions in art galleries, social works of art and socially engaged artists… The art of the past 15 years has moved into these new territories rapidly--so rapidly that more artwork than theoretical reflection or historical contextualization has been generated. During the 1960s, artists and critics were fiercely engaged in naming each new trend--Op Art, Pop Art, Minimalism, Conceptualism. Movements were mapped as they happened. In the 1990s, however, the art itself, and the experience it provided, became enough. Focusing on themes such as The Body, Interactivity, Engagement, Documentary Strategies, Money and Curating, Right About Now provides a map for this work, from the 1990s to the present.

PUBLISHER
Valiz

BOOK FORMAT
Paperback, 6.5 x 9.5 in. / 184 pgs. / 14 bw.

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Catalog: SPRING 2008 p. 115   

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Harald SzeemannHarald Szeemann

Individual Methodology

Published by JRP|Ringier.
Edited by Florence Derieux. Text by Harald Szeemann, Hal Foster, Jean-Marc Poinsot, Tobia Bezzola.

We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann’s groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann’s death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann’s collaborator for many years. Two of Szeemann’s most ambitious exhibitions are presented as case studies: Documenta V (1972) and L’Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann’s exhibitions and a selection of his writings complete this exhaustive survey.

PUBLISHER
JRP|Ringier

BOOK FORMAT
Paperback, 6.25 x 9 in. / 240 pgs / 60 bw.

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Catalog: SPRING 2008 p. 115   

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TheanyspacewhateverTheanyspacewhatever

Published by Guggenheim Museum Publications.
Essays by Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Föll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea von Hantelmann, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Eric Troncy, Giorgio Verzotti, Thomas Wulffen, Olivier Zahm

During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.

PUBLISHER
Guggenheim Museum Publications

BOOK FORMAT
Hardback, 6.5 x 9.5 in. / 256 pgs / 85 color.

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Catalog: FALL 2008 p. 100   

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ISBN 9780892073771 TRADE
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Silvia Kolbowski: Inadequate…Like...PowerSilvia Kolbowski: Inadequate…Like...Power

Published by Walther König, Köln.
Interview by Hal Foster. Essays by Rosalyn Deutsche, Stephan Schmidt-Wulffen and Mignon Nixon.

Documented here is Silvia Kolbowski's work from the 1980s through to today. At the center are the works, An Inadequate History of Conceptual Art, Like Looking Away, and her newest work, Proximity to Power: American Style. Accompanying these works are illustrations, text-excerpts and project-statements by the artist.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 6.5 x 8.75 in. / 176 pgs / 60 bw.

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Catalog: SPRING 2005 p. 136   

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ISBN 9783883758947 SDNR30
List Price: $40.00 CDN $50.00

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The Dada SeminarsThe Dada Seminars

Published by D.A.P./The National Gallery of Art, Washington.
Introduction by Leah Dickerman. Essays by George Baker, Leah Dickerman, Uwe Fleckner, Hal Foster, T. J. Demos, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

This volume of 12 essays fills a broad gap in Modernist art history. Taken together, these case studies on artists and concepts present Dada as a coherent movement with a set of operating principles. Among the “ tactics” elaborated are the hyperbolic mimicry of dominant social and linguistic conventions, the performance of gender and other aspects of identity, the usurpation of the modes of a new media culture and marketplace, and the recycling of history and memory as blasted in a world traumatized by war.The Dada Seminars developed out of a series of seminars held by the Center for Advanced Study in the Visual Arts at the National Gallery of Art, in advance of 2005's major traveling exhibition on international Dada. Contributors include George Baker, T.J. Demos, Leah Dickerman, Uwe Fleckner, Hal Foster, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

PUBLISHER
D.A.P./The National Gallery of Art, Washington

BOOK FORMAT
Hardcover, 7 x 10 in. / 320 pgs / 127 bw.

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Catalog: SPRING 2005 p. 42   

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The Dada SeminarsThe Dada Seminars

Published by D.A.P./The National Gallery of Art, Washington.
Introduction by Leah Dickerman. Essays by George Baker, Leah Dickerman, Uwe Fleckner, Hal Foster, T. J. Demos, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

This volume of 12 essays fills a broad gap in Modernist art history. Taken together, these case studies on artists and concepts present Dada as a coherent movement with a set of operating principles. Among the “ tactics” elaborated are the hyperbolic mimicry of dominant social and linguistic conventions, the performance of gender and other aspects of identity, the usurpation of the modes of a new media culture and the marketplace, and the recycling of history and memory in a world traumatized by war. The Dada Seminars developed out of a series held by the Center for Advanced Study in the Visual Arts at the National Gallery of Art, in advance of 2005's major traveling exhibition on international Dada. Contributors include George Baker, T.J. Demos, Leah Dickerman, Uwe Fleckner, Hal Foster, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.

PUBLISHER
D.A.P./The National Gallery of Art, Washington

BOOK FORMAT
Paperback, 7 x 10 in. / 320 pgs / 127 bw.

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Catalog: SPRING 2005 p. 42   

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ISBN 9781933045139 TRADE
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Vanishing PointVanishing Point

Published by Wexner Center for the Arts.
Edited and Essay by Claudine Isé and Hal Foster. Foreword by Sherri Geldin.

Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. Vanishing Point conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé terms “non-places”--hotels, shopping malls, freeways, corporate high-rises, airport terminals, gambling casinos, themed restaurants and other visually intoxicating yet banal environments that people pass through, often on their way to somewhere else. Reflecting this, the artsists in Vanishing Point make an effort to “place” these characterless locations. They interpret rather than document architectural spaces in order to convey the range of emotions and physical sensations that they evoke. Includes the resulting paintings, photographs, videos and installations by emerging and established artists such as Fabian Birgfeld, Dike Blair, Marco Brambilla, Jonah Freeman, Carla Klein, Sabine Hornig, Luisa Lambri, Won Ju Lim, Sarah Morris, Deborah Stratman, Amelie Von Wulffen and Amy Wheeler.

PUBLISHER
Wexner Center for the Arts

BOOK FORMAT
Paperback, 7 x 9 in. / 100 pgs / 35 color / 7 bw.

PUBLISHING STATUS
Pub Date
Out of print

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Catalog: SPRING 2005 p. 108   

PRODUCT DETAILS
ISBN 9781881390374 TRADE
List Price: $24.95 CDN $27.50

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STATUS: Out of print | 5/28/2010

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