Offering new insights into the role of museums, Wouter Davidts (author of The Fall of the Studio) investigates the connection between architecture, the museum as an institution, the museum program and art. A museum’s architecture may be deployed in a variety of ways: as an autonomous icon, as a flexible space, as a PR instrument, as a memory machine, as a stimulus to urban renewal, as a landscape theme, as a political trump card, as a storage depot for artifacts, and so on. Davidts explores these perspectives through several case studies--the Stedelijk Museum Amsterdam, Museum Boijmans Van Beuningen, the Centre Pompidou, Tate Modern and US institutions such as The Geffen Contemporary at MOCA Los Angeles and MoMA P.S.1 in New York.
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FORMAT: Pbk, 5.5 x 8.25 in. / 256 pgs / 10 b&w. LIST PRICE: U.S. $27.50 LIST PRICE: CANADA $37.5 ISBN: 9789078088493 PUBLISHER: Valiz/Antennae Series AVAILABLE: 5/23/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ME
Triple Bond Essays on Art, Architecture and the Museum
Published by Valiz/Antennae Series. By Wouter Davidts.
Offering new insights into the role of museums, Wouter Davidts (author of The Fall of the Studio) investigates the connection between architecture, the museum as an institution, the museum program and art. A museum’s architecture may be deployed in a variety of ways: as an autonomous icon, as a flexible space, as a PR instrument, as a memory machine, as a stimulus to urban renewal, as a landscape theme, as a political trump card, as a storage depot for artifacts, and so on. Davidts explores these perspectives through several case studies--the Stedelijk Museum Amsterdam, Museum Boijmans Van Beuningen, the Centre Pompidou, Tate Modern and US institutions such as The Geffen Contemporary at MOCA Los Angeles and MoMA P.S.1 in New York.
