Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Of Sponge, Stone and the Intertwinement with the Here and Now
A Methodology of Artistic Research
By Janneke Wesseling.
Of Sponge, Stone and the Intertwinement with the Here and Now explores the notion of “experience” as a key concept in a methodology of artistic research. In this concise, compulsively readable volume, scholar and art critic Janneke Wesseling traces a genealogy of “experience” that stretches from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept into a framework of research in visual art. Wesseling’s argument comes out of her own practice of artistic research, and her reflections on the interweaving of thinking and making. Part of Valiz’s vis-à-vis series of accessible introductions to academic subjects in contemporary art, this publication represents an expanded and extended version of Wesseling’s inaugural lecture at Leiden University, given in September 2016, and includes a collaboration with the Austrian performance artist Lilo Nein.
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FORMAT: Pbk, 6.25 x 8 in. / 48 pgs / 3 b&w. LIST PRICE: U.S. $15.00 LIST PRICE: CANADA $21.5 ISBN: 9789492095213 PUBLISHER: Valiz/vis-à-vis AVAILABLE: 2/28/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ME
Of Sponge, Stone and the Intertwinement with the Here and Now A Methodology of Artistic Research
Published by Valiz/vis-à-vis. By Janneke Wesseling.
Of Sponge, Stone and the Intertwinement with the Here and Now explores the notion of “experience” as a key concept in a methodology of artistic research. In this concise, compulsively readable volume, scholar and art critic Janneke Wesseling traces a genealogy of “experience” that stretches from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept into a framework of research in visual art. Wesseling’s argument comes out of her own practice of artistic research, and her reflections on the interweaving of thinking and making. Part of Valiz’s vis-à-vis series of accessible introductions to academic subjects in contemporary art, this publication represents an expanded and extended version of Wesseling’s inaugural lecture at Leiden University, given in September 2016, and includes a collaboration with the Austrian performance artist Lilo Nein.
