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| | | Hiroshi Sugimoto: ArchitectureText by Hiroshi Sugimoto.
 The latest in Damiani and MW Editions' Sugimoto project collects his majestic images of classic modernist buildings In 1997, Hiroshi Sugimoto (born 1948) began a series of photographs of significant works of modernist architecture, intending “to trace the beginnings of our age via architecture.” One of the hallmarks of Sugimoto’s work is his technical mastery of the medium. He makes photographs exclusively with an 8 x 10" view camera, and his silver gelatin prints are renowned for their tonal range, total lack of grain, wealth of detail and overall optical precision. In making the Architecture photographs, however, he inverted his usual process: “Pushing out my old large-format camera’s focal length to twice-infinity ... I discovered that superlative architecture survives the onslaught of blurred photography. Thus I began erosion-testing architecture for durability, completely melting away many of the buildings in the process.”
In this volume, which includes 19 previously unpublished images, the language of architectural modernism is distilled in photographs of Le Corbusier’s Villa Savoye, Mies van der Rohe’s Seagram Building and Frank Gehry’s Guggenheim Bilbao. By virtue of their blurriness and lack of color, the images strip down buildings to their essence, what we might imagine was the architect’s first, pure vision of form. The details of construction and imperfections that are a natural result of a massive, collaborative human undertaking are absent, and instead light and shadow define the forms of these buildings. The Architecture photographs continue the artist’s longstanding investigations of the passage of time and history. Are these monuments to human ingenuity and the power of the industrial age as eternal as they seem?
Featured image is reproduced from 'Hiroshi Sugimoto: Architecture.'PRAISE AND REVIEWSNew York Times Roberta Smith His photographs have stretched and reshaped the concepts of time, space and light endemic to the medium, and in the process they have altered our grasp of history, visual perception and existence itself. He has anointed fossils “the pre-photography time-recording device” and called photography “a process of making fossils out of the present.” |
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| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 11/1/2019 "Chrysler Building" (1997) is reproduced from Hiroshi Sugimotos's classic photography book, Architecture, just out in a gorgeous new edition from MW Editions and Damiani featuring 19 additional photographs of significant works of modernist architecture. Launching tonight at the Strand, it was singled out by Roberta Smith in The New York Times. Sugimoto's photographs, she writes, "have stretched and reshaped the concepts of time, space and light endemic to the medium, and in the process they have altered our grasp of history, visual perception and existence itself. He has anointed fossils 'the pre-photography time-recording device' and called photography 'a process of making fossils out of the present.'" continue to blog | |  | Edited by Staffan Ahrenberg, Sam Keller, Hans Ulrich Obrist. Text by Jacques Herzog, Akiko Miki, Daniel Birnbaum.CAHIERS D'ARTISBN: 9782851171795
USD $80.00 | CAN $109Pub Date: 10/21/2014
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|  | Text by Hiroshi Sugimoto.DAMIANI/MW EDITIONSISBN: 9788862086585
USD $60.00 | CAN $85Pub Date: 9/17/2019
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|  | Text by Maria Morris Hambourg.DAMIANI/MW EDITIONSISBN: 9788862085823
USD $50.00 | CAN $67.5Pub Date: 3/27/2018
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|  | DAMIANI/MATSUMOTO EDITIONSISBN: 9788862085205
USD $750.00 | CAN $995Pub Date: 12/26/2017
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|  | Text by Jonathan Safron Foer.DAMIANIISBN: 9788862084697
USD $11,000.00 | CAN $14300Pub Date: 4/26/2016
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|  | DAMIANIISBN: 9788862084604
USD $11,000.00 | CAN $14300Pub Date: 4/26/2016
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|  | Edited with foreword by David Hrankovic. Preface by Pasquale Gagliardi. Text by Annabelle Selldorf.WALTHER KöNIG, KöLNISBN: 9783863357498
USD $35.00 | CAN $47.5Pub Date: 9/29/2015
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| | Edited with foreword by David Hrankovic. Preface by Pasquale Gagliardi. Text by Annabelle Selldorf.WALTHER KöNIG, KöLNISBN: 9783863357498
USD $35.00 | CAN $47.5Pub Date: 9/29/2015
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|  | Introduction by Hiroshi Sugimoto. Text by Klaus Ottmann.HATJE CANTZISBN: 9783775739214
USD $50.00 | CAN $67.5Pub Date: 3/24/2015
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|  | Text by Hiroshi Sugimoto.DAMIANIISBN: 9788862083270
USD $65.00 | CAN $87Pub Date: 9/30/2014
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|  | Text by Armin Zweite.HATJE CANTZISBN: 9783775734714
USD $60.00 | CAN $79Pub Date: 2/28/2013
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|  | By Hans Belting.WALTHER KöNIG, KöLNISBN: 9783865606051
USD $49.95 | CAN $67.5Pub Date: 2/28/2010
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FORMAT: Clth, 10 x 11 in. / 160 pgs / 90 b&w.
LIST PRICE: U.S. $60.00
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ISBN: 9788862086585
PUBLISHER: Damiani/MW Editions
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| Hiroshi Sugimoto: Architecture The latest in Damiani and MW Editions' Sugimoto project collects his majestic images of classic modernist buildings Published by Damiani/MW Editions.
Text by Hiroshi Sugimoto. | In 1997, Hiroshi Sugimoto (born 1948) began a series of photographs of significant works of modernist architecture, intending “to trace the beginnings of our age via architecture.” One of the hallmarks of Sugimoto’s work is his technical mastery of the medium. He makes photographs exclusively with an 8 x 10" view camera, and his silver gelatin prints are renowned for their tonal range, total lack of grain, wealth of detail and overall optical precision. In making the Architecture photographs, however, he inverted his usual process: “Pushing out my old large-format camera’s focal length to twice-infinity ... I discovered that superlative architecture survives the onslaught of blurred photography. Thus I began erosion-testing architecture for durability, completely melting away many of the buildings in the process.”
In this volume, which includes 19 previously unpublished images, the language of architectural modernism is distilled in photographs of Le Corbusier’s Villa Savoye, Mies van der Rohe’s Seagram Building and Frank Gehry’s Guggenheim Bilbao. By virtue of their blurriness and lack of color, the images strip down buildings to their essence, what we might imagine was the architect’s first, pure vision of form. The details of construction and imperfections that are a natural result of a massive, collaborative human undertaking are absent, and instead light and shadow define the forms of these buildings. The Architecture photographs continue the artist’s longstanding investigations of the passage of time and history. Are these monuments to human ingenuity and the power of the industrial age as eternal as they seem?
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